A faculty recital performed at the UNT College of Music Concert Hall.

Recording of Günter Heinz's Berlin views. This work presents the "sound of the city at the end of the century" and arose in connection with the video project Ç Vortex È of Akademie der Künste Berlin.

Recording of Ming Wang's Monsterfest. This work consists of sounds from two different cultures during similar situations. It is meant to explore the idea of people who are transplanted into a different culture and the struggles that come with that. The composer states that the piece has 3 formal parts: 1.) Introduction and variation, 2.) Three-part "song" (A.B.A'), 3.) Covert recapitulation mirrored.

Recording of Dieter Kaufmann's Dialogue avec Wittgenstein. This work is built on fragments of philosophical text spoken in both French and German, as well as various musical segments by composers Beethoven, Brahms, Bruckner, and the composer himself. The work was produces at the ELAK Institute of the University of Vienna Music and had two premieres. The German version in Vienna (1999) and the French version in Bourges (1999).

Recording of Jon Christopher Nelson's Flights of Fancy. This work, for fireworks and tape, was written as the grand finale to the Grand Opening Concert of the Murchison Performing Arts Complex at the University of North Texas and premiered at the event. The piece incorporates a variety of musical excerpts that were performed throughout the concert as well as sample sounds of fireworks. It was premiered simultaneously with a fireworks display.

Recording of Pierre Jodlowski's De front (Quatuor). The idea of ​​this piece is based on a set of writings around the processes of aggression in humans and animals, as well as on the notion of frontality (which relates to the intermediate, fuzzy zones of our experience - physical or intellectual). The principle of the work (hence the precision quartet) is based on the development, "in concentric circles," of four groups or entities: 1. clarinet / trumpet; 2. percussion; 3. string quintet; 4. parts electronics. These gradually close in on the listener. This convergence takes place through processes of accumulations and encounters in which perception passes from individualized states to a group feeling.

A concert choir concert performed at the UNT College of Music Winspear Hall.

A choir concert performed at the UNT College of Music Winspear Hall

Concert presented at the Murchison Lyric Theater.

Ensemble performance at the UNT College of Music Recital Hall.

Ensemble performance at the UNT College of Music Concert Hall

Recording of Ulrich Suesse's Klangfassaden. The title of this work is an installation built into the two front walls of the Museum of Communication in Berlin, made up of loudspeakers that react to passing pedestrians. The theme of this the installation is communication and is built upon different sound experiences. This recording represents one possible "hearing experience".

Recording of Gonzalo Biffarella's Tango. This work was commissioned by the WDR 3 of Cologne, Germany. This radiophonic piece was inspired by the origin of Tango and uses fragments from old songs as well as a lecture by Jorge Luis Borges about the topic. The text has been translated into German and French for segments of the work.

Recording of Frank Schweizer's Songline. This work is made up of 10 untitled movements and contains various concrete and electronic sounds.

Recital presented at the UNT College of Music Winspear Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Concert performed at the UNT College of Music Lyric Theatre.