A woman in an elaborately decorated kimono is seated in the foreground. A seascape with a fisherman is seen behind the woman. On the right side of the artwork are several insets with Japanese text.

An grounded airplane is depicted in the monochromatic postcard.

The monochromatic postcard includes a depiction of an airplane in the air. There is some Japanese text along the bottom edge.

Recording of Anna-Elizabeth Hinkle-Turner's American Made. It is an electroacoustic piece using various English and Japanese sound fragments to recreate the sound of a motorcycle's exhaust.

The white paper on comprehensive environmental policy describes the role of Japan's economy in a sound global environment. In the first part, the report describes current the environmental conditions of the Earth and of Japan, human activities in Japan and overseas, their environmental impacts, and the pathway to the environmental century. The second part of the white paper reports on various measures.

Postcard addressed to Mrs. E.A. Wakeham from her daughter. The image on the postcard is of the Atami Hotel and "Atami Hotel, Atami Hot Springs" is printed on the front along with some Japanese characters. The correspondence on the back reads "Dearest Mother - We spent a wonderful three days at this hotel. We were able to get European style rooms for two nights. One night we stayed was in Japanese style - was [...] experience - sleeping on the floor and wearing no shoes in the room. Beautiful [scenery] and etc. [...]"

Dress of bright green silk chiffon printed with multicolor shapes and with all-over scattered sequins and beading. The printed design includes circles, flowers, and fluid lines and triangles in shades of pink, yellow, blue, orange, and violet. The sequins are clear, and are secured with tiny colored beads, the colors of which match the color of the dress over which they are sewn. The full-length A-line sheath has a high,round neckline and U-shaped back with beaded band trim at neckline. The long sleeves have five non-functioning beaded buttons at wrist, and five hidden snap closures from wrist. The dress has an attached underdress of matte silk printed with same design as the overdress. The garment is fully lined with cream silk jacquard of repeated pattern of Hanae Mori's name. The underdress has a zipper closure at center back from neckline to above waist. The overdress has a series of hidden snaps to conceal the zipper, and a line of eight beaded buttons matching those on the sleeves, also non-functional. A single hook-and-loop closure at neck secures the top of the garment. Designer's label at left of zipper: "[Japanese characters] / Hanae Mori"

Photograph of bicycle parking in Tokyo, Japan. A row of bikes leads from foreground to background. A pedestrian walkway is visible to the right of the bicycle parking. The walkway passes rows of shops.

Poster advertising a concert by Brave Combo on Tuesday, March 5 and Wednesday, March 6 at Shibuya Club Quattro. Poster features a photograph of four band members holding a string of plastic owl shaped lanterns. The photograph lays on a red background and is overlaid with text in English and Japanese giving performance details.

Photograph of a busy street, most likely in Tokyo, Japan. There are many people on the street and signs on the buildings.

Recording of Boyko Stoyanov's C.A.S. Stoyanov was inspired by the interpretation of Chopin's Op. 30, no. 1 by the Japanese pianist Rikako Akatsu, performed at the Chopin Piano Competition in Warsaw. In this work, the composer wanted to create a unique form, the basis of which provided by the electroacoustic music.

Photograph of a car that is flipped over in the street and burning. There are several people looking on, including one man in the foreground crouching, and one man holding a baton.

Recording of Takehisa Kosugi's Catchwave 71.

The vertically oriented postcard depicts in a monochromatic palette some soldiers fighting with one down, partially seen. There is some Japanese script in the upper portion in a heavy black font.

The vertically oriented postcard depicts a tree in the foreground and a red pagoda style building in the background. Some Japanese text in black ink is in the lower portion of the postcard.

A roundel in the center features a woman in a highly patterned kimono holding two pieces of a vegetable. A lotus blossom is featured on the roundel. In the uppermost portion of the piece is a rectangular inset with Japanese text and double row of cloud formations. A large leaf extends below and from underneath the roundel on the lower right side. A narrow band on the right side of the artwork graduates from yellow to blue and also includes Japanese text.

Photograph of a house in the city of Kyoto, Japan. The outer gate of the house is visible in the foreground. Behind the gate, trees are visible in front of the house.

Newspaper clipping from Japan from the Bob Kap collection from December 1967. The newspaper clipping reports of a sports team arriving in Japan and will match with a Japanese sports team as part of their global tour. The clipping includes a photograph of American athletes posing in front of an airplane and waving their hats.

A stylized sun rises in the background to shine upon flowers, doves, and a hammer.

The vertically oriented postcard depicts an aerial view of a boat and its team of rowers. Inside a depiction of a life saver ring and along the lower edge is some Japanese text.

The vertically oriented postcard features a soldier on horseback carrying a flag in the foreground and the background insert includes a line of soldiers in outline and a portrait of a man and a woman in oval monochromatic insets.

Recording of Michel Karsky's Contr'gris. This work was created for the Autumn Music Festival in Moscow and includes spoken Japanese and French text. The word "grisaille" is repeated several times and this composition plays on the notion of "grisaille". The title was recommended to the composer by a Russian musicologist who emphasized the importance of an accent when speaking it.

A large tree trunk figures prominently in the composition and a couple behind the tree are underneath an umbrella. The colors of the postcard are muted and along the left hand edge is some Japanese text.

A woman is prominent in the foreground. She wears a red patterned kimono and a white loose head scarf. Insets with Japanese text are on both sides of the artwork. Behind her is a seascape and landscape with two men.