Recording of Teresa Rampazzi's Requiem per amanda. Key musical features include two female voices in an echoing pattern and synthesized sounds.

Recording of Antero Honkanen's "Monastery in snowfall."

Recording of Gottfried Martin's Pax for tape. Includes electronic and natural sounds, including voice, news recordings, and recordings of war sounds.

Recording of Trevor Wishart's Anticredos performed by Trevor Wishart. It is a live-performance piece for six amplified voices using extended vocal techniques, but no electronic modification of the voices. The piece, commissioned by the English group "Singcircle," takes the word "Credos" and slowly dissolves and changes its sound-constituents through processes of gradual transformation. This recording is a studio version of the piece "sung" entirely by the composer.

Recording of Iván Patachich's "Pacem mundo" ("World Peace") for tape. Uses both concrete and electronic sound materials. The piece begins with a vocal ensemble with a soprano soloist that eventually becomes noticeably electronically manipulated. From then on, the piece switches between the vocal ensemble and other electronic sound material.

Recording of Zoltán Pongrácz's "Laus stultitiae" ("Praise of folly") for baritone and tape.

Recital presented at the UNT College of Music Recital Hall.

UNT Symphony Orchestra and UNT Grand Chorus concert presented at the UNT College of Music Concert Hall.

The present volume is a 1875 compendium of various Latin music treatises by Johannes Tinctoris gathered from manuscript sources from Brussels, Bologna and Gand. The present edition, edited by Charles Coussemaker, comprises ten of the twelve surviving manuscripts of Tinctoris's theoretical works. According to Oxford Music, these were written in the first few years of his employment at Ferrante's court and demonstrate Tinctoris's intellectual and pedagogical mastery of music theory. They also demonstrate his acquaintance with contemporaneous composers of the early Renaissance Burgundian composers like Antoine Busnoys, as well as with the music of Franco-Flemish composers such as Johannes Ockeghem. Below is a table of content listing the titles of each treatise and a brief description of the concepts they treat. Treatises and Description: "Expositio manus" - this treatise is divided in 10 chapters consisting of: definitions, places, clefs, voicing, properties, deductions, mutations, conjunctions, conclusion; "Liber de natura et proprietate tonorum" - this treatise is divided in 51 chapters containing: definitions and name of tones, concerning the species diatessaron and diapente, formation of first throughout the eighth tone, authentic and plagal modes, ascending and descending perfect/imperfect tones; "Tractatius de notis et pausi" - this treatise is divided in two books. …

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Orchestra concert performed at the UNT College of Music Winspear Hall.

Recital presented at the College of Music Recital Hall in partial fulfillment of the requirements for the Bachelor of Music (BM) degree

Sacred Quartet in E and C with solos for soprano & bass by Louis Berge. Op. 27. Berge Edition Catholique. Publisher number B.M. Co. 392-7. Stamped J. Fischer & Bro. 7, 8, 10 & 11 Bible House, N.Y. Teller, Sons & Dorner, New-York.

Written for and dedicated to Mr. P. Gleason, tenor of the Cathedral "Holy Name" Chicago, Ill. Publisher number L.B. 53=5. Text setting has Ave Maria in Latin, and "Saviour Divine" in English.

Op. 25. No. 1, for soprano or tenor with violin obligato. Publisher number B.M.Co.390-4 1/2. Violin part included.

To the Rev. Charles H. Eaton D.D. Publisher number L.B. 55=7. Cover engraving depicts the church at Fifth Avenue and 45th St.

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Illegible inscription dated October 16, 1907

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A music theory treatise by Marin Mersenne, concerned with the nature of sound and its consequences for how music is constructed.

1611 edition of the Book of Common Prayer, with psalms. The psalms include incipits in Latin, and occasional notated settings, along with the traditional canticles (Benedictus, Magnificat, Nunc Dimmitis) for morning, evening, and night prayer, Te Deum, the Athanasian Creed, and other hymns and prayers.

A faculty recital performed at the UNT College of Music Voertman Hall.

Recital performed at the UNT College of Music Recital Hall as a tribute to recently-retired professor, Graham Phipps.

Master's recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.