Recording of Pete Stollery's Banchory Ears. This work was commissioned by Woodend Arts Association and is a concert version of the music that the composer made to accompany the Banchory Faces photography exhibition in September 2003. The composer collected sonic photographs from various areas of Banchory in Aberdeenshire, Scotland. The composer thanks Bertha Forbes, a local historian, for her recollection of sounds and for the use of the interview with her in this piece.

Recording of Colin Black's Bouzouki Abstraction. This work explores the abstract connections between the traditional Greek bouzouki instrument and the constructs of music, heritage, and physical structures displaced in time. This is a bilingual piece that includes text performed in both English and Greek. Musically, this work combines electroacoustic composition, sound art, synthesis, harmonic singing samples, spoken word, and the traditional bouzouki instrument.

Poster advertising a concert by Burnt Sienna Trio, Record Hop, and Warren Jackson Hearne on Thursday, November 18, 2004, at Dan's Silver Leaf, Denton, Texas. Poster features a black line drawing on a cream background of a banjo player wearing a hat, sitting on a bench next to a potted plant, reaching for a bottle. Event details are in black text against a white background across the top of the poster, and white text against a black background across the bottom of the poster.

Recording of Daniel Matej's Cave Songs (re)mix. This work was concieved mainly as a "next step" from the sound installation, Caves, which the composer had made with Tibor Szemző in 2004. Many of the used and non-used sounds from that installation were used to create this work. The work as a whole contains 5 separate pieces titled: 1. gospel, 2. blues, 3. de profundis, 4. sex, and 5. ho-chi-min. The composer gives thanks to Mr. Richard Sabo for his technical assistance as well as Jan Boleslav Kladivo for the 'artistic accompaniment'.

Ensemble performances program book from the 2003-2004 school year at the University of North Texas College of Music.

Ensemble performances program book from the 2003-2004 school year at the University of North Texas College of Music.

Student performances program book from the 2003-2004 school year at the University of North Texas College of Music.

Student performances program book from the 2003-2004 school year at the University of North Texas College of Music.

Poster advertising a concert by Fair to Midland on June 5, 2004, at Curtain Club, Dallas, Texas, on the occasion of the "Inter-Funda-Stifle" cd release. Poster features an image of the album cover and text in the style of a traveling medicine show advertisement, with handwritten event details at the bottom of the poster.

Handbill advertising a concert by Fair to Midland at the North Texas New Music Festival on Friday, October 1, 2004, on the BMI outdoor stage outside of Club Clearview, Dallas, Texas. Handbill features a photograph of the band in sepia-tone with event details in black and white text overlaying the image.

Poster advertising a concert by Fair to Midland and Shaolin Death Squad on September 9, 2004 (?), at Hailey's, Denton, Texas. Poster features event details in black and red text above a color photo of the band, Fair to Midland.

Recording of Sébastien Roux's Un grand ensemble. This is a work for electronics that includes English and French spoken word.

Recording of Peter De Moncey-Conegliano's In memoriam George Sand. This work pays homage to George Sand whose combination of acute social conscience and intense artistic sensibility are rare in today's world. This piece speaks on the outcomes of the Industrial Revolution and the first demand of socialism. The material in this piece includes texts by George Sand, fragments of a 19th century folk song, and Chopin's "Revolutionary Etude".

Handbill advertising three concerts by Jetscreamer on February 13, 2004 with Faux Fox and Record Hop for the Friday the 13th Goth Valentine's Day at Rubber Gloves, Denton, on February 20, 2004 with Mugzu at 66 Bowl, Oklahoma City, Oklahoma, and on February 27, 2004 with Low-karat Gold and Vespin Love Kit at Bar of Soap, Dallas, Texas. Handbill features the Jetscreamer name/logo, three stars, and event details in black on cream paper.

Recording of Frances White's The old rose reader. This is a work for electronics that includes spoken word and flute performance. This recording includes two tracks, one for tape only and one with tape and flute.

Handbill advertising a concert by Pong, Jetscreamer, and The Invincible Czars on Friday, July, 9, 2004, at The Wreck Room, 3208 W. 7th St., Fort Worth, Texas. Handbill features the band names/logos in white text on black background, and event details in black text on white background in the bottom right corner.

This presentation focuses on the Répertoire International de Littérature Musicale (RILM) search interface. RILM is an online music bibliography. Through screenshots of the interface and instructions, the presentation highlights different features of RILM's database and how to get the most accurate results based on your search topic. This presentation was given at the Music Library Association Conference on February 12, 2004,

Handbill advertising a concert by The Timeline Post as part of the North Texas New Music Festival on October 1, 2004, at Club Clearview, Dallas, Texas. Handbill features an illustration of a cloud raining down water in shades of orange, with event details in white text.

Recording of Florivaldo Menezes' Todos os Cantos. This is a work for electronics that includes sound samples of spoken word and voice. There is a small sample of the aria "Queen of the Night" by Mozart.

Schedule page for the bands Tweaker and Skinny Puppy concert tour, for the show on Sunday, June 27, 2004, at the Verizon Wireless Theater in Houston, Texas. Schedule printed in black on white bond paper, with black tape on each corner, and signed by band members.

Recording of Lars Hojerdahl's A une passange. This work is for electronics and is based on a poem by the same name. The composer wove the text into their own musical structure and created this work as a piece of music where moods and rhythms leave traces of the original material.

Recording of Felipe Otondo's Zapping Zappa. This work was created as a humoristic tribute to the composer Frank Zappa. The composer uses different types of samples from the music of Zappa. Within this piece there is a development in terms of timbral rhythmic layers that evolve gradually, changing in sonorities.

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Concert performed at UNT Murchison Performing Arts Center, Winspear Performance Hall on February 8, 2004 at 3:00 pm.