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1,154 Matching Results
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Doctoral Recital: 2013-03-04 – Fabiana Gonzalez, mezzo-soprano
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Date:
March 4, 2013
Creator:
Gonzalez, Fabiana
Object Type:
Video
System:
The UNT Digital Library
The Levi problem on mixed manifolds
Article discussing the Levi problem on mixed manifolds. This article gives a new proof that the problem of Levi, to mixed varieties have a solution in the sense that every pseudoconvex closely mixed variety, with enough real global morphisms, is a variety of Cartan.
Date:
1984
Creator:
Anghel, Nicolae
Object Type:
Article
System:
The UNT Digital Library
Patmos
This book is a collection of poetry in Italian and translated into French and English.
Date:
August 29, 2013
Creator:
Di Biasio, Rodolfo, 1937-
Object Type:
Book
System:
The UNT Digital Library
Faculty Recital: 1999-02-12 - Linda Di Fiore, contralto
A faculty recital performed at the UNT College of Music Concert Hall.
Date:
February 12, 1999
Creator:
Di Fiore, Linda
Object Type:
Sound
System:
The UNT Digital Library
Student Recital: 2012-03-28 - Musica Da Camera and Chiesa II
A student recital performed at the UNT College of Music Voertman Hall.
Date:
March 28, 2012
Creator:
Musica Da Camera
Object Type:
Sound
System:
The UNT Digital Library
Faculty Recital: 1989-02-05 - Harold Heiberg, piano, with the UNT Voice Faculty
A faculty and guest artist recital performed at the UNT College of Music Recital Hall.
Date:
February 5, 1989
Creator:
Heiberg, Harold
Object Type:
Sound
System:
The UNT Digital Library
Bambina mattina
This book is a collection of poetry in Italian and translated into English and French.
Date:
July 27, 2013
Creator:
Adriano, Domenico
Object Type:
Book
System:
The UNT Digital Library
Serva padrona : intermezzo
The intermezzo La serva padrona first appeared between the acts of Pergolesi’s Il prigioniero superbo in 1733. This was the standard way in which to present an intermezzo. The work served as comic relief in the midst of more solemn opera serie, and incorporated elements of the improvisational commedia del’arte tradition. For instance, the few characters are drawn from stock types, such as the servant Serpina.
Date:
[1804,1805]
Creator:
Pergolesi, Giovanni Battista, 1710-1736
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Buona figliuola : opera comica
Goldoni turned to Samuel Richardson’s novel Pamela, or Virtue Rewarded (1740) as the inspiration for his La buona figliuola. In 1750, he wrote the play Pamela nubile and then turned it into a libretto for Duni. Although Duni’s La buona figliuola (1756) was a failure, Piccinni’s setting in 1760 was a huge success. The hilarious comedy coupled with Piccinni’s sentimental treatment of Cecchina contributed to the popularity of the opera, which still receives performances to this day. Typical of opera buffe, La buona figliuola features chain-like finales that propel the plot and characters to the end of the act (at that time, sectional finales were new to Rome). Other features of his music that receive praise are the beautiful, Italianate melodies, energetic accompaniments, and the variety of musical treatment throughout the opera.
Date:
1767
Creator:
Piccinni, Niccolò, 1728-1800; Goldoni, Carlo, 1707-1793 & Richardson, Samuel, 1689-1761
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Storia Della Musica: Volume 1
Copy of the first of three volumes of "Storia della musica" (Music History) containing eleven chapters and three dissertations. The text describes various topics related to music history including music classification, early music in biblical descriptions, music theories, singing and harmonies, church music, and musical notations.
Date:
1757
Creator:
Martini, Giovanni Battista, 1706-1784
Object Type:
Book
System:
The UNT Digital Library
Storia Della Musica: Volume 2
Copy of the second of three volumes of "Storia della musica" (Music History) containing nine chapters and three dissertations that talk about music in relation to ancient Greece, such as Greek mythological figures and festivals, Greek theories of music, and unique features of ancient Greek music.
Date:
1770
Creator:
Martini, Giovanni Battista, 1706-1784
Object Type:
Book
System:
The UNT Digital Library
[Music Department Professor Eugene Conley Performing, August 26, 1960]
Photograph of Eugene Conley standing next to a piano and holding a sheet of music. There is a sign promoting his event in Italian writing on the wall near the piano.
Date:
September 1960
Creator:
unknown
Object Type:
Photograph
System:
The UNT Digital Library
Su gli argini del Piave, dove maestosa si erge la Storica e millenario Venezia, l'orgoglio Unno trova certo tomba per l'eroismo delle legioni alleati : On this side of the Piave, where the beautiful and ancient City of Venice stands, the haughty Huns will surely meet death from the hands of the Heroic and Allied Legions.
Color poster depicts a battle scene with the British, American, French and Italian forces on one side of the river and the enemy on the other side. In the background there is a view of the buildings of Venice. A female figure wearing a crown and draped in a red skirt hovers over the scene holding an Italian flag and a sword. A large yellow star shines behind her and over the city. At her feet are the words, "Da qui non si passa" ("They shall not pass"). At the upper left hand corner are small portraits of "Generale Diaz" (Armando Vittorio Diaz of Italy), "Presidente Poincare" [sic] (Raymond Poincaré, President of France), "Vict. Emm. III." (Victor Emmanuel III, King of Italy), "Re Giorgio" (King George V of England), and "Pres. W. Wilson" (Woodrow Wilson, President of U.S.A.). Beneath Wilson's portrait flies a bird bearing a banner, "Per la libertà dei popoli" ("For freedom of the peoples").
Date:
1918
Creator:
Petronzio, G.
Object Type:
Poster
System:
The UNT Digital Library
Giulio Cesare : opera in tre atti
This is a [ca. 1743] score of "Giulio Cesare," an Italian opera seria in three acts by Handel. The performance forces include: flute, oboe, horns (in A and D), strings (violin, viola, violoncello, bass), continuo (theorbo and viola da gamba), harp, chorus of mixed voices (soprano, alto, tenor, bass), and soloist singers. A list of solo arias and duets of each act appears on p.170 followed by a list containing the names of the subscribers on pp.[171-172]. Two mythological figures [possibly, the god Apollo and the Muse Erato] and musical instruments signed by the London engraver [John] Strongitharm of Pall Mall appear on the title page. The name of each character appear at the top of p.3 with the names of the actual performers inscribed with pencil. The names of the casting coincide with those listed in the Oxford Dictionary of Music (online, 2009): "the castratos Senesino, Gaetano Berenstadt and Giuseppe Bigonzi (Caesar, Ptolemy and Nirenus), Francesca Cuzzoni (Cleopatra), Margherita Durastanti (Sextus), Anastasia Robinson (Cornelia), Giuseppe Boschi (Achillas) and John Lagarde or Laguerre (Curius)."
Date:
1743
Creator:
Handel, George Frideric, 1685-1759
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Orfeo ed Euridice
This is the libretto of "Orfeo ed Euridice" by Ranieri de Calzabigi, published in vol 2 of "Raccolta di melodrammi serj scritti nel secolo XVIII." The original volume contains works by Apostolo Zeno, Giuseppe Parini, Marco Coltellini, Castone Rezzonico della Torre, Ranieri de Calsabigi, and F. Saverio de Rogati. On the back of the t.p. appears a quote in Virgil's "Georg.," iv, 465: "Te dulcis conjux, te solo in littore mecum, te veniente die, te discedente canebam." The libretto includes a prologue and list of characters.
Date:
1822
Creator:
Calzabigi, Ranieri de, 1714-1795
Object Type:
Text
System:
The UNT Digital Library
La fede ne' tradimenti
This is a 1689 copy of Girolamo Gigli's three-act libretto for the opera "La Fede ne' tradimenti," set to music by Giuseppe Fabbrini for the 1689 Carnival season at the Collegio Tolomei in Siena, Italy.
Date:
1689
Creator:
Gigli, Girolamo, 1660-1722
Object Type:
Book
System:
The UNT Digital Library
Le istitutioni harmoniche
This is a 1562 copy of "Le istitutioni harmoniche," one of the most influential music theory treatises written by Gioseffo Zarlino. The first edition appeared in Venice in 1558. The treatise, divided in four parts, includes theoretical and practical elements of music. The first two parts discuss philosophical, cosmological and mathematical aspects of music, Greek tonal system and tuning. The third and fourth parts cover the rules of counterpoint and modes, respectively. This copy bears a dedication to Vicenzo Diedo. It contains a table of contents per chapter and list of corrections. Several handwritten annotations appear on the t.p. ink: "coll: cochi nuoi soc: Jesù;" "exdono Joannis Jerary;" and "Inscriptet catalog."
Date:
1562
Creator:
Zarlino, Gioseffo, 1517-1590.
Object Type:
Book
System:
The UNT Digital Library
La Geneviefa
This is a ca. 1685 copy of the three-act libretto of "La Geneviefa" by Girolamo Gigli. The work was dedicated to Prince Francesco Maria of Toscana. The Sienese composer Giuseppe Fabbrini set the libretto to music for an opera staged at the theater of the Collegio Tolomei in Siena. Although the music of the opera is lost, the remark, "Il Sign. Giuseppe Fabrini, che ha data l'anima al verso con l'armonia della musica ..." in the preface of the libretto confirms Fabbrini's setting it to music. Concerning Fabbrini's operas, the Grove Music states that, "His operas to librettos by Gigli were all written for the college theatre which opened in 1685." The opera "La Genefieva" premiered that same year in February.
Date:
1685
Creator:
Gigli, Girolamo, 1660-1722
Object Type:
Book
System:
The UNT Digital Library
Prattica di musica, utile et necessaria si al compositore per comporre i canti suoi regolatamente, si anco al cantore per assicurarsi in tutte le cose cantabili
This book is the first part of Lodovico Zacconi's "Prattica di musica," published in 1596. The contents of this book are divided in four parts covering: the history of music, definition of musical terms, introduction to musical notation, modes, time and prolation, rules of counterpoint, musica ficta, classification of musical instruments, and proper manner of singing polyphonic works and musical ornaments. A second part, "Prattica di musica seconda parte," was published in Venice in 1622. The library's copy contains the following pagination errors: leaves 30, 67, 124, 130, 134, 188 were numbered incorrectly as 29, 140, 130, 122, 130, 194, respectively. There are two leaves numbered 50, each containing the parts for the alto, bass and tenor with underlaid text "Beatus author seculi" and "Residuo." Each leaf is preceded by another leaf that contains the singing parts for the cantus, quintus and tenor. These are two versions of a polyphonic setting, in duple time and triple mensuration, respectively. In the second example, the words Gloria tibi domine" appear under the cantus and quintus.
Date:
1596
Creator:
Zacconi, Lodovico, 1555-1627.
Object Type:
Book
System:
The UNT Digital Library
Prima la musica e poi le parole
This is a copy of Giovanni Battista Casti's libretto for the comic opera "Prima la musica e poi le parole". On the back of the t.p. appears a list of characters and names Antonio Salieri as the composer of the music. The one-act opera was commissioned by Emperor Joseph II. Members of the Burgtheater's Italian troupe premiered it at the Schönbrunn Palace on February 7, 1786. The library's copy is bound with the libretto of Zaccaria Valaresso's "Rutzvanscad, il giovine."
Date:
1786
Creator:
Casti, Giovanni Battista, 1724-1803.
Object Type:
Text
System:
The UNT Digital Library
Rutzvanscad, il giovine
This is a copy of Cattuffio Panchianio's "Rutzvanscad, il Giovine," a parody of Greek tragedy. The library's copy is bound with the libretto of Giovanni Battista Casti's "Prima la musica e poi le parole." Clarification notes relating to terms and characters of the tragedy appear on the back of p.79 together with a list of printing errors.
Date:
1724
Creator:
Valaresso, Zaccaria, 1686-1769
Object Type:
Text
System:
The UNT Digital Library
Storia Della Musica: Volume 3
This is a copy of the third of three volumes of "Storia della musica" (Music History), including numerous figures, musical examples demonstrating theoretical concepts of Greek music, and footnotes. It divided as follows: ch.1 - Greek music (pp. 1-24); ch.2 - Poetics, music and drama (pp. 25-90); ch.3 Dramatic poetry (pp. 91-148); ch.4 - Medieval and new dramatic poetry (pp.149-169); ch.5 - Music in Greek tragedy and drama (pp. 170-197); ch. 6 - Illustrious Greek music teachers (pp.198-268); ch.7 Greek philosophers on music (pp.269-369); ch.8 - Greek music theory practice (pp.370-440); Dissertation on the prodigious effect produced by antique Greek music (pp.[419]-440); Index of people mentioned in the volume (pp.441-445); Index of authors with short biography, in alphabetical order (pp445-458); Errata (p. 459).
Date:
1781
Creator:
Martini, Giovanni Battista, 1706-1784
Object Type:
Book
System:
The UNT Digital Library
Search for stop pairs in the emu channel
The Standard Model gives a satisfying description of subatomic processes at low energy (< 1 TeV). Beyond this energy scale, other models must be considered. Supersymmetry is one of them. It gives in an elegant way, solutions to several Standard Model short comings. This document reports the search for a supersymmetric signal characterized by the production of two stops decaying into two b-jets, one electron, one muon and missing energy. This study has been performed at the D0 experiment, located on the ring of Tevatron collider at FermiLab, (Chicago, USA), whose energy in the center of mass reaches {radical}s = 1.96 TeV. The data used for this analysis have been collected during Run IIa of D0 detector; from april 2003 to march 2006 ({approx} 1fb{sup -1}). The objects handled for this analysis require a good understanding of both calorimeters, muon detectors and trackers. As Tevatron is an hadronic collider and the number of Standard Model processes with the same signature as the signal is low, the background is thus dominated by QCD processes. After the selection cuts, no excess of data has been observed with respect to the Standard Model expectation. D0 experiment sensibility has been improved and the 95% …
Date:
October 1, 2007
Creator:
Tissandier, Fabrice & U., /Clermont-Ferrand
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Project and realization of a trigger for the selection of events p anti-pp --> eta_c --> phiphi --> 4K for the experiment E835 at Fermilab
None
Date:
January 1, 1995
Creator:
Baldini, Wander & U., /Ferrara
Object Type:
Report
System:
The UNT Digital Library