Photograph of a group of young girls posing for the camera in front of a curtain backdrop. They are wearing traditional Danish costumes, which consists of a pointed hat with ribbon attachments, a vest-like bodice tied across their bust, and a tied apron over a full skirt with horizontal stripes running across the bottom of the skirt. On the back row, from left to right, the girls have been identified as Jane Laustrup, Neva Bram, Peggy Bram, Sharon Krag, and Annette Waldman. On the front row, from left to right, they have been identified as Carolyn Lauritsen, Sharon Roberts, Beverly Waldman, and Eleanor Berndt. Hand-written text on the back of the photograph lists their names again, and a secondary, upside down blue line of text reads, "Danish Dancers, Return to Lillian Roberts".

Photograph of a group of young girls posing for the camera in front of a curtain backdrop. They are wearing traditional Danish costumes, which consists of a pointed hat with ribbon attachments, a vest-like bodice tied across their bust, and a tied apron over a full skirt with horizontal stripes running across the bottom of the skirt. On the back row, from left to right, the girls have been identified as Jane Laustrup, Neva Bram, Peggy Bram, Sharon Krag, and Annette Waldman. On the front row, from left to right, they have been identified as Carolyn Lauritsen, Sharon Roberts, Beverly Waldman, and Eleanor Berndt. Hand-written text on the back of the photograph lists their names again, and a secondary, upside down blue line of text reads, "Danish Dancers, Return to Lillian Roberts".

Photograph of a group of people seated in front of a red curtain. They are part of an organization, but accompanying information does not supply further details on the acronym "L.C.W." The group is mostly composed of women, with the exception of a man in a suit and bow tie in the right bottom corner. They are all dressed in formal attire. A piece of paper on the back of the photograph identifies them from left to right. The bottom row is composed of Margaret Juhl, Delphie Carlson, Lillian Roberts, Emma Berndt, Ester Hutson, Lillian Hansen, Ruth Brodsgaard, Reverend I. Pederson. The second row: Essie White, Joyce Nielsen, Gertrude Hansen, Bertha Jensen, Marie Swendsen, Henrietta Bram, Elsie Christensen, Anita Schultz, Alice Hansen, and Myrtle Lauritsen. The top row: Martha Graff, Joyce Petersen, unknown, Louise Petersen, Helena Lauritsen, Edna Olson, Julia Knudsen, Ella Hansen, Myrtle Waldman, and Dora Wind.

Bust portrait photograph of an elder woman identified as Louise Petersen. She wears cat-eye glasses, a pearl necklace and matching earring, and a lightweight, dark-colored jacket. Her hair is coiffed upwards and parted on the left. Accompanying information states that, "Mrs. Verner Petersen, nee Louise Olson, a native of Danevang, was the organist in Danevang Lutheran Church, continually [during] 1950-1964. Mrs. Petersen was instrumental in acquiring a teacher of organ music, Mr. Anthony Rahe of Houston, Texas, to come to Danevang once a week over a period of time to give lessons to herself and her young assistants - Jeanne Swendsen, Elsie Swendsen, and Wanda Swendsen - who were all students in El Campo High School."

Photograph of a man inside the driver's side seat of an automobile. He has been identified as Soren (Sam) Brodsgaard. He wears a hat and a light-colored long-sleeve shirt. Hand-written text in pencil on the back of the photograph lists his name plus an additional line of text that reads, "Grandpa B. 1950."

Photograph of a red brick, single-story house. Photograph was taken from the street. Some asphalt is seen on the foreground. A dirt walkway leads to the front entrance, which is partially hidden by the palm trees that surround the front lawn of the house. On the back of the photograph, hand-written text explains that ownership of the house moved from Peter Westerholm, then to Ralph and Marilyn Petersen, and finally to Michael and Shannon Bram.

Photograph of a single-story home belonging to Leonard Lauritsen in Danevang, Texas. House has several coupled double-hung windows and two doors. Dark-colored shingles cover an intersecting gabled roof. On the right, front corner, there is an automobile parked, facing away from the camera. Insignia on the trunk of the car appears to be of an early Chevrolet logo. Hand-written text on the back of the photograph indicates the house was remodeled in 1968. Additionally, two black stamps of a leaping fox with the accompanying text, "Fox Full Focus Print", are on the back.