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[Fifes and Drums: Poems of America at War, The Vigilantes]

Photographs of "Fifes and Drums: Poems of America at War," held by UNT Special Collections. The brown book cover has the title in dark blue in the top right corner in a white label, framed by a dark blue line. Image 2, title page. On the left page is a list of The Vigilante books inside a box, and on the right page is the title page with a small upside down triangle with the letter D in it.
Date: October 12, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Flower of Youth: Poems in War Time]

Photographs of "Flower of Youth: Poems in War Time" by Katharine Tynan, held by UNT Special Collections. Image 1, the spine of the dark blue book with the title on a white label on the spine. Image 2, with the page to the left of it containing a box with the title of books also by Tynan.
Date: October 14, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[The Red Flower: Poems Written in War Time, cover]

Photograph of the cover of "The Red Flower: Poems Written in War Time" by Henry Van Dyke, held by UNT Special Collections. The cover is white with a dark blue spine, the top of the front contains the title at the top and author at the bottom in dark blue print. In the middle of it is an orange/red flower design.
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Sonnets from a Prison Camp, title page]

Photograph of the title page from "Sonnets from a Prison Camp" by Archibald Allan Bowman, held by UNT Special Collections. Scottish philosopher and poet Allan Archibald Bowman (1883-1936) was working as a professor at Princeton University when World War I began. He took a leave of absence in 1915, enlisted in the British Army, and was assigned to the Highland Light Infantry. Three years later, Bowman was taken prisoner by German forces during the Battle of Lys. The poems collected in Sonnets from a Prison Camp were written after Bowman’s capture, between April 27 and July 25, 1918. Most were composed at the Rastatt prison camp, though some were written after Bowman was transferred to Hesepe. The volume itself contains twelve chronologically arranged sections and a clean, minimal layout with one sonnet per page. This neatly bound, 152-page book has a board cover with thread wear on the bottom and top of the spine. A lithographed errata slip on different paper is pasted into the binding and precedes the title page. Part of the Soldier Poets section of the exhibit, Sonnets from a Prison Camp contains poems that reflect on the horrors of war, the boredom of life in a …
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[From an Outpost and Other Poems, cover]

Photograph of the cover of "From an Outpost and Other Poems" by Leslie Coulson, held by UNT Special Collections. The white paper cover has a thin orange line that frames the title, followed by a photo of a young man and the author under the picture all in orange tint.
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Naked Warriors, cover]

Photograph of "Naked Warriors" by Herbert Read, held by UNT Special Collections. In 1917, poet and literary critic Herbert Read co-founded the avant-garde quarterly journal Arts and Letters, which in 1919 published Read’s book Naked Warriors. (The volume’s first section “Kneeshaw Goes to War” originally appeared in Arts and Letters, as noted in the contents.) This sixty-page volume of poetry and prose explores the arc of the British soldier’s combat experience in World War I. Read, who served in the war and was awarded both the Distinguished Service Order and the Military Cross, includes an epigraph before each section, visually separating sections that are joined by a thematic progression rather than common characters. Before the contents page, readers encounter a six-line poem entitled “Parody of a Forgotten Beauty” and a one-paragraph preface in which Read encourages his generation to “strive to create a beauty where hitherto it has had no absolute existence” (5). This desire is reflected in the cover illustration, thought to be the work of artist Wyndham Lewis. The central figure employs Vorticism, an early twentieth-century British art movement using a form of urban cubism to express the dynamism of the modern world. The book is bound in …
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Forward, March!, cover]

Photograph of the cover of "Forward, March!" by Angela Morgan, held by UNT Special Collections. The dark red cover has the title at the top left corner, followed by a graphic of a hand holding a torch and the author. This all encased by a line, and all in gold lettering/lines.
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Sword Blades and Poppy Seed]

Photographs of "Sword Blades and Poppy Seed" by Amy Lowell, held by UNT Special Collections. The first image is of the blue/grey spine with a label at the top of it containing the title. Image 2, the book opened up to the title page, with the left page containing publishing information.
Date: October 12, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Soldier Songs from Anzac, cover]

Photograph of the cover of "Soldier Songs from Anzac" by Tom Skeyhill, held by UNT Special Collections. The cover is worn lavender in color, with a double border in black ink. The title is at the top, and the publishing information at the bottom also in black ink.
Date: October 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[The Making of Micky Mcghee]

Photographs of "The Making of Micky Mcghee" by R.W. Campbell, held by UNT Special Collections. The third image shows the book opened up to pages 64-5. On the left page are the words "Carry On" next to a drawing of a soldier kneeling with a long rifle, followed by a bit of text. On the right page are the words "Miners and Miners" next to a drawing of a man holding a shovel followed by a few paragraphs of text. Image 1, pale brown book cover with the title at the top in an illustration of a man standing in front of a sign, and buildings behind it, the author in the bottom right corner. Image 2, inscription written on the inside of the cover in pencil. Robert Walter Campbell, born 1876, served with the Royal Scots Fusiliers in the Boer War (1899 to 1902), and then again with the 5th battalion in Gallipoli (1914) in the Great War. This second tour gave him the material for his poems in support of the war effort. Campbell wrote 25 lively poems and songs in Standard English for The Making of Micky McGhee. Some 20th century Scottish slang is sprinkled throughout.
Date: November 3, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Socks]

Photographs of "Socks" by Emily Caroline Oliphant, held by UNT Special Collections. Image 2, shows the title page, the words "Moriendo Vivo" in the middle of it. Image 3, open book with table of contents on the left page and the page on the right the beginning of a chapter titled "Socks" with the date September 1914 under it. Image 4, page of text titled "Socks" on the left and page on right titled "The Mine-Sweepers." Image 1, green book cover with the title and author in the middle in red lettering. In the top right corner are blue, white and red stripes. While not every poem in Emily Caroline Oliphant’s Socks directly concerns the role of women on the home front of World War I, the most noteworthy of the book’s 27 poems, “Socks,” details the almost laughable frustration of the limited contributions a woman could make in contrast to her husband’s sacrifices: “Tis little a woman can do when fighting is to the fore; / True, she can send her menkind now as in days of yore; /... But every minute to spare she knits for her soldier—socks.” The book’s title page bears the information that it was …
Date: October 14, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Plain Song 1914-1916]

Photographs of "Plain Song" by Eden Phillpotts, held by UNT Special Collections. Image 2 shows the table of contents on the left page and a page with a poem titled "August the Fourth." Image 3, continuation of the poem "August the Fourth" and number 2 and 3. Image 1, cover of the book made of grey paper, framed by a thick line with the title at the top followed by the dates 1914-1916. Eden Phillpotts (1862-1960) was born in British India and is best known for his celebration of the landscape of Dartmoor in southern England. His collection of poems, Plain Song, moves from horror to acceptance, but always with a sense of detachment of the poet at home. The opening poem takes its title from the date Britain declared war on Germany, “August 4, 1914.” Thwarting the reader’s expectations, the poem begins with a peaceful woodland scene at dusk, where the speaker watches the moon rise over a clearing filled with emerald-like glow-worms and the purr of a swooping churn-owl, who “throbbed and throbbed, then took his flight...in rapture and delight” (p. 2). The poem ends by shattering this scene “by Nature sanctified” when the speaker suddenly recalls the …
Date: November 3, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Taps: Famous Poems of the World War]

Photographs of "Taps" by Theodore Roosevelt Jr. and Grantland Rice, held by UNT Special Collections. The second image is of pages 110 an 111, the page on the left is a drawing of a figure laying on grass and the page on the right is a poem titled "No Man's Land." Image 3, pages 200 and 201 with the page on the left containing parts of a poem and the page on the right containing a drawing of two soldiers sitting down with skull faces. Image 1, cover of the book. It is dirty yellow in color with title in bold at the top with black lettering, the subtitle and names in smaller letters. Expanding vertically on the left side of the cover is a sketch of a soldier playing a trumpet. Image 4, side view of book's spine that contains the title and author, small white stars along it vertically.
Date: November 3, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Rookie Rhymes]

Photographs of "Rookie Rhymes," held by UNT Special Collections. The book is opened up to a page on the left titled "The Call" followed by a poem. On the right page is an illustration of a soldier and woman in a big dress dancing. Image 1, the brown paper book cover has no spine, and the title is at the top in big black letters followed by an illustration of a man in a hat smoking a pipe.
Date: November 3, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Selected Poems on Woodrow Wilson]

Photographs of "Selected Poems on Woodrow Wilson," held by UNT Special Collections. The first image, the pale blue cover of the book with the title and author printed at the top of the front in dark blue. The second image shows the title page of the book, including the editor, illustrator and publishing information. Image 3, "The Crusader (In Memory of Woodrow Wilson)" poem by Thomas Curtis Clark on page 57. On the page to the left of it is an illustration of a pointed doorway, flags seen inside of it.
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[History and Rhymes of the Lost Battalion]

Photographs of "History and Rhymes of the Lost Battalion" by Lee C. McCollum, held by UNT Special Collections. The second image is open to two poems, the one on the left tiled "Our Commander" and the one on the right "Up There." On each side and bottom of the page is an illustration of field workers, the bottom part being the ground. Each page also has a dedication. Image 3, poem titled "My Pals" expanding over two pages. On the outer part of each page is part of an illustration of things like soldiers lying on the ground and someone in a gas mask. Image 1, dark blue cover of the book with the title and author in gold lettering. In the top left corner is a red, white and blue stripe.
Date: October 12, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Song of the Soldiers, cover]

Photograph of the cover of "Song of the Soldiers" by Thomas Hardy, held by UNT Special Collections. The cover is brown, the front framed a black design. The song and author are at the top and underlined in black ink.
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Rupert Brooke: A Memoir, cover]

Photograph of the cover of "Rupert Brooke: A Memoir" by Edward Marsh, held by UNT Special Collections. The simple black cover has the title in a white box at the top, the title inside it framed by an orange line. Rupert Brooke (1887-1915) was the son of a Rugby schoolmaster and attended school at Rugby and later at King’s College of Cambridge University. After completing his education, Brooke continued writing poetry and became one of the founders of the first anthology of Georgian Poetry. Now little studied, it was a dominant poetic movement of the time until it was supplanted by Imagism and the High Modernism of T. S. Eliot, Ezra Pound, and W. B. Yeats. While not as experimental as the Modernists, the Georgian poets did look to free poetry from the ornate language of Victorian verse and employ in its place plain and concrete language. Along with the Georgian poets, Brooke also interacted with members of the influential Bloomsbury Group, which included such prominent writers as Virginia Woolf and E. M. Forster. When war broke out, Brooke enlisted but never saw combat, instead dying of illness in March 1915 on his way to Gallipoli. Despite this, Brooke became …
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[The Other Side: Poems, cover]

Photograph of the cover of "The Other Side: And Other Poems" by Gilbert Frankau, held by UNT Special Collections. The worn orange cover contains the title in a white box on the top left.
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[1914 & Other Poems]

Photographs of "1914 & Other Poems" by Rupert Brooke, held by UNT Special Collections. The first image, is of the inside of the book with a faint illustration of a man's profile, the second image the see-through brown piece of paper is turned over to cover the illustration but to reveal the title of the book. Although Rupert Brooke (1887-1915) died before ever seeing battle, he was renowned for his war sonnets. W.B. Yeats noted that Brooke was “handsomest young man of England,” a fact that may account for some of his fame. Educated at Cambridge, he became a thespian, scholar, and soldier. Brooke, commissioned in the Royal Navy, never got to see battle. He died in 1915 at sea from sepsis. An eerie photograph portrait of the author’s profile, dated 1913, appears opposite the title page in this edition. Following the title page with publisher information and the typical copyright statement, we encounter a brief biographical note listing Brooke’s education and war time experience. His five war sonnets, titled “1914,” became notable for their romantic and patriotic view of the war. As a young man, Brooke wrote poems and published in anthologies and periodicals; his first volume of poetry, …
Date: November 3, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Somewhere in France: And Other Poems, cover]

Photograph of the cover of "Somewhere in France: And Other Poems" by Ella F. Cowan, held by UNT Special Collections. The grey textured cover has the title and author stamped on the front at the top.
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Men, Women and Ghosts]

Photographs of "Men, Women and Ghosts" by Amy Lowell, held by UNT Special Collections. The book is blue with a green spine, the title on a white label at the top framed by lines. Image 2, title page with the page on the left containing publishing information. Amy Lowell's Men, Women, and Ghosts, per her own preface, is meant to be an authentic window into the experience of WWI. It is a collection of 30 poems that had been published five times before this 1919 impression. The reprinting was made possible by electrotype. It was published in New York, but an earlier printing where the electrotype was produced occurred in Norwood, Massachusetts. In the preface Lowell discusses which poems she chose to include in the collection. She excludes “purely lyrical poems” (ix) because she is more concerned with experimenting with vers libre, or free verse that does not subscribe to standardized rhyming and metrical schemes. Lowell classifies many of her poems as “polyphonic prose” and was a forerunner of experimentation with the prose poem in English. Many of her poems in the collection have elements of prose, including “Pickthorn Manor” a story about a woman whose sweetheart is on the …
Date: October 12, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[In Flanders Fields]

Photographs of "In Flanders Fields" by John McCrae, held by UNT Special Collections. The cover is dark blue with the title on the front in gold lettering inside gold oval. Image 2, frontispiece containing a photo of a soldier in uniform titled "John McCrae." Image 3, facsimile inscription. with the page on the right written in black ink handwriting. Image 3, book opened up to "In Flanders Fields" on the right page.
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library

[Patriotic Toasts, cover]

Photograph of the cover of "Patriotic Toasts" by Fred Emerson Brooks, held by UNT Special Collections. The cover is striped with red at the top, white in the middle and blue at the bottom. The title is over it in big black letters with the author in the bottom right corner in red lettering. This edition of Patriotic Toasts was published in 1917 by Forbes and Company in Chicago. Each page has a lithographic decorative blue border surrounding the printed text, and the dense cardboard cover contains a stoic depiction of Uncle Sam carrying an American flag, reinforcing the book’s self-proclaimed patriotism. The author, Fred Emerson Brooks, a popular 19th century poet, wrote several books of “toasts” – short poems likely meant to be read aloud in social gatherings. A notice in the back of this volume advertises Brooks’s other publications, including the comically titled Cream Toasts and Buttered Toasts, with a series of quotes from major newspapers attesting to Brooks’s sparkling wit. The collection of poems in this book captures the vigor of the American spirit at the time of its entry into World War I. Poems such as “Old Glory” and “Liberty’s Banner” are dense with the nationalist …
Date: September 23, 2016
Creator: Sylve, Joshua
Object Type: Photograph
System: The UNT Digital Library