Photograph of a young woman wearing a dark colored dress ruffled lace above the collar. There is a stickpin on the dark collar. She is facing left of the camera. Photograph is mounted on cardboard. Bottom of cardboard reads: Chas. J. Wright, 84 Main St., Houston, Texas.

Photograph mounted on (pale blue) cardboard of a little girl wearing a light colored dress, dark stockings, and dark boots. She is leaning on a draped backdrop with her right elbow. Her left hand is placed upon her right wrist. Outdoor background to photo. Bottom of photo reads: Anderson's, 85 Mains Street, Houston, Texas.

Photograph mounted on cardboard of a young man dressed in a white shirt with white ruffled skirt. He has on stripe and design stockings with laced boots. He is standing on a covered backdrop that he is also able to lean on with his left elbow. Bottom of photo reads: From Anderson's, 85 Main Street, Houston, Texas.

Photograph mounted on cardboard of a young girl in white dress and dark (finger-less) gloves. Her left arm is leaning on a dark backdrop board. Bottom of cardboard reads: From Anderson's 85 Main Street, Houston, Texas.

Photographic postcard of Sugar Land, TX, showing sugar mill and railroad lines. Message on back reads "Three hours till train time". Post marked Sugar Land Feb. 6, 1909. Engine to far left has three men standing in front of it, one to the right of it, and two men on the top of it. The engineer has his upper body out of the window. Box cars (empty) on far right. Horse and cart (horse eating grass) between tracks on right and left.

Port-Foley-O, Houston, Texas, catalog

Photograph of left to right: H.G. Thompson and I. H. Kempner, Sr. (as printed on the back in pencil) at an Imperial Sugar Company employee recognition dinner. Thompson is wearing a three piece wool suit with dark tie. He has thinning gray hair and wire rimmed eyeglasses. He has a carnation pinned on his left lapel. He has his hands behind his back. Kempner, who is standing in front of a microphone, is wearing a pin-stripe dark three-piece suit with dark tie. He also has a carnation pinned on his left lapel. Kempner has his left hand in his pants pocket and is holding a page of paper in his right hand. A group of people can be seen seated in the background. Back of photo, stamped in purple: Bob Bailey fine photograph Fairfax 3765 1302 Rusk Avenue Houston 2, Texas. Negative Number 10864-7.

Print of an unmarked grave of Benjamin Franklin Terry of Terry's Texas Rangers - Glenwood Cemetery Houston, Texas on Washington Ave. (Behind T.P. Lee Monument) Marked at a later date.

Photograph of C. A. Beasley as a young man (identified on back of portrait in blue ink). Beasley has dark hair and a dark mustache that curls upward at the ends. His suit has a stripe effect. He has a white scarf and white shirt with stiff collar. Photograph is mounted on cardboard substrate. Written at bottom in gold: Guy and Cooke (CG interwoven) 501 1/2 Mains Str. Houston, Texas.

Photograph of three men and three women standing on the observation platform of a train. A sign on the back of the train reads: Houston, Tex. Chamber of Commerce in Mexico. Blurred image of a man walking on right side of the train. Hill in far top, right background.

Photographic portrait of Archietta Davis Jones as an old woman, mounted on a black matte. Photographer's mark printed in white at center bottom of matte, "C.R. Blackburn, Houston, Texas." Jones has white hair, parted down the center. She is wearing wire frame eyeglasses. Yoke of dress is black lace over white lining; remainder of dress is black lace over black fabric. Portrait cuts off below subject's chest.

Postcard issued by Bank of the Southwest using images from F.J. Schlueter Collection. Image is of the Houston Ship Channel: Two large and one small boat are in view. Large boat at left carried a load of lumber. Large carts on dock at right suggest more oversize cargo will be unloaded. Text on the back of the postcard reads, "In 1914, Houston got its feet wet. Even though it was 50 miles inland, the city became a seaport. An eventually an international port-of-call. Gateway to Latin America and Europe. Photograph from the Bank of the Southwest--F.J. Schlueter Collection." Image is from ca. 1915, but postcard is from ca. 1970.

Postcard issued by Bank of the Southwest using images from F.J. Schlueter Collection. Image is of the Second National Bank of Houston, a three-story brick building in downtown Houston. Text on the back of the postcard reads, "By 1923, the name Lumberman's National Bank did not accurately describe the bank you know today as the Bank of the Southwest. So, Lumberman's became the Second National Bank of Houston. Photograph from the Bank of the Southwest--F.J. Schlueter Collection." Image is from ca. 1923, but postcard is from ca. 1970.

Postcard issued by Bank of the Southwest using images from F.J. Schlueter Collection. Image is of a train with three men sitting on front of engine, one in at the controls, and two standing at left. Text on the back of the postcard reads, "Houston had become an important railhead by 1920. Gandy dancers laid the track that carried the trains that helped turn Houston into a major transportation center. Photograph from the Bank of the Southwest--F.J. Schlueter Collection." Image is from ca. 1915, but postcard is from ca. 1970.

Photograph of Edgar Andrews as a younger man. He is wearing a jacket that is buttoned at the top. He has a mustache. Image is attached to a cardboard substrate. At the bottom of the substrate, photographer's mark: "Deane, 110 PRAIRIE ST., HOUSTON."

Pre-stamped postcard from Bering-Cortes Hardware Co.

Photographic portrait of John Moore III as a young adult, ca. 1936. Moore is wearing a medium toned coat, white shirt, striped necktie, and wire framed glasses. Photographer's mark on front of gray folder, "The Gray Studio, Houston, Tex."

Photographic print of Wiley Jones, taken by Anderson's studio, 85 Main Street, Houston, TX. Jones is wearing a dark suit with a white plaid pattern. He has a long beard that reaches to the 4th button from the bottom of his vest. His left elbow is resting on a draped structure to the right of the portrait. The photograph is mounted on a cardboard substrate with black writing encased by trim that reads: From Anderson's 85 Main Street, Houston, Texas.

Marriage certificate for John Jerome Rogers and Julia Ann Pratt. July 3, 1917 in the state of Illinois. (#3 of 4 documents that were bound together)

Postcard image of sugar mill "A Million Dollar Plant". Train in full steam coming from left to center of photo. Men are on/near tracks. Mill in background.

letter to Jon J Rogers from Forest Park Cemetery about his request to bury his wife, non catholic, in a catholic cemetery

letter to Jon J Rogers from Forest Park Cemetery about his request to bury his wife, non catholic, in a catholic cemetery

Birth Certificate of Julia Ann Rogers born on May 15, 1918 to J.J. Rodgers (Rogers) and Julia Ann Pratt

Written declaration that John J Rogers and Julia Ann Rogers were Married July 3, 1917 in Kankakee, Illinois. Their child was not given a name until August 11, 1918--the time it was baptized as Lillian Jane Rogers at the All Saints Catholic Church in Houston.