Incidental music for chorus and solo voices with orchestra, to the poem by Lord Byron; this volume includes the poem in German translation (12 p.) preceding the score.

Two separate works bound together. The Kirnberger work includes 3 Abtheilungen, paged separately, containing musical examples. The 2nd and 3rd Abtheilungen are bound in reverse order.

"A collection of the best and most popular songs and songs of the German people, accompanied by the pianoforte."

Issues for the ninth year of the magazine Signale für die musikalische Welt.

Piano-vocal arrangement of Mozart's La Clemenza di Tito, with German and Italian lyrics.

"Detailed theoretical and practical instruction on playing the piano-forte," issued in four parts.

A piano method book by Johann Nepomuk Hummel, with three parts bound in one volume.

A music theory book, giving basic instructions for singing scales, intervals and chants.

This collection opens with a brief letter of dedication from Leyding to his friend Johann Jakob Dusch followed by a preface. The table of contents lists the songs in the order in which they appear in this volume. All of the songs are written in two staves - the top with soprano clef; the bottom, with bass clef. The first stanza of each poem is manually underlaid below the top staff. The full text of the poem is printed either below the music or on the following page. The vocal line use either single or double voices.

This tenor partbook opens with several dedications followed by a letter of commendation for the entire set of Newer Kirchen- und Hauss-Gesänge. Songs are listed topically in the Register.

"Per reverendissimum in Christo patrem, et amplissimum principem, ac dominum, Dominum VVolfgangum, Archiepiscopum Moguntinum, S. Romani Imperii per Germaniam Archicancellarium, Principem Electorem, &c. Necessariis quibusdam additionibus auctior, et multis locis emendatior, iam denuò typis evulgata." Text in Latin and German, including tables, calendars, and a catechism in German, along with notated music. Two of the back end pages have handwritten notes, including a handwritten rendering of Psalm 129/130 ("De profundis clamavi...").

1789 edition of Musikalischer Almanach für Deutschland.

1782 edition of Musikalischer Almanach für Deutschland.

1783 edition of Musikalischer Almanach für Deutschland.

A first deluxe issue of Arnold Schoenberg's Pierrot Lunaire, signed by the composer, and numbered 24 out of a limited release of 50 copies. The autograph and number appear on the page facing the title page.

Und zugleich berühmteste ausüber von Anfang der Welt biss auff unsere Zeit in möglichster Kürtze erzehlet und vorgestellet werden, aus denen vornehmsten Autorobus abgefasset und in Ordnung gebracht von Wolfgang Caspar Printzen, von Waldthurn.

Excerpts of Verdi's opera Rigoletto arranged for piano by Franz Liszt.

By the time of Mozart and Da Ponte’s collaboration on Don Giovanni, the Don Juan legend had been represented in musical entertainments and on the popular stage a number of times. Although it was an unusual topic for Viennese court opera, the retelling of the Don Juan story was immensely appealing for the Italian troupe in Prague. Don Giovanni did eventually make its way to Vienna, but the opera did not meet the same success it had received in Prague.

By the time of Mozart and Da Ponte’s collaboration on Don Giovanni, the Don Juan legend had been represented in musical entertainments and on the popular stage a number of times. Although it was an unusual topic for Viennese court opera, the retelling of the Don Juan story was immensely appealing for the Italian troupe in Prague. Don Giovanni did eventually make its way to Vienna, but the opera did not meet the same success it had received in Prague.

This is ca. 1820 vocal score of Handel's oratorio Saul. The orchestra reduction for piano is credited to J.F. [Johann Friedrich] Naue. The hand-written date 1738 that appears at the top of the t.p. underneath Saul corresponds to the year when Handel composed the oratorio. The music parts for the soloists (soprano alto tenor, bass) and the chorus appear at the top of the piano reduction staff.

Piano-vocal score for Verdi's Rigoletto. The libretto, by Francesco Maria Piave, is based on Victor Hugo's Le roi s'amuse.

Collection of hymns with notated melodies, and lyrics in German.

Liturgical chant pages used as binding for another work with a partially legible German title. Chant appears upside-down on the front cover; the first line, "...nt ga est flos filius" matches the text of Stirps Jesse. It is followed by a doxology (Gloria Patri) including some abbreviated text, and then the text of Veni in hortum meum soror, associated with Matins for the Assumption of Mary. The back cover has an upside-down portion, "dominus in suis virtutibus vincula manuum relaxavit suamque famulam de morte," which is associated with Lauds for the feast of St. Margaret of Antioch. The remainder contains notated chant for Vespers for the feast of St. Michael and All Angels (domine deus noster accipere librum et aperire signacula ejus), and from Matins for the same feast, with the text from Angelorum regi deo jubilemus pariter, then from Introibo in domum tuam domine, and finally the beginning of Stetit angelus juxta aram templi.

Agenda ecclesiae from the Catholic archdiocese of Mainz. This extensive volume includes calendars for movable feasts, a daily listing of feast days for commemoration, days for fasting and abstinence from eating meat, and instructions for priests on administering the sacraments, texts of various blessings and prayers, with text in Latin and German. The volume includes notated musical settings, and a catechism in German.