A San Diego Union article titled "A Bit Jittery, But Gonzalez, 88, Sings Well." The name of the newspaper is laid out vertically to the left of four columns of text and a photograph. The photo depicts Preita Caldera and Pedro Gonzalez singing while surrounded by people playing instruments. The text surrounding the photo describes Gonzalez's past the context of his performance depicted in the image.

A San Jose Mercury news article titled "Prison reformer Clinton Duffy dead at 84." The text "State, Genreal News" and "Classified" are printed at the top of the newspaper, to the left of the newspaper's name and date. Directly below is the article's headline followed by four columns of text that have been printed to the left of a man's photograph. Below the photo is a second image of a man that's been printed between two columns of larger text.

A Daily Aztec article titled "Singing Group Highlights Hispanic Heritage Week." The title of the article is printed above three columns of text and three grainy photographs. A fourth photograph appears to the right of the title and has text describing the image as showing Pedro Gonzalez leading "Los Madrugadores" in a 1981 concert. The article continues onto a second page, the text formatted into one column and printed near the left edge of the page. Multiple grainy photographs fill the rest of the page.

A Heraldo article titled "Una Obra Teatral de Joaquin Aguilar R." "Heraldo" is printed next to a date, below which is the name of the article and a single column of italicized text.

Flyer for the play "A Las 8 Me Matare." A curtain is printed along the left and top edges of the page while in the page's top left corner is a shield-shaped mark containing a person's face and the words "teatro intimo." A single centered column of text fills the rest of the page. All the printed components on the page are dark blue towards the top of the page and orange towards the page's bottom, creating a gradient.

Flyer for the play "A Las Ocho Me Matare." A large photograph of a woman laying down while a kneeling man holds her has the texts "teatro intimo" and "a las ocho me matare" printed at its top. Multiple names are also printed across the photo. Extending along the left, right, and bottom edges of the large photo is a continuous row of smaller photos.

Interview with Pedro J. González by Lorena Parlee and Maria Gonzalez. A wide column of text continues across numerous pages, multiple of which have handwritten annotations on them.

Interview with Pedro J. González by Lorena Parlee and Maria Gonzalez. A wide column of text continues across numerous pages, multiple of which have handwritten annotations on them.

Interview with Pedro J. González and his wife. The document has the words "Interview with Don Pedro y Esposa" printed at the top of its first page, above a column of text that continues across the fronts of five additional pages. Each paragraph has a heading denoting whether the text block is a question from the interviewer or a response from an interviewee.

Letter from Javier Escobar Córdova to Pedro J. Gonzalez. The text at the top of the page is printed below and to the right of a bird icon. Across the rest of the page is a wide column of paragraphed text that contains a signature over Córdova's name.

Letter from Lorena M. Parlee to Joe Blackstock regarding the film about Pedro J. Gonzalez. "Cinewest" is printed across the top of the paper above an address, phone number, and date. Blackstock's name is printed above the text "Foster & Kleiser," followed by an address and phone number. The message of the letter involves thanking Blackstock for assistance with a film and describing advertising strategies for it. The letter ends with "Sincerely" and Parlee's signature written above her name in printed text.

Letter from Lorena Parlee to Albert C. Zapanta. "Cinewest" is printed across the top of the paper above an address. The message of the letter is printed below a person's name and address and a date. Parlee's signature sits towards the bottom of the letter, above her printed name.

Letter from Pedro J. Gonzalez to Claudio Estrada. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column and a stamped seal. The wider column of text continues onto the back side of the page, ending above three lines of handwriting.

Letter from Pedro J. Gonzalez to Federico Villa. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date and handwritten text. Beneath the handwriting is a wide column of text positioned to the right of a smaller text column and a stamped seal. The wider column of text continues onto the back of the page, ending above a signature. Multiple text blocks on the page's front have been marked over with horizontal lines or "x" marks.

Letter from Pedro J. Gonzalez to his niece, Josefina O. de la Fuente. A wide column of paragraphed text is printed on the paper's front, below an address and date.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A long title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a narrower text column. The wider column of text continues onto the back side of the page, ending above a signature and rows of handwritten text.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A long, curving title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and above a signature.

Letter from Pedro J. Gonzalez's grandchild. A paragraph of handwritten text fills the front side of a ruled paper sheet. The letter's envelope has two handwritten addresses on its back along with a circular mark stamped next to a postage stamp that depicts a ram.

Letter from the general consulate of Mexico, Javier Escobar Córdova, to Pedro J. Gonzalez regarding an exoneration request. In the top left corners of the letter and an accompanying envelope is an icon of an eagle holding a snake surrounded by text and foliage. The contents of the letter include locations within California, a date, and two paragraphs written by the consulate. The envelope is addressed to Dr. Lorena M. Parlee in the University of California's history department at Santa Barbara, California.

Letter to Pedro J. Gonzalez from James A. Holder, including a letter to Alan Cranston from James A. Holder about obtaining U.S. citizenship for Gonzalez. Holder's message to Gonzalez is written next to a photocopied news article about Preita Caldera and Pedro J. Gonzalez. The letter's envelope has multiple stamps and multiple crossed-out sections of written information. The included message from Holder to Cranston is written on one side of a lined piece of paper.

A letter to Rosario Montaño from Pedro J. Gonzalez. A title and a short paragraph are printed above an eagle icon that sits between two columns of text. Below the eagle is a wider text column that ends above a signature

Letter to Virginia Torres from Pedro J. Gonzalez. "Legion de Honor Mexicana" is printed above three short lines of text and an eagle icon, to the right of which is a small paragraph. Below the icon is a date and a column of paragraphed text printed above a signature. To the left of the paragraphs is a column of smaller printed text above a group of hand-written words and numbers. Multiple lines of texts towards the top of the page have an "X" marked on them.

Program for the play "A Las 8 Me Matare." A curtain is printed along the left and top edges of the page while in the page's top left corner is a shield-shaped mark containing a person's face and the words "teatro intimo." A single centered column of text fills the rest of the page. All the printed components on the page are dark blue towards the top of the page and orange towards the page's bottom, creating a gradient.

Stories of Pedro J. Gonzalez's life, "importantisimo realato." A wide column of paragraphed text is printed on the paper's front, below a handwritten title. Multiple words within the paragraphs have been marked out or underlined with blue ink. The printed text continues onto the page's back and ends above multiple lines of handwriting.