The work is a coiled piece of paper that measures 2,490 feet when unwound. Pieces of white string tie sections to hold it in place.

Image of concentric circles drawn in graphite and centered on cream color rectangular piece of paper.

Image of concentric circles drawn in graphite and centered on cream color rectangular piece of paper with lines also radiating from the center.

Image of artwork consisting of loosely drawn concentric circles centered on the cream color rectangular piece of paper.

Coat of print and white oversize snakeskin print, likely polyester-silk gazaar. Round neckline, three-quarter length sleeves, center front opening without closures, oversize barrel line silhouette, lined in light pink silk. Label:

Activewear ensemble of jacket, shirt, training shorts, and leg sleeves in floral prints.

This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.

Artist Statement from the MFA Exhibition: "Through my art I strive to raise awareness towards the protection of the ocean. Plastic pollution, over-fishing, species extinction, and nuclear waste are some of the problems I symbolize in order to create conversations around the issues and do my part in starting a wave of change. The ocean is one interconnected circulatory system for our plane,t so anywhere that humans are abusing the oceans, it affects us all. I hope to remind people of the sacredness of the sea in order to help renew our reverence and respect for it."

This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.

Ball gown of delicate machine-made netting lace. Round neckline accented with floral lace, 3/4 length set-in sleeves fitted bodice, natural waist, full skirt with tiers of netting with black floral lace applique, v-neckline at the center back, center back closure, belt of wide back satin ribbon at waistline, lined in light brown with bustier-style bodice. Label: Oscar de la Renta, 12, R14, Made in USA

Artist Statement from the MFA Exhibition: "This body of work contains digital photographs, sculptures and wallpapers to highlight a personal journey through motherhood. Traditionally, the roles of a new mother have been handed down from generation to generation. A mother teaches her daughter how to soothe her fussy infant, her domestic responsibilities, to maintain her feminine mystique. Though many of these traditions of mouth to ear to mouth familial heritage continue, today’s society inundated women with visual language to remind them that although they can challenge the traditions and their choice to participate, those same discarded ideals of how to act or perform will continue to tug at the shoulder. "

Artist Statement from the MFA Exhibition: "When I left my parents to venture out into the world alone, my white privilege was stripped. While my racial background is not white, I was raised by white parents who had two biological children. Being raised this way afforded me the comfort and ability to pass through life with little to no danger of being hurt, being granted permission to be anywhere I wanted, never shut out because of my color. I still have access to many of those things because I am still my parents' daughter. I am however increasingly aware of the color of skin and how I am perceived in the context of being on my own, a single, bi/asexual artist. I also learned of my membership in a club of other people of color that I didn’t know I belonged, small and yet furiously protective of its members. A language of nods, shrugs, and eye to eye glances are a part of the language of the club, our nonverbal communication that validates our presence in a white world. much of the work this group does involves teaching and explaining why we exist as a unit separate from the world …

a) Blouse of light pink silk charmeuse, gentle v neckline, sleeveless, center front seam, two oversized bows of self on left shoulder and one oversized tie of self on the right shoulder, hip length, unlined, center back invisible zipper. Label: Oscar de la Renta, P16, 6. b) Skirt of reverse (dull) side of silk charmeuse, gore construction, draped on the bias, narrow waistband, full length, unlined. c) Narrow belt of light pink silk faille, belt buckle of oversized teardrop, round, and marquis-shaped faceted stones in champagne or off white and light pink creating symmetrical layout around a large light orange stone, silver-toned metal. d) Clip-on earrings of faceted stones on champagne or off-white, light pink, and light orange mounted in gold-toned metal. e) Tank top or shell of light pink silk charmeuse, dull or reverse side visible, unlined, with round neckline on one side and shallow v-neckline on reverse. f) Wide belt or sash of self with angled ends, no markings.

A: Dress of black viscose, cotton, and silk blend cloque with crinkled embossing. Silhouette has capped sleeves and a dropped waistline followed with a full gathered skirt. Princess seams construct the garment at the center front seam and center back seam with an invisible zipper attached. Label: Balenciaga Edition B: Belt of black cloque.

Review of the book "Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century" by Elizabeth Valdez del Álamo.

Coat of white silk/polyester blend with brown and black leopard print in gradient with center motifs more sparse and revealing white ground, swing silhouette and mid-thigh length, revers collar accented with large black button, center front hidden button placket marked with black top stitching, long set-in two-piece sleeve with cuff detail, vent at center back, fully lined in black silk. Label: Marc Jacobs

Belted shirtwaist evening dress. A: Evening dress of grey/taupe organza with gold brocade in abstract floral pattern. Collared, with rhinestone closure at neck. Single-breasted center front closure from top to bottom of gown, with grey/taupe plastic buttons. Sleeves are slightly puffed at the top, 3/4-length with angled cuffs and rhinestone-button closure. Princess-line with natural waist and full-length skirt. B: Tie belt of grey/taupe organza with gold brocade; angled ends.

Skirt of white silk/polyester blend with brown and black leopard print in a gradient from dense and dark to more sparse and whiter from left to right, straight silhouette, narrow waistband, center back zipper and hook-and-eye closure, fully lined in black silk. Label: Marc Jacobs, 6.

This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.

This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne.

Structured coat of bright neon pink or coral wool, oversized bow of self at side neckline, center front buttons, kimono sleeves, knee-length, fully lined in silk.

Work of art of Ballpoint Pen by artist Jordan Black as part of a 2020 MFA Exhibition, entitled "Heeding the Underbelly"

This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts.

Work of art in MDF, paper (Paper mache of museum visitor responses on paper) by artist Karla Garcia part of a 2019 MFA Exhibition, entitled "Uncertain Ground."