U.S. Marine George Burlage was part of the largest surrender in American history at Bataan and Corregidor in the spring of 1942, where the Japanese captured more than 85,000 troops. More than forty percent would not survive World War II. His prisoner-of-war ordeal began at Cabanatuan near Manila, where the death rate in the early months of World War II was fifty men a day. Sensing that Cabanatuan was a death trap, he managed to get transferred to the isolated island of Palawan to help build an airfield for his captors. Malaria and other tropical diseases caused him to be sent to Manila for treatment in 1943 (a year later, 139 of his fellow POWs were massacred on Palawan). After another year of building airfields, Burlage survived a 38-day voyage in the hull of a Japanese hell ship and ended the war as a miner for Mitsubishi in northern Japan. By sheer luck, strength, and a bit of sabotage, he survived and was freed in September 1945 after the Japanese surrendered. He had endured starvation and torture and lost half of his prewar weight, but no one had killed him. After the war Burlage became a journalist and wrote about …

On a hot summer’s day in Montana, a daring frontier cavalry officer, Powhatan Henry Clarke, died at the height of his promising career. A member of the U.S. Military Academy’s Class of 1884, Clarke graduated dead last, and while short on academic application, he was long on charm and bravado. Clarke obtained a commission with the black troops of the Tenth Cavalry, earning his spurs with these “Buffalo Soldiers.” He evolved into a fearless field commander at the troop level, gaining glory and first-hand knowledge of what it took to campaign in the West. During his brief, action-packed career, Clarke saved a black trooper’s life while under Apache fire and was awarded the Medal of Honor. A chance meeting brought Clarke together with artist Frederic Remington, who brought national attention to Clarke when he illustrated the exploit for an 1886 Harper’s Weekly. The officer and artist became friends, and Clarke served as a model and consultant for future artwork by Remington. Remington’s many depictions of Clarke added greatly to the cavalryman’s luster. In turn, the artist gained fame and fortune in part from drawing on Clarke as his muse. The story of these two unlikely comrades tells much about the …