This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

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This abstract painting is mostly black with some white vertical scrapes.

This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line.

This oil painting depicts a scene from Coney Island which includes a Wonder Wheel, signage advertising frankfurters and hamburgers, Astroland, and an ATM.

The close view of the sculpture shows the individual pieces of Delft china shards as well as the inscription, "A rose for Lilly. Frank Gehry's tribute to Lillian Disney. A gift of her grandchildren and great-grandchildren."

The view is of the apartment building in the distance with some parked cars. The facade is comprised of square shapes for windows and the laminate siding. Some yellow siding detail is also visible.

The view is of the facade of one of the four apartment modules. The facade is a rich reddish brown and bright yellow with many square windows and balconies.

Image of part of an art installation at Trinity College in Hartford, Connecticut...

Image of part of an art installation at Trinity College in Hartford, Connecticut.

Image of part of an art installation at Conduit Gallery in Dallas, Texas.

Image of part of an art installation at Trinity College in Hartford, Connecticut.

This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.

"Fairies in Flight" caftan-style dress of green silk and multiple bands of trim. Front yoke is peacock feather print. Main back triangular panel is collage of appliqué in flora and fauna with fairies in flight and bluebirds. Designer's label at bottom point of exterior back panel: "Amy Zerner"

"Goddess of Knowledge" Jacket of blue and black windowpane silk with appliqué bands of trim. Main back panel with multicolored landscape with stars and female figure in Egyptian-inspired costume, flora and fauna. Long sleeves; 3/4 length. Two large doupionni patch pockets. Center front opening with no closure. Lined in blue green iridescent fabric. Designer's label at exterior back neckline: "Amy Zerner"

"Peacock Priestess" caftan dress of turquoise blue net over turquoise blue and green satin with appliqué and real peacock feathers. Back with appliqué medallions.

"Mystery School" robe of patchwork black, white and gray silk with multiple trims and sequin appliqué on front. Full length. Main back panel collage appliqué in black and white printed and textured cottons includes a small tiger, leopard and large gray tabby cat.

"Sacred Space I" jacket of black denim with multiple bands of trim in jean jacket style. Main back panel appliqué collage of printed and woven cottons in a floral and fauna motif with red cardinal and a fairy. Designer's label at center back neckline: "Amy Zerner"

"Empowerment" Jacket of dyed blue, purple and gray silk with multiple bands of trim on front. Long sleeves with 3" cuffs; 3/4 length. Patch pockets of fabric and trim matching sleeve cuffs. Main back panel of collage of multi-printed cottons with female figure and crescent moon. Lined in blue and black houndstooth silk jacquard with abstract paisley accents. Designer's label at center back neckline: "Amy Zerner"

"Infinite Spirit" robe/dress of embroidered light green silk with light green sequins and beads on front. Main back panel with appliqué collage of flora and fauna motifs, including stag and winged female figure.

"Peacock Dream" jacket of dyed green denim with multiple bands of trim in jean jacket style. Main back panel collage appliqué of multicolored fabrics with two goddess figures and a blue peacock. Designer's label at center back neckline: "Amy Zerner"