Recording of John Gibson's Detour. This work uses recorded sounds of the subways in Tokyo and Kyoto, including machine sounds and platform announcements. The electronic sounds are meant to sharpen the qualities of the soundscape recordings which the composer created on a trip they made to Japan. The sounds of this piece are meant to suggest the feeling of disorientation and dislocation that come with traveling in an unfamiliar, fast-paced city.

Dress of bright green silk chiffon printed with multicolor shapes and with all-over scattered sequins and beading. The printed design includes circles, flowers, and fluid lines and triangles in shades of pink, yellow, blue, orange, and violet. The sequins are clear, and are secured with tiny colored beads, the colors of which match the color of the dress over which they are sewn. The full-length A-line sheath has a high,round neckline and U-shaped back with beaded band trim at neckline. The long sleeves have five non-functioning beaded buttons at wrist, and five hidden snap closures from wrist. The dress has an attached underdress of matte silk printed with same design as the overdress. The garment is fully lined with cream silk jacquard of repeated pattern of Hanae Mori's name. The underdress has a zipper closure at center back from neckline to above waist. The overdress has a series of hidden snaps to conceal the zipper, and a line of eight beaded buttons matching those on the sleeves, also non-functional. A single hook-and-loop closure at neck secures the top of the garment. Designer's label at left of zipper: "[Japanese characters] / Hanae Mori"

Recording of Manuel Rocha Iturbide's Parlantes. This work was inspired by the abundance of screens and loud speakers that fill big cities in Japan. The composer explores the role speakers now play in the daily cultures of Japanese cities. The protagonists of this composition are the speakers and the recorders that reproduce these sounds. This reflects the gradual disintegration of the human voice through modern technology.

Faculty recital performed at the UNT College of Music Kenton Hall.

Photograph of Japanese internment camp signage written in English and Japanese in an unknown location. The sign is in front of wooden building with a chain fence, and a bike is on the right side of the photo just barely in frame.

Photograph of a theater built in the style of Japanese architecture, at Poston, AZ Relocation Camp; seated on-lookers watch work in progress.

Recording of Michel Karsky's Contr'gris. This work was created for the Autumn Music Festival in Moscow and includes spoken Japanese and French text. The word "grisaille" is repeated several times and this composition plays on the notion of "grisaille". The title was recommended to the composer by a Russian musicologist who emphasized the importance of an accent when speaking it.

Recording of Pierre Mariétan's Les dits de nobuyo. The composer states: "The "reality show" is that of the sound, of its own story implemented here in the relationship of the voices to each other with the noises captured, all of this inscribed in the silence of the composition. What these sounds, the voices, the story say, is to be interpreted by the listener according to his feelings, the awareness of what he perceives. The reality show does not want to be, like on television, the alibi of a unique and bygone reality. Its conclusion is that of the listener, discovering through the acoustic image that comes to him, not a visual representation of the sound (whatever one does one will never see a sound), but a formal configuration , dimensioned, resulting from the alliance of sound and space."

Recording of Guillermo Senn's Sensaciones 2. This work is a continuation to the piece "Sensaciones 1" by the same composer. The piece was inspired by the world of the senses and their varying levels. The composer notes the text at the end as a social complaint towards many countries around the world struggling with political peace. The excerpt comes from the film "Madadayo" by Akira Kurosawa.

Recording of Johannes S. Sistermanns' I hear you think. This work consists of various concrete sounds as well as spoken text written by Hazrat Inayat Khan.

Recording of Sylvi MacCormac's Waves of Kokoro. This work is an electroacoustic soundscape for Kokoro Dance and includes the voice work of Barbara Bourget and Jay Hirabayashi. This piece received Honorable Mention at IMEB, Synthse '99.

Photograph of the entrance gate to the Japanese Garden at the Fort Worth Botanic Garden. The gate resembles traditional Japanese entry gates and has tall wooden doors, a upper level with a fenced balcony and shoji screens, and a tiled pagoda-like roof. Banners hang from the balcony's fences and are posted in front of the gate, reading "WELCOME", "KONNICHIWA", and "good day" in Japanese. The entry gate is flanked on both ends with walls.

Recording of Cécile Le Prado's V.O. mito esquisse radiophonique.

Structured dress in Marimekko "Noppa" (dice) print of black rectangles on white background. Attached belt of black leather with snap closure. Zipper closure under left armscye. Designer label: Junya Watanabe / Comme des Garçon Textile designer label: Marimekko

Faculty recital presented at the UNT College of Music Recital Hall.

Recording of Anna-Elizabeth Hinkle-Turner's American Made. It is an electroacoustic piece using various English and Japanese sound fragments to recreate the sound of a motorcycle's exhaust.

Video footage from the WBAP-TV station in Fort Worth, Texas to accompany a news story about a group of ten Japanese Boy Scouts starting their tour of the U.S. at Fort Worth's Carswell Air Force Base.

Photograph of a flag from the Bob Kap collection, held by UNT Special Collections. It is from the game between the Dallas Tornado team and the Nishi-Nippon All Stars team. The flag is made from a red cloth material and has yellow and white lettering. There are also patches on the side of the American and Japanese flags and a soccer ball. There are also four small white and red ribbons on the side of it.

Photographs of a badge received in Japan from the Bob Kap Collection, held by UNT Special Collections. In the first photo the front of the badge is visible. It has the US and Japanese flags at the top and two figures playing soccer beneath them. In the second photo the back of the badge is visible. At the top is Japanese writing followed by English that reads "Soccer Friendly Match, 1967.12.26, Nagai Stadium". It is a silver color with aging areas around the edges.

Evening dress/ballgown of black with white polka dots taffeta. Full length, slightly flared skirt with spaghetti strap shoulders. Bodice of six layers of black and matching polka dot pleated ruffles. Under structure of black taffeta is straight with 16" added gathered ruffle at hemline to give fullness to dress. Designer's label at left side seam: "(Japanese characters) / Hanae Mori" Size "8" tag attached to base of designer label. Retailer's label at left side seam: "Neiman-Marcus"

Happi of indigo dyed heavy cotton or linen with Japanese characters resist pasted on vertical bands at center front opening. Linear maze-like design across main part of garment.

Ensemble of brown and white herringbone polyester. A) Box jacket is hip length. Long sleeves gathered at 1"cuff. Pointed turn down collar. Patch pockets at sides. Center front closure of seven self-covered buttons with barred buttonholes. Unlined. Designer's label at back neckline: "Hanae Mori / Tokyo New York" Fiber content/care/size label to right of designer label. Japanese content/care tag at right side seam with fabric swatch and extra button. B) Sundress of same gathered to narrow yoke with 1" straps. Straps and yoke overlaid with white crochet. Center back closure of two hook & eyes on back narrow yoke. Lined in white rayon. Size "8" tag at center back. C) Tie-belt of same for sundress. Three inches wide with 1" bands at each end.

A) Dress of blue nylon knit with clouds and airplane motif, and with "Hanae Mori" signature in the print. Full length, with round neck, gathered at yoke. Neckline is trimmed with three cords of same fabric and trailing ends forming a tie at the center front. Long sleeves are gathered at 1-1/2" cuffs, which close with large covered snap. Center front placket closes with large covered snaps and is trimmed with four airplane-shaped, nonfunctional buttons. Unlined. Designer's label at center back neckline: "Hanae Mori / Tokyo . New York" Fiber content/care label to left of designer label. Union Label beside content/care label. B) Cord belt of same. C) Belt of magenta pink leather; 3/4" wide. Horseshoe shaped buckle.

Dress of pleated polyester chiffon printed in a pink, magenta, and grey chrysanthemum flower motif on a background of various shades of green leaves. Thin straps of braided green silk; neckline piped in green silk matching shoulder straps. Dress constructed of two tiers with lower tier attached to under dress of tan rayon. Center back zipper with hook & eye on tan rayon lining with three self-covered snaps on chiffon outer layer. Designer's label to left of zipper: "(Japanese characters) / Hanae Mori" Retailer's label above designer label: "Neiman-Marcus" Content/care above retailer label.