This article uses a mapping project to examine the relationship between a small set of chapels in close proximity to defensive fortresses along the upper Duero in the region of Soria.

This article situates Medieval Studies in the ever-evolving education environment that has linked the public rhetoric of the academy to business models.

This article examines how technology may be incorporated into an art historical research program, through a cross-disciplinary project combining the visual methodologies of the art historian with the technical tack of the geographer.

The artwork consists of twelve panels in varying hues of pinks, blues, browns with some angular textured lines resembling furrows and some blue lines resembling water run through and across the panels.

The artwork consists of four panels each turned on point. A grid ladder pattern turned in various directions appears in each panel. The colors are warm reddish browns and light blues. Other rectangular and triangular outlined shapes appear scattered across the panels.

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This abstract painting is mostly black with some white vertical scrapes.

This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line.

This paper explores the development of Internet use in Latin America by exploring the macro- and micro-social expectations and actualities of Internet use.

This book chapter describes a project to develop an informative green label that outlines the impact of a product on the environment, to help inform the consumer considering buying the product.

Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat.

A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone.

This article centers two fabric assemblage pieces the author created in response to the Black Lives Matter protests of the summer 2020.

This article presents a duoethnographic, critical arts-based research project, which began as a pre-recorded, on-demand presentation for the 2021 National Art Education Association Annual Convention. This is an edited, expanded print version of the authors' conference session examining hair as text and sites of identity/respectability politics, positionality, rites of passage, liminality, and selfhood.

This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.

This article examines the apparel and shopping preferences of mature women in America.

Article reflecting on over ten years of conducting and collecting interviews with and by women artists of African descent in a variety of formats (e.g. narrative arts writing, academic research and documentary film/video) to note the specific ways that artists’ interviews help to rewrite art-historical narratives.

Review of the book "Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century" by Elizabeth Valdez del Álamo.

Video recording featuring co-hosts Lauren Cross, Ph.D., and Kathy Brown, Ph.D., engage in ongoing conversations about anti-racist pedagogy in the arts and design. Joined by distinguished guest panelists, Joni Boyd Acuff, Ph.D., and James Haywood Rolling Jr., Ed.D., this first installment of the 2044 series introduces Afrofuturism and the ways that it can help reimagine art discourses, laying the groundwork for establishing Afrofuturism as a framework for conceptualizing and enacting anti-racist art education practice. In addition to sharing their work and how it relates to Afrofuturism and futurist thinking, the panelists discuss how recognizing Black and Brown artists and advocating for racial literacy is essential to creating and maintaining a racial consciousness practice in K-12 education.

This article explores consumers' perceptions of sustainability labels on apparel products and examines sustainability labels as an effective means of determining consumers' purchase intentions using the technology acceptance model.

This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.

This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.

This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.