In A Narrative Rewritten, I explore two distinct periods of my past. One group of work deals with the emotional effects of trauma I experienced as a child during years of practicing ballet. The other celebrates a pivotal moment of spiritual awakening that gave me the strength to confront internal falsehoods I previously developed. I paint from observation, to engage with my subject and to ground myself in the present moment. In my oil paintings, I paint representationally, while delving in to the spectrum of abstraction. I use imagery symbolically from ballet and boxing to represent a shift from inadequacy to empowerment.

Work of art of oil on canvas by artist Hannah Aaron as part of a 2020 MFA Exhibition, entitled "A Narrative Rewritten"

My artistic practice centers around personal history, connection, and identity. I reflect on my experience as a Nigerian who has lived on three continents thus far, and how those experiences have led to the deconstruction, reassembly, and hybridization of my identity. My work pays homage to my tribe of origin, Yoruba, whilst redefining and exploring the hybridity that exists as a result of cross-cultural influences that are prominent in our world today. I incorporate varying objects and materials such as jewelry, sculpture, wood, metal, and fiber. This integration speaks to the multicultural existence of the world I live in the interrelationship between Nigeria and the West.

Asepo is a simulated domestic space that speaks to being a product of the hybridization of cultures, the sense of displacement and the need for belonging that comes with being a hybrid of sorts. The exhibition includes four sectors. The first is a bed with a floating headboard accompanied by projected imagery and sound. A performance takes place upon the bed. The second is a table with three accompanying wall-mounted pieces that connect to the table through symbolism. The third is a sculptural wooden diptych and the final sector is comprised of accessories.

This workshop is presented by members of a University of North Texas research team. First, the team will overview their experience as members of the research team and share experience in areas such as trust formation, team roles, productivity, work-life balance, faculty-students interaction, peer and faculty mentorship, dissertation preparation, and job seeking. Second, the workshop will discuss and brainstorm how this format can be implemented for organizations both with faculty-student teams and with peer-directed teams. Finally, successes and challenges are openly discussed with audience.

Brief Artist Statement by Russell Anderson as part of a 2021 MFA Exhibition, entitled "Modified Aesthetics on an Inner Space” in the Cora Stafford Gallery on the campus of the University of North Texas on March 29-April 9, 2021.

This poster explores data gathered from the UNT Libraries' reference analytics from questions submitted to the libraries. It was presented at the UNT Libraries' 2023 Student Snapshots Symposium held in Denton, Texas.

Work of art in Wood, Fabric, Acrylic, Monofilament, Resin by artist Lara Asam as part of a 2021 MFA Exhibition, entitled "Thresholds"

Brief Artist Statement by Lara Asam as part of a 2021 MFA Exhibition, entitled "Thresholds” in the Cora Stafford Gallery on the campus of the University of North Texas on April 12-22, 2021.

Article exploring phonon dynamics in mechanically exfoliated two-dimensional WSe₂ using temperature-dependent and laser-power-dependent Raman and photoluminescence (PL) spectroscopy. The work reported sheds fundamental insights into the evolution of phonon dynamics in WSe₂ and should help pave the way for designing high-performance electronic, optoelectronic and thermoelectric devices in the future.

Juan Barroso's artwork depicts Mexican labor and the immigrant experience at the border. With the current political administration enforcing policies that dehumanize and force immigrants into the shadows, recognizing an immigrant’s humanity is vital. As the son of immigrant parents, he pays homage to his people and the dignity of their labor. He mixes 2- dimensional imagery, influenced by personal narratives, with 3-dimensional functional forms. Using a small watercolor brush, he paints his images with thousands of dots in a timeconsuming and labor-intensive process that becomes an act of devotion.

The research seeks to know if the COVID-19 pandemic has created culture change by measuring the criteria of work outputs and actions of organization members. As a part of this research, a survey was developed to identify how and to what extent workplace culture has been impacted. 111 professional services staff from a North Texas business were surveyed. We identified three factors for criteria of work outputs and behavior that indicates the current level of change of the culture. The three factors are identified as, Expectations (α= 0.786), Accuracy (α= 0.603), and Timeliness (α= 0.552). Factor analysis and descriptive statistics are used to analyze the result from the survey.

This article presents the design, modeling, and experimental characterization of flexible square-shaped spiral coils with different scaling factors for WPT systems. The effects of coil scaling factor on inductance, capacitance, resistance, and the quality factor (Q-factor) are modeled, simulated, and experimentally validated for the case of flexible planar coils. This article also presents the effect of skin contact with the flexible coil in terms of the power transfer efficiency (PTE) to validate the suitability as a wearable sensor.

Black’s work presents The Ubiquitous, an entity that propagates into subhuman beings that ravage the deserts in search of sacrificial circles or homing beacons. Their physical nature is heavily influenced by: Languid, liquid human body language; the otherworldly visage and tenacity of plant life; the heaving monstrosity of mountains and rock formations; and the joyous allegory of movie monsters, puppets, and pulp fantasy. The Ubiquitous is explored in Black’s whimsical writings and intensive drawings which are characterized by her mark’s immediacy; and her work seeks to understand this Being’s purpose, function, and correlation to her own life..

Work of art of Blue ink on found paper by artist Jordan Black as part of a 2020 MFA Exhibition, entitled "Heeding the Underbelly"

Presentation on the transition to remote outreach and student engagement in an academic library. It was presented at the North American Virtual Reference Online Conference held February 23-25, 2021.

This poster will cover the results and experiences of using Tiktok as a form of peer-to-peer outreach to share research tips with other college students. Specific examples, learned best practices, and future plans for improvement will be discussed. It was presented at the Association of College and Research Libraries (ACRL) Distance and Online Learning Virtual Poster Session held April 26-30, 2021.

I use the domestic as a locale to consider the function of a queer body within the “American Dream.” I frequently remove the objects from their intended uses through various methods of alterations. Breaking things down to queer identity, objects, space, and community, I consider each object as a stand-in for individuals liberated from the pressure of preconceptions and mastery. Each lends itself towards the community identity, serving individually as separate functions within the experience, but also collectively serving as an invitation for on-lookers to join this community that we would define together.

Work of art on mixed media by artist Joshua Bryant as part of a 2022 MFA exhibition, entitled "Keep it Between You and Me and the Neighbors" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 23rd to 26th, 2022.

Presentation is about the day in the life of a metadata student working on the Chronicles of Oklahoma collection. It was presented at the UNT Libraries' 2024 Student Snapshots Symposium held in Denton, Texas.

Poster exploring the representation of race/ethnicity, disability, and gender identification of doctoral psychology students in the U.S. compared to national population figures. It was presented at the 2020 Midwinter Meeting of the Council of University Directors of Clinical Psychology held on January 17-18, 2020 in Austin, Texas.

This poster explores the process and resources used to create subject metadata for The Chronicles of Oklahoma collection in The Gateway to Oklahoma History. The Chronicles of Oklahoma is a regional publication from the Oklahoma Historical Society that has been published since 1921. The UNT Digital Library is digitizing the back issues and making them available to the public through the digital library, The Gateway to Oklahoma History. It was presented at the UNT Libraries' 2023 Student Snapshots Symposium held in Denton, Texas and at the 2023 Texas Conference on Digital Libraries (TCDL) held May 16-18, 2023 in Austin, Texas.

This poster highlights the services provided by the UNT Media Library and the contributions of the student assistants. It was presented at the UNT Libraries' Student Snapshots Symposium held in Denton, Texas.

I have impulses to make things, sometimes the idea happens prior to its construction, sometimes it happens after. I doubt the presumption of art's ability to save or better people, which creates for me, a conflicted relationship with art-making. I think in most cases, the best it can do is attract people's interest for a moment or so, to the extent that they feel compelled to see it again. Upon those sentiments I make things that provoke a thought or pleasure in myself that I hope other people can relate to. That seems to me to be the bitch of subjective activities. You do what you feel but are never quite sure how it's felt.