Five pieces for piano, by Reinhard Oppel.

Envelope containing the letter in Box A, Folder 12, Item 2 in this collection. Postmarked February 4, 1935 in Leipzig.

A list of Oppel's work's in his handwriting beginning with music for piano.

Handwritten key to the symbols used in Oppel's analysis of J.S. Bach's "Die Kunst der Fuge" as seen in Box A, Folder 13, Item 1 in this collection.

Autograph sketch for "Polish Christmas carol for children" composed in Bonn on July 20, 1907.

Music score for four toccata and fugue sets by J.S. Bach with foreword by F. K. Griepenkerl. Edition contains no BWV attributions. Plate number 2696(210).

"Fräulein Lulu Andreesen gewidmet."

Score of "Two songs for one singer with piano accompaniment" published as Op. 3 in Berlin by Ries & Erler with plate number R.7685 E. Contains "Über ein Stündlein" ("About an Hour") and "Irrlichtergesang" ("Wispy Light Song").

Musical score of Franz Schubert's "Allegretto" for piano. Plate number E.P. 8. Belonged to Oppel.

Five movement score of a suite for solo violin dedicated to Walter Schulze-Prisca, composed and published by Oppel with plate number R.O.2.

Envelope containing information on Oppel's compositions

Handwritten sketch (piano/vocal score) for Movements III - VIII of Osterhymnae. Full score sketch in Box B, Folder 1, Item 1 in this collection.

Letter from Carl Loewe to Emilie Mayer. No address or postmark is visible.

Letter from Winifred Wagner to Fräulein Bötticher, 1931 September 22. "Dear Fräulein Bötticher. The Liszt Museum exists in Weimar. I believe that the curator, Professor Peter Raabe is in Aachen. In any case, the city of Weimar or Raabe could give you information. Frl. Helena Wallem in Bayreuth Neues Schloss could perhaps also be interested in Liszt's letters for her Richard Wagner Museum. Sincerely, Winifred Wagner"

Letter to Oppel from Felix Salzer dated February 3, 1935.

List of Oppel's works in his handwriting.

Envelope containing original correspondence between Franz Liszt and Carl Loewe.

Typed statement regarding Emilie Mayer.

Letter addressed to Oppel dated March 10, 1924.

Fair copy manuscript of two pieces for 'cello and piano by Oppel written in pen.

Handwritten sketch for Movement II (a cappella chorus) of Osterhymnae. Full score sketch in Box B, Folder 1, Item 1 of this collection.

Envelope containing Heinrich Schenker's analysis of Beethoven's Symphony No. 5 in Der Tonwille, October 1924.

Three songs for two voices (soprano and alto) with piano accompaniment. 1. Tanzlied (O.J. Bierbaum); 2. Halte still (Adolf Bartels); 3. Keen Greff is so breet (Klaus Groth).

Autograph sketch for a chorale.