Convocation, including a lecture and a faculty recital performed at the UNT School of Music Concert Hall.

A choral concert performed at the UNT College of Music Concert Hall.

A guest artist recital performed at the UNT College of Music Recital Hall.

Faculty Recital performance at UNT's College of Music Concert Hall

Recording of Will Eisma's "Le grand silence d'un seul oiseau" ("The great silence of a single bird") for tape. During World War II, a network of 40,000 km of trenches crossed South Flanders and the North of France. Still today, there remains part of these trenches as a long underground tunnel somewhere around Metz and Verdun. The composition represents an imaginary underground journey from Calais to the Swiss border, through the infernal moles, in the gloomy and frightening obscurity of this absurd war. The poem of Ab Van Eyk tells of these horrors: "Someone walks forward, slowly spitting out his lungs, while a bird pass near me, the gas ......... The night shows fiery angels, among the lights of the "no man's land "; until the twilight silence arrives, the great silence of a only bird, just before sunrise raspberry color." The piece was composed and realized in the studio Five Roses in April 1981.

Ensemble performance at the UNT College of Music.

Faculty performance in memory of Philip Montalbo M.D. given at the UNT School of Music Concert Hall.

Recording of Martin Rudolf Schwarzenlander-Fischer's "Chacoel (Musik für den frühen Abend)" for tape.

Recording of Martin Rudolf SchwarzenLander-Fischer's "Das unrecht in meinem bad" ("Injustice in my Tub") for tape.

Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Faculty recital performed at the NTSU School of Music Recital Hall

A faculty and guest artist recital performed at the UNT College of Music Recital Hall.

Recording of Hans Ulrich Humpert's Approcci a petrarca. This work is made up of five sections, which are voice and electronics. The piece features many sounds such as voice, electronics, writing with a pencil, and sound effects.

Recording of Klaus Martin Kopitz's Teilstrategien. The piece's subtitle is "10 variations about the sound of a language". There are recorded improvisations of bass clarinet and piano, which were stacked up to 12 tracks with electronic effects. The 7th Variation is only made up of speech and incorporates nature recording.

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recording of Mayako Kubo's Play bach for eight channel tape. Play Bach is mainly based on two elements: first, there is no fixed form and no fixed duration because the composition consists in a mobile-system; second, the sound material uses only the tones B (Si-flat), A (La), C (Do), and H (Si) in different octaves performed by three instruments and with the letters B, A, C, and H spoken with human voice. Because the eight tracks are combined using a mobile system, each performance presents different combinations and thus a different performance each time.

Recital presented at the UNT School of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recording of Gottfried Martin's Pax for tape. Includes electronic and natural sounds, including voice, news recordings, and recordings of war sounds.

Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

A faculty recital performed at the UNT College of Music Recital Hall.

Faculty voice recital performed at UNT's College of Music Recital Hall.

A faculty and doctoral recital performed at the UNT School of Music Recital Hall.