Map shows cities or settlements for "Nuovo Messico" [Mexico], "Colonie Inglesi" [British Colonies], "Loisiana" [Louisiana], the Antilles, and the Pacific coast of North America. Relief shown pictorially. Scale not given.

Bound compilation of sheet music compiled by Mrs. Bright. Almost all selections in the volume were published in London, with songs in English, German, and Italian. Six out of the forty-six titles in the volume are by Henry R. Bishop, with several works by J. Augustine Wade and Peter von Winter as well, among others.

Piano-vocal arrangement of Mozart's La Clemenza di Tito, with German and Italian lyrics.

Though the cover of this volume is in French, the title page gives the same information in German. This latter language also receives pride of place in the text underlay: Most songs are solely in German but, when lyrics are given in two languages, German is immediately below the musical staves with either Italian or French in italics below the German. Songs use one to three voices with the voice part sometimes integrated into the top staff of the piano part with text underlay indicating when to sing. Several songs are set for three-part Männerchor or four-part chorus with piano accompaniment. In strophic settings, only the first stanza of poetry appears in the score; the rest are included as addenda at the end of the piece. The volume concludes with a table of contents given the name and first line of each song in all languages used for each entry.

This volume contains fifteen sacred and secular songs for one to four voices with piano accompaniment. Contrary to the title page, the titles of each song are given either in German or German and Italian. When both languages are present in the text underlay, the Italian text sits directly below the staves with German below the Italian. Most songs either give "Singstimme" or a voice part for the vocal staves; some give names of characters, possibly indicating a theatrical or semi-dramatic performance context. Songs for one voice tend to be strophic while part songs are through-composed. Authors such as Gellert, Metastasio, and Shakespeare figure among the authors (most anonymous) of the texts. As with the other binlingual pieces in this volume, the scene "Arianna a Naxos" is set in Italian and German. The interaction of the soprano voice and piano accompaniment as well as the structural alternation between arioso/aria and recitative reveals this piece to be a solo cantata. The volume concludes with a four-page catalog of all of Breitkopf und Härtel's publications in Leipzig complete with price in thalers for each piece and a table of contents. The positioning of the Inhalt at the end of the volume reflects …

By the time of Mozart and Da Ponte’s collaboration on Don Giovanni, the Don Juan legend had been represented in musical entertainments and on the popular stage a number of times. Although it was an unusual topic for Viennese court opera, the retelling of the Don Juan story was immensely appealing for the Italian troupe in Prague. Don Giovanni did eventually make its way to Vienna, but the opera did not meet the same success it had received in Prague.

By the time of Mozart and Da Ponte’s collaboration on Don Giovanni, the Don Juan legend had been represented in musical entertainments and on the popular stage a number of times. Although it was an unusual topic for Viennese court opera, the retelling of the Don Juan story was immensely appealing for the Italian troupe in Prague. Don Giovanni did eventually make its way to Vienna, but the opera did not meet the same success it had received in Prague.

Map shows roads, settlements, villages, military forts, notable physical features, vegetation, and asphalt deposits. Includes color key to European possessions. Relief shown by hachures. Relief shown by hachures. Scale not given.

Bound compilation of sheet music from the collection of Thurman Morrison, compiled by Mary Alsop King Waddington, an author who was born in New York, but lived in France beginning in 1871, and was married to French statesman William Henry Waddington. This volume consists largely of excerpts from operatic works, particularly by Gaetano Donizetti, Saverio Mercadante, Gioacchino Rossini, and Giuseppe Verdi. Most works were published in Paris, with a few published in Mayence (present-day Mainz), Vienna, and Boston.

Handwritten document in multiple languages which discusses biographical and political information from Agustín de Iturbide's notes.

Bound compilation of sheet music for violin and piano, assembled by the Columbus Public Library (now the Columbus Metropolitan Library). This volume consists of scores and piano parts, although its contents do not overlap entirely with those of the accompanying set of violin parts. The library catalog record follows the handwritten numbering in the volume, which generally assigns numbers to titles held in common between the two volumes. Therefore, some works are described by their position relative to numbered items, such as a set of three between numbered selections 23 and 24. The volume itself heavily emphasizes "potpourris" and other arrangements of larger works, such as those by Gaetano Donizetti and Vincenzo Bellini. Charles Auguste de Bériot is prominent in this volume as both a composer and arranger. About half of the works were published in Mayence (present-day Mainz) or Offenbach (surmised from other evidence in some cases), with Fils de B. Schott as the most prominent publisher.

Bound compilation of sheet music. The dates of publication range between 1840 and 1880, and most of the publishers' imprints were located in New York or Philadelphia, along with several other locations. Discard stamps from the Columbus, Ohio public library, and a stamp for R.B. McAdow, Music Dealer in the same city suggest the compiler's residence was also there; the name Minnie S. Greene is written in pencil on the first page of music. Page 127 of the scan, or 114 of the music, is also inscribed "Presented to Minnie Greene."

Bound compilation of sheet music. The dates of publication range between 1852 and 1879, and most of the publishers' imprints were located in New York, Philadelphia, and Boston, with others from Cleveland and New Orleans. Several items have the name of Minnie S. Greene on the first page, and some have the location of the Southern Home School in Baltimore, or Patapsco [Ins. or Tns.]. A wide variety of composers and lyricists appear in the volume, with multiple entries from Virginia Gabriel, Luigi Arditi, Fabio Campana, Charles Gounod, John Hullah, and Harrison Millard.

A voucher from Germany in the denomination of 20 heller. The front and back of the document are combined into a single image.

A voucher from Germany in the denomination of 30 heller. The front and back of the document are combined into a single image.

Photograph of a uniformed soldier crouching against a pillar that as the words "Duetsches Reich" and a swastika carved into it. To the left of the man is a sign that says "A. A. S. S. Passo Del Brennero m 1372."

Photograph of a street in Lucerne, Switzerland. A red and white barrier is visible in the right foreground. A child on a tricycle is visible next to the barrier on the street. A man in white walks across the street. A row of shops is visible on the left side of the street. More buildings are visible in the background.

Bound compilation of parts to accompany the volume M218.C67. This collection's contents do not overlap entirely with those of main volume. The library catalog record follows the handwritten numbering in the main volume, which generally assigns numbers to titles held in common between the two volumes. Therefore, some works are described by their position relative to numbered items. The set of parts also has several short manuscript pieces added at the end; some parts are for both violin or flute, or for flute but playable on violin. The volume itself heavily emphasizes "potpourris" and other arrangements of larger works, such as those by Gaetano Donizetti and Vincenzo Bellini. Charles Auguste de Bériot is prominent in this volume as both a composer and arranger. About half of the works were published in Mayence (present-day Mainz) or Offenbach (surmised from other evidence in some cases), with Fils de B. Schott as the most prominent publisher.

"Fräulein Lulu Andreesen gewidmet."

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Orchestra and Concerto Competition concert performed at the UNT College of Music Winspear Hall.

Five pieces for piano, by Reinhard Oppel.

Five movements: 1. Präludium; 2. Presto; 3. Allegretto Grazioso; 4. Grave; 5. Finale. Allegro molto, quasi Presto.

Excerpts of Verdi's opera Rigoletto arranged for piano by Franz Liszt.