Recording of Christian Banasik's Wenn die klagestimmen der stadt II.

This book discusses Volker Braun's dramatic re-vision of the German Democratic Republic (GDR) society.

Recording of Riccardo Dapelo's Zu klugen Gestirnen. For soprano and tape. The work is derived from a picture poetry of Paul Klee. The composer tries to separate elements common to Klee's theory. The starting point is a small sound gesture: an upward exponential function. This function shapes all the steps of the work in a motion from noise to sound. The attempt is to build a self-similar structure with matching between small details and larger forms.

A faculty and guest artist recital performed at the UNT College of Music Recital Hall.

Faculty voice recital performed at the UNT College of Music Concert Hall.

Quarterly publication of the German-Texan Heritage Society providing information about news and events related to the work of the organization as well as stories, articles, genealogical data and other information of interest to members collected from representatives across Texas.

Quarterly publication of the German-Texan Heritage Society providing information about news and events related to the work of the organization as well as stories, articles, genealogical data and other information of interest to members collected from representatives across Texas.

Quarterly publication of the German-Texan Heritage Society providing information about news and events related to the work of the organization as well as stories, articles, genealogical data and other information of interest to members collected from representatives across Texas.

Recording of Lutz Glandien's Fear of flying. This is a work for electronics that consists of plane sounds and spoken word.

Recording of Lou Mallozzi's Aquapolis. The sound material is language and ambient recordings. The text is written in English, and has been translated into German and Venetian Italian. There are aquatic sounds, body sounds, and sounds of physical labor. Conceptually, the piece is based on a fictional trans-historical walk through an aquatic city, loosely based on Venice. The piece is in four sections: Preamble, 2000 Years Ago, 200 Years Ago, and This Year.

Recording of David Prior's An die materie. Written for dancer, choreographers, voice, and electronics. The relationship established between the music and the movement, was carefully considered throughout the collaborators. The piece was inspired by a poem by French Jesuit mystic Pierre Theilhard de Chardin in its German translation.

Recording of David Prior's Hymne an die materie. "An die Materie" was written for dancer/ choreographers R. The piece was inspired by a poem by French Jesuit mystic Pierre Theilhard de Chardin in its German translation. The piece was primarily intended for an anglophone audience, giving the opportunity to use the text for it's complex morphologies. Although inextricable from the recording technologies which made it possible, and in stark contrast to much of my other work, the lines or layers suggested by the multi-track method by which the vocal or instrumental 'performances' were played into the computer.

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Ensemble concert performed at the UNT College of Music Concert Hall.

Ensemble concert performed at the UNT College of Music Concert Hall.

Choir concert performed at the UNT College of Music Concert Hall.

Ensemble concert performed at the UNT College of Music Concert Hall.

Choral concert performed at the UNT College of Music Concert Hall.

UNT College of Music concert performed at Prestonwood Town Center, Dallas.

Ensemble concert performed at the UNT College of Music Concert Hall.

Ensemble concert performed at the UNT College of Music Concert Hall.

Photograph from side of a house with a mural featuring sun, cherubs with bows and arrows, a raccoon, an older man with an anvil, young boy in overalls, and the text "Haus am See" on the left side. A white car is visible in the garage on the left with a lamppost and mailbox in the foreground and another house and trees in the background.

Photograph of house front with mural featuring sun, cherubs with bows and arrows, a raccoon, an older man with an anvil, young boy in overalls, and the text "Haus am See" on the left side. A white car is visible in the garage on the left and there is another house and trees in the background.