Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree

Captain John R. Hughes, Lone Star Ranger is the first full and complete modern biography of a man who served as a Texas Ranger from 1887 until early 1915. He came to the attention of the Rangers after doggedly trailing horse thieves for nearly a year and recovering his stolen stock. After helping Ranger Ira Aten track down another fugitive from justice, Hughes then joined Company D of the Texas Rangers on Aten’s recommendation, intending to stay for only a few months; he remained in the service for nearly thirty years. When Sgt. Charles Fusselman was killed by bandits, Hughes took his place. When Captain Frank Jones was killed by bandits in 1893, Hughes was named captain of Company D. As captain, Hughes and his men searched the border and identified every bandit involved in the killing of Jones. They all received justice. Toward the end of his career Hughes became a senior captain based in Austin, and in 1915, having served as a captain and ranger longer than any other man, he retired from the force. His later years were happy ones, with traveling and visiting friends and relatives. He became a Texas icon and national celebrity, receiving more …

In 2010 Written in Blood: The History of Fort Worth’s Fallen Lawmen, Volume 1, told the stories of thirteen Fort Worth law officers who died in the line of duty between 1861 and 1909. Now Richard F. Selcer and Kevin S. Foster are back with Volume 2 covering another baker’s dozen line-of-duty deaths that occurred between 1910 and 1928. Not counting the two officers who died of natural causes, these are more tales of murder, mayhem, and dirty work from all branches of local law enforcement: police, sheriff’s deputies, constables, and special officers, just like in Volume 1. This era was, if anything, bloodier than the preceding era of the first volume. Fort Worth experienced a race riot, two lynchings, and martial law imposed by the U.S. Army while Camp Bowie was operating. Bushwhacking (such as happened to Peter Howard in 1915) and assassinations (such as happened to Jeff Couch in 1920) replaced blood feuds and old-fashioned shootouts as leading causes of death among lawmen. Violence was not confined to the streets either; a Police Commissioner was gunned down in his city hall office in 1917. Even the new category of “vehicular homicide” claimed a lawman’s life.

What would cause someone to withstand freezing temperatures in a cramped wooden box for hours on end, or stand in waist-high rushing waters, flicking a pole back and forth over and over—in many cases with nothing whatsoever to show for his efforts? Why is it that, into the twenty-first century, with the convenience of practically any type of red meat or fish available at the local supermarket, we continue to hunt game and fish on open waters? The answer is that no matter how sophisticated we think we are, no matter how technologically advanced we become, there is still something deep within us that beckons us to “the hunt.” This desire creates the customs, beliefs, and rituals related to hunting—for deer, hogs, and other four-legged critters, as well as fish and snakes, and other things that perhaps aren’t physically alive, but capture our interest as much as the prey mentioned above. These rituals and customs lead to some of our most treasured stories, legends, and practices. This volume of the Publications of the Texas Folklore Society includes serious, introspective articles on hunting and fishing, as well as humorous tall tales and “windies” about the big ones that got away—all lore …

William Vacchiano (1912–2005) was principal trumpet with the New York Philharmonic from 1942 to 1973, and taught at Juilliard, the Manhattan School of Music, the Mannes College of Music, Queens College, and Columbia Teachers College. While at the Philharmonic, Vacchiano performed under the batons of Arturo Toscanini, Bruno Walter, Dimitri Mitropoulos, and Leonard Bernstein and played in the world premieres of almost 200 pieces by such composers as Vaughan Williams, Copland, and Barber. Vacchiano was important not only for his performances, but also for his teaching. His students have held the principal chairs of many major orchestras and are prominent teachers themselves, and they have enriched non-classical music as well. Two of his better known students are Miles Davis and Wynton Marsalis. Last Stop, Carnegie Hall features an overview of the life of this very private artist, based on several personal interviews conducted by Brian A. Shook and Vacchiano’s notes for his own unpublished memoir. Shook also interviewed many of his students and colleagues and includes a chapter containing their recollections. Other important topics include analyses of Vacchiano’s pedagogical methods and his interpretations of important trumpet pieces, his “rules of orchestral performance,” and his equipment. A discography, a bibliography of …

Ira Aten (1862-1953) was the epitome of a frontier lawman. At age twenty he enrolled in Company D during the transition of the Rangers from Indian fighters to topnotch peace officers. This unit—and Aten—would have a lively time making their mark in nineteenth-century Texas. The preponderance of Texas Ranger treatments center on the outfit as an institution or spotlight the narratives of specific captains. Bob Alexander aptly demonstrated in Winchester Warriors: Texas Rangers of Company D, 1874-1901 that there is merit in probing the lives of everyday working Rangers. Aten is an ideal example. The years Ira spent as a Ranger are jam-packed with adventure, border troubles, shoot-outs, solving major crimes—a quadruple homicide—and manhunts. Aten’s role in these and epochal Texas events such as the racially insensitive Jaybird/Woodpecker Feud and the bloody Fence Cutting Wars earned Ira’s spot in the Ranger Hall of Fame. His law enforcing deeds transcend days with the Rangers. Ira served two counties as sheriff, terms spiked with excitement. Afterward, for ten years on the XIT, he was tasked with clearing the ranch’s Escarbada Division of cattle thieves. Aten’s story spins on an axis of spine-tingling Texas history. Moving to California, Ira was active in transforming …

A student and guest artist recital performed at the UNT College of Music Voertman Hall.

Song and chamber music concert performed at the UNT College of Music Voertman Hall

Interview with Hyei-ok "Hannah" Lee, a jeweler and immigrant to Texas from Seoul, Korea. Lee discusses growing up and her education, her family, her children's schooling, traditional Korean family structure, and cultural differences and similarities. In appendix are photographs of items in Lee's home discussed in the interview, and explanations of cultural customs mentioned.

Interview with University of North Texas Professor Dr. Pierina E. Mercado Beckman, Mexican-born immigrant to Denton, Texas, for the DFW Metroplex Immigrants Oral History Project. The interview includes Beckman's personal experiences about childhood in Mexico City, relocating to the U.S., her decision to attend Graceland College in Lamoni, Iowa, her culture shock and homesickness, marriage to Curt Beckman, the decision to earn a Ph.D. in Spanish Literature from the University of Iowa, being hired at UNT, and her efforts to remain in touch with family members in Mexico.

Interview with James F. Brede, dentist and U.S. Army Air Forces veteran. The interview includes his personal experiences in World War II as a B-17 co-pilot with the 8th Air Force in the European Theater, his childhood in Allegheny County, Pennsylvania, enlistment in the U.S. Army Air Forces in 1943, preliminary training in Tennessee, Alabama, Missouri, Arkansas, and Texas, his active service with the 379th Bomb Group in Kimbolton, England, combat experience in 35 missions, return to the U.S. and continued military service as a flight instructor in Lakeland, Florida and Wichita Falls, Texas, as well as the return to civilian life, marriage, dental school under the G.I. Bill, reenlistment in the Air Force as a dentist, his deployment to Korea, his discharge from the Air Force, and the establishment of his dental practice and experiences since retirement. The interview includes an appendix with a copy of his book.

Concert presented at the UNT College of Music Merrill Ellis Intermedia Theater.

Recital presented at the UNT College of Music Kenton Hall.

Concert presented at the UNT College of Music Kenton Hall.

Interview with Jake Heggie, Artist-in-Residence, discussing his compositions before his lecture/recital at the UNT College of Music Voertman Hall

Jazz concert performed at the UNT College of Music Winspear Hall

Interview with Tanya Kiboko, an immigrant to Texas from the Democratic Republic of the Congo. Kiboko discusses her education, her family, Congolese society, languages, learning English, culture shock, food, markets, attending Wiley College, her husband, differences in structure between Western and Congolese families, and reflections on life.

A faculty, guest artist, and alumna recital performed at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) degree.

The 1912 Boyce-Sneed feud in West Texas began with a torrid sex scandal at the core of a love triangle, featuring Lena Snyder Sneed, the high-spirited, headstrong wife; Al Boyce, Jr., Lena’s reckless, romantic lover; and John Beal Sneed, Lena’s arrogant, grim, and vindictive husband, who responded to Lena’s plea for a divorce by having her locked up in an insane asylum on grounds of “moral insanity.” The chase was on after Al rescued Lena from the asylum and the lovers fled to Canada. That’s when the killings began. No one who knew the vengeful John Beal Sneed doubted for a moment that he would go after his wife’s lover with lethal intent. Frustrated by Al’s escape to Canada, Sneed assassinated Al’s aged and unarmed father, Colonel Albert Boyce, a wealthy Amarillo banker and former manager of the huge XIT Ranch in the Panhandle during the late nineteenth century, who had been defending his son against Sneed’s legal machinations. Newspaper headlines predicted the upcoming murder trial would be the “greatest legal battle ever fought in Texas Courts.” Sneed’s well-paid legal team first earned him a mistrial. While awaiting his second trial, Sneed ambushed and killed Al Boyce, Jr., who had …

A guest artist and student recital presented at the UNT College of Music Voertman Hall.

A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.