Recording of Riccardo Santoboni's Segni dal tempo. This work deals with the taste of the earth of "Salento" in the south of Puglia, Italy. The sound elements included in this work include the rhythm and music of traditional dance and voice while electronic processing is used to modulate.

Recording of Marco Dibeltulu's Microclima II. This work was created as part of the open work "Les Maîtres Sonneurs" for the Synthèse festival. The intent of this work was to combine electroacoustic music with popular music. The title metaphorically represents the island in the center of the Mediterranean and the sound mimics the harsh and wild landscapes of the island with the emerald sea and ancestral music. This has been represented by the Launeddas and by the Canto a Tenore, a typical expression of island vocal polyphony.

Recording of Paolo Besagno's Normalmente, due. This work is an homage to Mr. Jacquard and his loom. The score was written with rows and columns in order to maintain the concept of the loom. The composer describes this piece as "a word game".

Recording of Stefano Trevisi's Tabula irrasa. This is a work for tape that was inspired by the composer's experiences on trains crossing the Po Valley. While travelling, the composer found himself focusing on the landscape and drew inspiration from the fields, farmsteads, hedges, etc. The materials that have been used are based on the sounds of the language spoken by the river. The composer thanks Italo Formigoni and Wainer Melli for their helpfulness as well as the Istituto Mantovano di Storia Contemporanea for historical audio documents.

Recording of Elizabeth Mara Bossero's Anticlèa. This work was inspired by the meeting of Odysseus with his mother, Anticla, in 'Hades', book XI of the Odyssey.

Recording of Luigi Ceccarelli's Dall'alto. This is an electroacoustic work that includes Italian spoken word that describes the act of floating above the world in observation of the land and sea below.

Recording of Fabio Cifariello Ciardi's "Limens Limine." This work is a 4+1 channel piece, with 4 of the channels playing on speakers off the stage and 1 channel played on a loudspeaker on center stage. Composer utilizes pre-recorded voices, percussion, found sounds, and electronics. Premiered in Montreal.

Recording of János Decsényi's La fontana malata. This work is the third movement of an electroacoustic poem cycle called "Book of poems". This piece uses a poem by Italian poet, Aldo Palazzeschi.

Recording of Paolo Besagno's In primo vere. This work is a short celebration of spring that the composer dedicates to their two daughters, whose voices are used as main sound material in the work. The text in the work comes from a nursery rhyme that was taught to the composer as a child and the voices of his daughters represent the true voice of spring. The composer gives thanks to Riccardo Dapelo for his friendship and collaboration.

Recording of Andrés Lewin-Richter's Viso di Primavera. This work was created as an homage to mezzo-soprano Anna Ricci, who passed away in 2001. This composer has worked with her before and used fragments of her voice to create this work.

Recording of Mauro Cardi's Altrove con il suo nome. The text in this work is sampled from "Oggetto d'amore" by Pasquale Panella and the theatric content of the text is reflected in the recording. The sound materials used in the tape is primarily made up of samples from the actress' voice. The piece premiered in Rome in December, 2000 and again in 2001 as part of a larger project.

Recording of Marco Dibeltulu's Sono una creatura. This work was inspired from a poem by Giuseppe Ungaretti. The sounds of this work come from recited voice and have been manipulated to attempt a smooth transition between music and spoken word. The piece consists of three parts: the first is purely musical, made up of superimposed sound bands, the second imitates the vocal articulation with a "synthetic speech", and finally the third begins with the "granulated" vocal timbre.

Recording of Maria Cristina de Amicis' Trasformazioni dell'anima. This is a work for electronics.

Recording of Andréa Libretti's Even event - Odd event. This is a work for electronics that includes various vocalizations.

Recording of Francesco Giomi's Menu. This work is a radiophonic soundscape of the "kitchen". It includes three different types of sound: keynotes (background sounds from the kitchen), sound signals (sound and gestures in the foreground), and markers (specific sounds which have a specific meaning for people who work in the environment). The structure is outlined by spoken phrases taken from the real menu of the restaurant.

Recording of Robert Grassi's L'ouest du palmarès. The composer describes this work as a live improvisation from a sample percussionists and speaker. The instrumentation was created by Yamaha drums and a Yamaha sampler.

Recording of Marco Ligabue's Radiodays. This recording is a "radio" soundscape of some moments from the 20th century.

Recording of Nicola Bernardini's Recordare. The text in this work was written by the composer's father in which he reflects on the shock he felt at the situation in Bosnia. The composer hoped to create a comment on a complex issue without losing the impact of the event in question.

Recording of Barry Truax's La Sera di Benevento. This work is a soundscape composition based on environmental sounds from the town of Benevento, Italy. These sounds are mixed with the reciting of a lyric poem by the 14th century poet Giovanni Boccaccio. This work was recorded on an 8-track digital tape.

Recording of Francesco Giomi's Arrisi.

Recording of Jorge Rodrigo Sigal's Babel. This work is part of a larger CD project called "Manifesto". The piece is meant for flute, tape, and optional live electronics. The sound materials were recorded in Spain, France, and Mexico City. The composer dedicates this work to Stefano Scarani and it was premiered by Mr. Harrie Starreveld.

Recording of Lou Mallozzi's Aquapolis. The sound material is language and ambient recordings. The text is written in English, and has been translated into German and Venetian Italian. There are aquatic sounds, body sounds, and sounds of physical labor. Conceptually, the piece is based on a fictional trans-historical walk through an aquatic city, loosely based on Venice. The piece is in four sections: Preamble, 2000 Years Ago, 200 Years Ago, and This Year.

Recording of Jarmo Sermilä's Il mondo assurdo del signor B. For voice, electronics, strings, and percussion.

Recording of Luigi Ceccarelli's Tupac Amaru. The composer describes this work as a musical opera based on a text by Gianni Toti with all vocal parts attributed to the voice of Giovanna Mori. This work was premiered at "Europa Festival" in Ferentino, Italy. The original pre-recorded tape is divided into 8 tracks (ADAT format).