Chicana decolonial feminism asks us to re envision a world that allows for various forms of beings, creating identities based on political coalitions, having an active compassion that translates into direct action that seeks to dismantle binaries that reinscribe colonialism. Chicana decolonial feminist thought actively seeks to dismantle sexism, to dismantle racism, to focus on personal experience as theory, to focus on the body as knowledge, reconceptualize knowledge, envision new ways of being, and writing that is accessible to all. I use two concepts active compassion and interconnectedness of being that are central to chicana decolonial feminism. Chicana feminist texts and newspaper articles from the 1970s are analyzed to demonstrate how chicana decolonial feminism is seen in these texts.

Scholars today deem Robinson Crusoe the first British novel. Defoe's construction of Crusoe as the atypical British traveler asserts his collective subjectivity within the framework of intimate personal experiences, accentuating his individualism. Yet, as scholars of Orientalism and Transatlantic theory can attest, calling Robinson Crusoe the first novel provides problematic methodologies that arise from affiliating the novel form to a structure associated the British colonialism and fashioning a "superior" British subject. In this essay, I work to emphasize the hybridity present within the novel, utilize historical context to provide a voice to marginalized Indigenous Americans to show how the format relies upon a relationship between collectivism and individualism, assert Indigenous voices matter in the novel, and analyze the relationship of a new collectivism that arises from narratives that cross into American spaces.

In this dissertation, I examine the political shift or reorientation of Arabs and Muslims from the supranational Ummah to the Western form of nation-state by attending to modern Arabic novel in the period between World War I and World War II. I explore the emergence of secularism in Arab national formation. One of my central arguments is that Arab nationalism is indeed a misleading phrase as it gives the impression of unity and coherence to a complex phenomenon that materialize in a number of trends as a form of struggle. In the first chapter, I defined the scope of my argument and the underlying structure and function of nationalism as a form of representation masked by nationalist ideologies. To investigate the reorientation of Arabs and Muslims from Ummah to adopting nation-state, I utilize Spivak's criticism of the system of representation along with Foucault's theorization of discourse. I argued along Edward Said that although the Western national discourse might have influenced the Arab nationalists, I do not believe they prevented them from consciously appropriating nationalism in a free creative way. I also explained that the Arab adoption of a secularist separatist nationalism was more an outcome than an effect in the …

Have You Ever Had Broken Heart? is a collection of essays that interrogate memory, loss, and grief through the intersection of personal narrative, films, the actress Frances Farmer, and woman saints and mystics from the twelfth through seventeenth centuries who were punished for daring to speak to G-d. The essays engage with autotheory and include a myriad of forms, such as segmented, one sentence, and hybrid works. The films discussed range from the philosophical, such as Ingmar Bergman's Winter Light (1963), to Graeme Clifford's biopic, Frances (1982), to catechize the grief of the persona losing her mother and sister to a hit and run car wreck in June 2022. The persona traverses the realm of the mystics and saints, including Marguerite Porete, Sor Juana Inez De La Cruz, and Joan of Arc, examining their respective quests to experience the unseen and often silent divine, while questioning her longing for G-d, and simultaneously believing G-d cannot exist. Yet, within this confusion, she finds herself immersed in memories which carry the presence of her mother's love.

Her Terrible Splendor is a poetry collection that transports the Greek witch-goddess Circe from her mythical island of Aeaea to modern-day East Texas, where I was raised. By locating Circe in the Piney Woods, I heighten the strangeness that I identify with that setting and open up new contexts for considering Circe as a woman, as an enchanter, and as figure of retelling and revision. Circe appears in an array of roles—friend, lover, mentor, alter-ego, muse—as the poems view her through different lenses, including ekphrastic responses to visual art, rewritings of myths, and "portrait" poems that cast people from the human speaker's life as the goddess herself. A powerful mythic woman who works alone and creates a haven for strange creatures and lost humans, Circe offers a way for the manuscript to consider the complex, multifaceted process of coming of age as a woman, self-making as myth-making.

This thesis explores the influence of the legend of Troy on Sir Gawain and the Green Knight, Chaucer's Troilus and Criseyde, and Lydgate's Troy Book. This study seeks to understand why medieval English Christians held the pagan myth of Troy in such high regard beyond the common postcolonial critique of Trojan ancestry as a justification for political power. I begin by demonstrating how Vergil's Aeneid presents a new heroic ideal much closer to Christian virtue than Homeric values, Aeneas submitting his will to fate and earning his piety through suffering. I then turn to Sir Gawain and the Green Knight, assessing how Gawain is not only descended from Aeneas but how the major events of his quest echo Aeneas' journey, especially in both heroes' submission of their wills to fate. Next, I reveal how Chaucer's Troilus enacts a platonic ascent from a state of ignorance to a state of truth, but as Troilus' name is also linked to the city of Troy itself, the fate of Troilus becomes the fate of Troy. In this way, Chaucer dramatizes the spiritual ascent of his Trojan ancestors in that they move from sin to salvation as a culture. Finally, I investigate how Lydgate …

Shakespeare references humoral medical theory and social definitions of gender throughout much of his work. His references to medical practices like purging, the siphoning of excessive emotional fluids to bring the body into balance, are more than allusions to medical theories. Shakespeare's works unveil and challenge early modern approaches to emotional experience, most particularly when it comes to traumatic experiences that overwhelm comprehension. In Titus Andronicus (1592), The Rape of Lucrece (1593), Hamlet (1603), King Lear (1608), and Macbeth (1606), Shakespeare invokes humoral theory to articulate the early modern traumatic experience and to criticize the efficacy of purging in representations of trauma. For Shakespeare, the siphoning of destabilized emotions, through metaphorical and rhetorical practices, has dangerous consequences for bodies coded as feminine.

The work is a collection of poems entitled The Sometime Joy, comprising a mix of poems completed before and during my studies at UNT. The manuscript is my second completed full-length work after my first manuscript, the unpublished Night, Translated. The Sometime Joy shares many of the same themes with its predecessor, although stylistically the more recent work hews much more strongly toward the infusion of speculative and fantastical elements (just one example being the apocalyptic poem "Petal Storm"). The speculative components of the collection allow me to express and utilize the full range of my imagination, to use poetry to explore alternate existences and to create allegories, such as the "Market" series of poems, where capitalism is embodied as a chimerical beast that would fit in a horror film. The collection functions as my exploration of the intersections between folklore and pop culture, a series of meditations on the strangeness of human perspectives and how the relation between perceiver and the perceived alloys and transforms both. The collection also delves into horrific subjects varying from serried monsters (wendigos, the capitalist system, J. Edgar Hoover), the apocalypse, and the capacity of mundane humans to be cruel to each other, but …

Hameline, Cassia Leigh. "Stay for the Heron: Essays." Doctor of Philosophy (English), May 2023, 146 pp., works cited, 27 titles. Stay for the Heron: Essays is an essay collection that explores truth, perception, and loss as it follows the writer's movement across landscapes that speak to a past she had, for so long, tried to run from. The essays in this collection seek to understand how we can write about difficult topics like abandonment, infidelity, and acts of self-destruction: do we get close to them? do we create distance? at what range are we able to relive the moments that caused us pain, or anger, or passion, or love and present them in written form for others to see? The collection challenges the narrative nonfiction form in preference for a more fluid, lyric, and hybrid genre that more accurately presents the material—at times fuzzy, difficult, confusing—at hand. Through its literary experimentations, such as fragmentation, lyricism, shifting points of view, and photography, the works here deconstruct what we consider "traditional" in the Essay genre and, instead, supports a shift towards a more contemporary tradition. The essays in Stay for the Heron explore the persona's geographical movement, paying close attention to the …

Stories and a novel.

This dissertation examines the rise of the racialized apocalyptic genre from 1978 to 2019. The period chosen reflects the social shift of the American political right into a party that accepts white supremacy as a tenet. In the post-Civil Rights era, white Americans considered the issue of racism to be solved. With the historic Voting Rights Act and other major victories in the 1960s there was a moment when it seemed America may turn a corner. However, when Richard Nixon took office in 1969, he originated what would be a long process of positioning the American right against intellectualism, minorities, and progress. Nixon, and the development of the new southern strategy would reach decades into the future, utilizing coded language and pitting Americans against one another. Research examining the racialized elements of the American right from Nixon to contemporary times is well chronicled and vast.