Recording of Elżbieta Sikora's The waste land, for fixed media. The piece is a journey through time and spaces. The present is mixed with the past, the ordinary with the extraordinary, dream with reality. The work was commissioned by the Experimental Studio of Polish Radio and was realized in October 1979. The text comes from T. Elliot's poem "The Waste Land."

Recording of Luigi Ceccarelli's "Abominable A" for magnetic tape. The piece includes the voices of Kadigia Bove, Francesca Furlanetto, Eugenio Giordani, Luciano Martinis, Michela Mollia, Achille Perilli, Marina Poggi, Enrico Pulsoni, Giovanni Puma, Kerstin Riemer, Claudio Rufa, Stefano Scodanibbio, Gaetano Trusso, and Catherine Verwilgen. The piece contains a recitation of all the words in the Italian vocabulary that begin with the letter A, read in sequence from voices with different stamps, rhythms, and intonations. To these are added other sequences in French, German, and English. The work is divided into fifteen sections, each of which has a different criterion for processing the timbre, rhythm, and space. It was realized at the Electronic Laboratory for Experimental Music at the Conservatory "G. Rossini" in Pesaro from 1978 to 1980.

Recording of Dieter Kaufmann's Chanson.

Recording of Martin Schwarzenlander's Unter dem Pflasterstein liegt der Strand. The music is interspersed with text about demonstrations in East Germany during the 1970s.

Silent film of the Intercontinental Football League's (IFL's) 1976 European tour to promote American football as a leisure activity. It includes footage of players on buses and in cars, football games, spectators, cheerleaders, European scenery and promotional activities. Many stills of promotional brochures, newspaper articles, and photographs are included.

Compilation film of home movies and news coverage of the 1976 Intercontinental Football League's (IFL) European tour of Germany, Austria, and France promoting American football as a leisure activity. Includes footage of football game play, spectators, cheerleaders, and promotional activities. The narration implies that this film was used to promote the IFL and its potential as a revenue source.