Recording of Peter De Moncey-Conegliano's Abstract n° X. The composer describes this work as an abstract mindscape based on a distantly experienced reality. The basic materials are sounds the composer recorded in China.

Recording of Shinchi Morita's Akashiya. This work derivied from collected sounds from the composer's home, these sounds were processed and constructed via computer.

Recording of Konstantinos Karathanasis' Allegoriae sonantes. This piece is based on sounds derived from a grand piano by a small copper bar. The composer felt that this piece held something allegoric to it, something beyond its sonic nature, and attempted to explore that idea through the sound.

Recording of Paolo Besagno's Allegro Moderabile. This work consists of train sounds and the voice of the composer's grandpa, to whom the piece is dedicated. The composer states that this work is a short story of a man who has spent 40 years of his life watching his country through the windows of a train. The title of the work is the combination of musical term, Allegro, and the Italian word, moderabile, which refers to a train's braking system.

Recording of Eric Mulard's Alphamega. This work was produced in 2001 as part of "The Open Work on the Creation of the World", proposed by the IMEB. This work represents the birth of speech by using articulated language to showcase the alphabet.

Recording of Rajmil Fischman's And I think to myself.... This is a work for electronics that was inspired by the song "What a Wonderful World". The idea of the piece comes from the idea of taking a virtual "stroll" through a utopia described by Plato in his book, The Republic. There are three central movements that correspond to the realization of wisdom, courage, and temperance.

Recording of Magdalena Buchwald's Angorum Catena. This is a work for electronics and was commissioned by the Experimental Studio of Polish Radio in Warsaw. This piece is dedicated to Krzysztof Szlifirski.

Recording of Robert Wright's Arco. This is a work for cello and tape and is based on the saltando technique of bouncing the bow upon the strings. The tape part of the work was constructed from recordings of both a real cello and a software physical model of bow/string interactions.

Recording of Edgardo Hugo Martinez's Arrok. The composer notes the title as being "the primitive sea", the first element of nature in the creation of the cosmic worldview of the Tehuelches, an indigenous community from the south of Argentina.

Recording of Delphine Dupre's L'aube célestre. This work is based off of the theme "starry night" and includes various sampled sequences and mixes. It is composed of two moving pieces that move towards each other from dark to light.

Recording of Pierre Alexandre Tremblay's Auto portrait. This work was commissioned by the Rien à voir festival to mark its tenth anniversary and premiered during the Rien à voir concert series presented by Réseaux at Espace GO in Montréal. Like the title suggests, this piece is meant to act as a means for reflection, introspection, and renewed consciousness.

Recording of Pierre Jodlowski's Barbarismes. This work was created for an instrumental ensemble and electroacoustics and was commissioned by l'Ensemble Intercontemporain. The inspiration for this work is the meaning behind the term "barbaric", specifically throughout the Middle Ages. The composer states that this work is divided into three main parts: the Knight, the Fool, and the King.

Recording of Stelios Giannoulakis' A Beautiful Dream. This composition was created to accompany a video by Jung Chul Hur. The work tries to communicate the memory of love through the lens of a character.

Recording of Stelios Giannoulakis' A Beautiful Dream. This video, created by Jung Chul Hur, is accompanied by a composition of the same name. The work tries to communicate the memory of love through the lens of a character and includes various kaleidoscopic visuals as well as a performance by dancer, Nicha Kumkeaw.

Recording of Adrian Moore's Becalmed. This is a work for electronics and is the first piece in a song cycle called "Sea of Singularity". This song cycle explores the interrelationships of sound and was influenced by the theories and artworks of the Fauves. The composer sees this piece as a gentle reflection upon natural sounds after years of working with harsh sounds of rhythm.

Recording of Iancu Dumitrescu's Bolids & Contemplation. This is a work for electronics that the composer considers a numerical composition, starting from some proportions and numerical series, which gives it structure. The rhythmic aspect of the instruments' performing must interact with the numerical relations in the pre-registered computer-assisted musical part.

Recording of Friedrich Guen's Byzantine. A central sound material used in this work is Byzantine chant, which the composer used as a way to highlight the Byzantine culture and it's significance in the "creation of the world". This work focuses on the combination of speech and music.

Recording of Matias Giuliani's C(o)lonization. This work explores the colonization of South America and uses the two primary instruments to represent the different groups of people: Spaniards (cello) and natives (clarinet). The material itself is made up of only 10 sounds, which were then expanded upon to create a larger piece.

Recording of César Daniel Alarcón's Calvario. This work started as an exploration of sound sources from everyday life. The composer recorded various items while walking through his house and due to their strong identity, found he could barely transform them, and so their original sounds were kept throughout the work.

Recording of Juan Manuel Marrero Rivero's Caprices Episodiques. This is a work for electronics.

Recording of Gyula Pinter's Les cloches de flammes roses. This work was created for electronics and soprano solo in which the text is only word fragments, allowing for more concentration on the music itself. The composer was inspired to write this piece after reading the verse volume by Arthur Rimbaud and wanted to create a composition that expressed the poet's scope of ideas.

Recording of Peter De Moncey-Conegliano's Composition number whatever. This work was inspired by Indian street temples and palaces mixed with inner reflections of the soul.

Recording of Jean-Michel Deliers' Concrétion III. This work is a collection of concrete and electroacoustic sounds that come together to tell the story of a man being executed.

Recording of David Behar's Connecte. For electronics. This works uses sound to take the listener on a sonic journey full of differing sound textures and both high and low impact moments. There is also moments of pre-recorded sound which is kept unprocessed and contrast the synthetic sound.