Postcard of a colorized photograph of Waco's Academy of the Sacred Heart, a large, two-story red brick building with two rows of windows, with a row of trees in front of it. Printed on the front of the postcard: "Academy of the Sacred Heart, Chartered 1875, Waco, Texas." There is a handwritten letter on the back of the postcard.

Photographs of B. F. Hancock, the business manager of the Munger gin and farm, and his wife. They pose together several yards in front of a wooden chapel-like building, to which is attached a tall wooden tower capped with a belfry and a steeple. Open field surrounds the couple.

Postcard image of Beth Israel Synagogue in Houston, Texas, which is built in the Moorish style with stained glass windows and one circular carving of the Star of David above the synagogue entrance. Handwritten text on back addressed to Teague, Texas: "Hello Cliff, guess you heard we were married & living in Houston. Come to see us when you can, Arthur & Jewell 1119 Elysia Pl."

Postcard of a colorized photograph of a boat loaded with cotton bales in a canal with several men standing in front of a cotton compressing and loading facility and a railway bridge in the background. Printed on the front of the postcard: "Compressing and Loading Cotton, Houston, Texas."

Photographs of Ed Evans and Addie Wilson, "prominent society young people". They wear formal clothes and are seated in a wooden buggy led by a single horse. The buggy is parked in a clearing in front of trees and bushes.

Postcard image of an entrance to the Sam Houston park in Houston, Texas. The entrance is marked by a large structure with signs attached reading "for whites only..", and "dogs positively prohibited". Within the park various plants, and other structures are visible. Outside the entrance three small boys are pictured around a tricycle. Handwritten text on back is addressed to Vivian Aunspaugh of Dallas, Texas.

Photographs of a farmers' union cotton yard in Coolidge, Texas. On an wide, plain field are horse-drawn wagons full of cotton. In the far background are possibly piles or stacks of cotton bales.

Postcard image of Grace Methodist Church in Dallas, Texas. In the image the church is built with early Gothic styles with spires, stained glass windows, and pointed archways. The church was designed by William A. Cann of St. Louis.

Graduation announcement for the Waco High School class of 1911. Included with the invitation is a class roll.

Photographs of Hugh Clemens and his horse, bowing its head, at the Munger farm and gin in Limestone County. The horse is saddled and is led by the reins by Clemens. Both stand in a field of tall grass in front of large trees.

Photographs of John Dailey and Howell Campbell on a horse-drawn buggy at Pin Oak Creek near Munger, Limestone County. The horse is parked on a dirt road, and both men face towards the camera, seated on the buggy.

Photographs of the remains of the Munger gin system after a fire in September 1911. Smoldering ruins are strewn across the background, with several workers standing nearby or sitting in front of the ashes. Twisted buildings and lumber lay behind the ruins.

Postcard at New Year's addressed to William Baine, Waco, Texas.

Photograph of the Amicable Life Insurance Company (A. L. I. C. O.) building being constructed, with men standing on a suspended I-beam. A handwritten note says "Howdy Gildy" and points to one of the men. An interurban streetcar is on the street beside the building.

Photograph of the Amicable Life Insurance Company (A. L. I. C. O.) building being constructed, with a horse-drawn wagon in front of it and other smaller buildings nearby.

Photograph of the grave of Maria Schuler (1828-1911) covered in flowers, located in Oakwood Cemetery, Waco, Texas.

Photograph of the grave of Mary E. Wheatly (1842-1911) covered in flowers at Oakwood Cemetery, with many graves visible in the background.

Photograph of a young boy wearing a band uniform and holding a small trumpet while standing in a fenced yard with houses in the background. Handwritten notes on the back of the photo say, "South side of front yard, Hickory St. at 16th St. Looking east across Hickory (Person's house and barns in background)" and "Meredith Lewis, first mascot of first uniformed Simmons College Band, of which his father C.H. Lewis was director and organizer. Holding 'Daddy's horn.' About 1911 or 1912."

Photograph of the home where brothers V. Addison Wise and John Wise were born, in Center League Community near Venus, Texas.

Photograph of Reverend J. A. Coleman sitting and staring pensively toward the ground with his hands loosely clasped. He wears a suit and tie. Text written in the folder that holds the item titles the photo "Before he met his bride."

Postcard from Hallie to Mrs. Joe Bigy[?] in Coalgate, Oklahoma. Hallie writes about their home and beckons Mrs. B. to write back. The front of the postcard shows a collage of four places in Waco: in clockwise order from the top left, the New Exchange Hotel, its furnished lobby, its large dining room, and the Union Depot station.

Postcard of the Texas Cotton Palace in Waco, Texas at night, the building outlined with small colored lights. A handwritten note on the back of the postcard is addressed to Mrs. Fred Setchell in Canaan, Maine, and says "Dear Ross. I am at McGregor visiting Tina. Yesterday we spent all day in Waco. Went out to Oakwood to visit the little grave. Twenty-five years this month. The afternoon at Cotton Palace. Such a crowd. Will return home tonight. With great deal of love to all. From Aunt Effa."

Postcard showing people and buildings on Twelfth and Franklin Streets in Waco, Texas, with Austin Avenue Methodist Church visible on the left side of Twelfth Street. A handwritten note on the back of the card is addressed to Mrs. W.D. Barton in Ozona, Texas and says, "I guess you think I have forgotten you but I haven't. I am fine. I don't know when I will be thru. I like Waco fine. Go to Sunday School and Church every Sunday. We have about 500 members in Sunday School when I go. A Meeting has just close and it sure was fine. Charley Cortes."

Postcard of Vincent Carr (left), John Kane (middle), and Horace Nelson (right) posing together for a portrait. A handwritten message is scrawled across the dedicated correspondence space as well as around the front of the card. The message in the correspondence space reads: "Hello Mame Skeet said to tell you he still loved you but I know he don't like you like I do Horace." The message at the top of the front of the card reads "going to moving picture show every night and am painting the town red white and so sweet blue." A message on the side and bottom margins of the front of the card reads "watch him go tho some old bashful barefoot boy but nevertheless he still loves son H. N." A message written next to Vincent Carr reads "ain't he cute the dear boy." The card is addressed to Miss Mammie Parker of Bonham, Texas.