Bound compilation of sheet music from the collection of Thurman Morrison. The contents were assembled by Edith Mills Peachey, and the 57 works in this volume include multiple ballads, quadrilles, polkas, and waltzes, with five different compositions by Henry Russell. Other composers with two works in the collection include Edwin Flood, Charles E. Horn, Louis Antoine Jullien, and Camille Schubert. About half of the works were published or co-published by the Musical Bouquet Office. All titles were published in London, but they cover a geographical scope including the British Isles and continental Europe, along with past and contemporaneous areas of British colonization in North America and India.

Bound compilation of sheet music from the collection of Thurman Morrison, compiled by Mary Alsop King Waddington, an author who was born in New York, but lived in France beginning in 1871, and was married to French statesman William Henry Waddington. This volume consists largely of excerpts from operatic works, particularly by Gaetano Donizetti, Saverio Mercadante, Gioacchino Rossini, and Giuseppe Verdi. Most works were published in Paris, with a few published in Mayence (present-day Mainz), Vienna, and Boston.

Bound compilation of sheet music with the surname Schieffelin attached. Nearly all works in this volume are derivative works by Henri Herz, with two by Jacques Herz. The titles are largely fantasies or variations on works by other composers (including four by Gaetano Donizetti), with a particular emphasis on operas. A majority of works were published in Mayence (present-day Mainz), and some in Anvers (better known as Antwerp), Paris, Bonn, and New York. B. Schott or Fils de B. Schott published or co-published most titles, and works in this volume range in date from 1825 through 1855. The stamp of music seller C. Breusing on works throughout the volume provides insights on how the works were acquired.

A first-edition printing of Schubert's Gretchen am Spinnrade, made during his lifetime. The edition is dedicated to Mortiz Reichsgrafen von Fries

A piano method book by Johann Nepomuk Hummel, with three parts bound in one volume.

This is ca. 1820 vocal score of Handel's oratorio Saul. The orchestra reduction for piano is credited to J.F. [Johann Friedrich] Naue. The hand-written date 1738 that appears at the top of the t.p. underneath Saul corresponds to the year when Handel composed the oratorio. The music parts for the soloists (soprano alto tenor, bass) and the chorus appear at the top of the piano reduction staff.