Recording of Teresa Rampazzi's Requiem per amanda. Key musical features include two female voices in an echoing pattern and synthesized sounds.

Recording of Gottfried Martin's Pax for tape. Includes electronic and natural sounds, including voice, news recordings, and recordings of war sounds.

Recording of Trevor Wishart's Anticredos performed by Trevor Wishart. It is a live-performance piece for six amplified voices using extended vocal techniques, but no electronic modification of the voices. The piece, commissioned by the English group "Singcircle," takes the word "Credos" and slowly dissolves and changes its sound-constituents through processes of gradual transformation. This recording is a studio version of the piece "sung" entirely by the composer.

Recording of Iván Patachich's "Pacem mundo" ("World Peace") for tape. Uses both concrete and electronic sound materials. The piece begins with a vocal ensemble with a soprano soloist that eventually becomes noticeably electronically manipulated. From then on, the piece switches between the vocal ensemble and other electronic sound material.

Recording of Zoltán Pongrácz's "Laus stultitiae" ("Praise of folly") for baritone and tape.

A recording of Roderik De Man's Chordis Canam. De Man composed Chordis Canam as a tribute to Annelie de Man and to Sies Bleeker. All sounds, except one, were derived from this harpsichord, no other equipment than microphones and tape recorders was used.