In my work, I explore the ancient occult concept of the egregore or collective thought-form and its continued relevance in contemporary life. One might not think of the systems that we operate in today as ritual in nature, especially those that utilize new technology. We may imagine cyberspace as the ultimate rational and objective realm where all things can be categorized, quantified, and monetized. However, it is a place saturated with ceremonial situations upon close inspection. I seek out these ceremonies of niche digital communities and reconstruct them in new forms operating adjacent to their original stream.

Works of art using pen on paper by artist Nathan Harper as part of a 2022 MFA exhibition, entitled "…And Still I Wander South" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 27 to 29, 2022.

Works of art using pen on paper by artist Nathan Harper as part of a 2022 MFA exhibition, entitled "…And Still I Wander South" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 27 to 29, 2022.

Works of art using pen on paper by artist Nathan Harper as part of a 2022 MFA exhibition, entitled "…And Still I Wander South" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 27 to 29, 2022.

Works of art on copy paper by artist Nathan Harper as part of a 2022 MFA exhibition, entitled "…And Still I Wander South" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 27 to 29, 2022.

Works of art on virtual environment by artist Nathan Harper as part of a 2022 MFA exhibition, entitled "…And Still I Wander South" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 27 to 29, 2022.

Works of art on virtual environment by artist Nathan Harper as part of a 2022 MFA exhibition, entitled "…And Still I Wander South" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 27 to 29, 2022.

Works of art on ceramic and mixed media by artist Amy Henson as part of a 2022 MFA exhibition, entitled "Maternalia" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 30 to April 2, 2022.

I combine maternal feminist experiences with hand-built ceramic vessels to create functional ritual objects. Pregnancy, childbirth, and motherhood transformed me. I am not just “mother" but also “artist” and “woman:” this multiplicity is intersubjectivity. I reconciled my conflicting priorities through my art with authentic testimony, memorialization, and activism. Rich red earthenware is clothed with rhythmic, radial pinch marks and stylized floral illustrations. Pottery has a strong association with the body, combining naturally with corporeal forms. My installation and performance pieces use the pot's function as a conceptual vehicle. Perhaps a little solemn reflection kneeling before Vessel of the Female Spirit or listening by Fountain will make my viewers better stewards of their selves, the mothers in their lives, and this precious planet.

This presentation shares the experiences of the author while working as a Library Services Academic Assistant that support the UNT Libraries' Access Services team. It was presented at the UNT Libraries' 2023 Student Snapshots Symposium held in Denton, Texas.

Work of art of Paper, fibers, paint, ink by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections". Recordings of daily setbacks or successes with Body Dysmorphic Disorder.

Work of art of Paper, fibers, paint, ink by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections". Recordings of daily setbacks or successes with Body Dysmorphic Disorder.

Work of art of Glass, paper, fibers, crochet, resin, ink, paint by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

Work of art of Mixed Media Immersive Installation by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

Work of art of Glass, paper, fibers, crochet, resin, ink, paint by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

Work of art of Glass, paper, fibers, ink, paint by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

Work of art of Glass, paper, fibers, ink, paint by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

Work of art of Glass, paper, fibers, ink, paint by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

Work of art of Glass, paper, fibers, crochet, bronze, ink, paint by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

I am an interdisciplinary artist whose work bridges mental health, body dysmorphia, and the visual arts together through sculptures, paintings, performances, and large installations. I work with traditional and nontraditional materials through a manual and digital process to physically represent my realities of living with body dysmorphic disorder. I use padding, paper, and other fibrous objects as metaphors for the flesh and manipulate these materials in numerous ways to create exaggerations of the body.

This article reports the design, fabrication, and characterization of an all inkjet-printed field-effect transistor (FET).

Article reporting on the inkjet printed, direct contact study of solution-processed, 2D perovskite-based photodetectors (PDs) formed on flexible PI substrates. Silver (Ag) and graphene (Gr) inks have been engineered to serve as efficient electrical contacts for solution-processed two-dimensional (2D) organo-halide (CH3(CH2)3NH3)2(CH3NH3)n−1PbnI3n+1 (n = 4) layered perovskites, where all inkjet-printed heterostructure PDs were fabricated on polyimide (PI) substrates.

Through painting, I use materiality to describe the material world. By rooting my practice in visual culture and art history, I seek to extend the meaning of images beyond their initial form. The coalescing of opposing and complimentary formal elements accentuate the visual and contextual friction. This allows the work to exist in an ambiguous state. Seen together, my works appear disparate, but they suggest alternative meanings through association with one another. The works can exist on their own, but engage in dialogue when juxtaposed against each other. Although about specific occurrences, the works afford the viewer their own interpretations.

Brief Artist Statement by Kyung Hee “Kate” Im as part of a 2021 MFA Exhibition, entitled "Entanglement” in the Union Art Gallery on the campus of the University of North Texas on April 5-22, 2021.