Photograph of two items belonging to Lee Harvey Oswald. A ring and an identification bracelet are shown on a wooden ledge. The name "Lee" is engraved on the bracelet.

Cornerstone detail of St. Mary's Church of the Assumption in Praha, "Hung Lapidem, J. C. Neraz, Episcopus A. D. 1892, Posuit.

Cornerstone detail of St. Mary's Church of the Assumption in Praha, "O. Kramer, Arch't. A. Freytag, Sup't. Frank Teich's Granite Works, San Antonio, Tex."

Cornerstone detail of St. Mary's Church of the Assumption in Praha, "Deo Omnipotenti in honorem assumptionis B.M.V."

Detail of two arched stained glass windows at St. John the Baptist Catholic Church in Ammannsville.

Detail of two arched stained glass windows at St. John the Baptist Catholic Church in Ammannsville.

Interior of the sanctuary at St. John the Baptist Catholic Church in Ammannsville. The interior is a rosy pink color with elaborate stenciling.

Photograph of a page from the millionth volume to be added to the NTSU Library. The page is worn around the edges and on it are illuminations and a song in Latin with the notes above the words. At the top of the page is an inscription that reads "S. Benedicti M. V." and on the back of the print is a handwritten note that reads "A. M. Willis, Jr. Library Library's 1,000,000th volume".

Photograph of an engraved plaque propped up on cement against the side of a building lined with rocks and shrubs. The plaque reads: "The Synod of Texas, Award of Recognition and Merit Presented to Central Presbyterian Church San Antonio, Texas, For having Assumed Full Responsibility for its own Maintenance and Growth in the Lord, On April 1, 1953 and Thereafter, David L. Stitt, Moderator of Synod, Ruben M. Armendariz, Pastor, Presented April 26, 1953, 'Lux Lucet In Tenebris'". The Latin phrase at the bottom of the plaque translates to read, "Light Shines in Darkness".

(Back of Photo) The Chapel - as you remember our old church, it is the east end of main church and is opened up for more seating - Really it is always open and a part of the church - but can be closed off for smaller services. From the William Blackshear collection, which was donated to the Palestine Public Library.

Photograph of the Lion Monument in Lucerne, Switzerland. The sculpture is visible in the foreground cut into the rock. Trees frame the image. The lion is cut into the center of the image surrounded by text.

Photograph of a mosaic in Venice, Italy. Half of a domed roof is visible in the foreground. The dome is decorated a detailed mosaic depicting many figures in front of a building. Below the mosaic, a row of columns and a carved archway are visible.

Photograph of St. Mark's Basilica in Venice, Italy. The top detail of a doorway fills the frame. A mosaic scene is inset into the top half dome of the doorway. Columns line the sides under the mosaic. The doorway is carved out of marble.

Photograph of the Trevi Fountain in Rome, Italy. In the foreground, a portion of the piazza in front of the fountain is visible and crowded with people. Behind the people, the fountain is visible along with the top of the Palazzo Poli, which is the backdrop for the fountain.

Photographs of "Biblia Pauperum; Apocalypsis," held by UNT Special Collections. The first is of the cover of the white book and the title at the top in black Latin script, the first letter of each word red. On top of it is a brown paper with a illustration in a red circle of a woman, Latin wording is around the rim of the circle and snaking over the woman. The second image is an illustrious of horses. In these two pages, there are three drawings of horses: blue, red and black. On each horse is a woman riding it, with small paragraphs of Latin text by them. There are several other drawings of thing such as swords. The third image is an illustration of creatures. At the top of each page is a woman with blue wings. On one side she is holding a collar attached to a creature, and pushing another creature into the gaping mouth of a monster. On the bottom left page six women ride a horse. The text of "Biblia pauperum" consists of selections from the Book of Revelation. Stories of the Apocalypse often recount visions said to be revealed by a heavenly messenger or angel …

Photographs of "Liber Bestiarum," held by UNT Special Collections. The first is of two pages in the open book, the one on the left contains a colorful illustration of birds on a tree with flowers. Under it is medieval script with the first letter of the paragraph a giant blue P. The page on the right contains the same medieval script. Towards the bottom is a paragraph with the first letter being a big red A. The second photo is of the cover of "Liber Bestiarum." The cover is bright red, the spine containing four different boxes of illustrations along the spine of animals. The front of the cover contains the book title in gold script Above and bellow it blue and red illustrations of animals. This is a facsimile of the manuscript from the Bodleian Library in Oxford, England and has 135 illustrated depictions of animals, including birds, reptiles, and fish. Bestiaries are manuscripts about animals, including real and imaginary illustrated depictions revealing a moral lesson. Bestiaries originated in the Ancient world but reached their height of popularity during the Medieval Period.

Photograph of writing underneath pins and discs on a harp's neck. The top line of text says "Sebastian Eraro's" while the second line reads "Patent," followed by a glyph, and "4996." The third line says "18. Great Marlborough Street London. To the left of the lines of text is the royal coat of arms of the United Kingdom, made up by a crowned crest flanked by a lion and a unicorn, below which is a ribbon of paper that has upon it the latin words "dieu et mon driot." This harp is one of multiple restored historical harps donated to UNT by David Williams.