Recording of Eric Cordier's Un Nom A Quoi? There is speech throughout this piece and lying underneath is where the electronics create a layer of sound adding complexity and texture to the overall piece.

Recording of Larry Austin's Sound poem set: Pauline Oliveros/Jerry Hunt/Morton Subotnick / David Tudor. It is for computer music derived from recorded conversations, 1988-89, between the composer and compatriot musical adventurers with distinctively etched music-technological profiles, including American experimenters Pauline Oliveros, Jerry Hunt, Morton Subotnick, and David Tudor. Aphoristic utterances were extracted, analyzed, transformed and synthesized with "spectral modelling synthesis" and put through electronic processing.

Recording of Allen Strange's Werebeing split personality jazz. The work brings elements of jazz to accompany electronics and speech. There are jazz samples and electronics which help amplify the speakers energy; while giving the piece development.

Recording of Wende Bartley's, In the light shadows fall. This three movement piece features, text from Women and Nature: The Roaring Inside Her by Susan Griffin. The text fragments were recorded and improvised upon by sound poet Paul Dutton. The sounds heard feature a string quartet, recorded vocal material, a Roland S550 sampler, and sounds from a Yamaha DX7.

Recording of John Rimmer's Beyond the Saying. This work transforms a recording of the composer saying the phrase, "You reap what you sow". There are five main types of sounds. These sounds include a brush stroke-like gesture, arch shapes of sine wake-like sonorities, stretching in time of individual words, diphthong sounds, and displays of percussive consonants. It was composed at the Computer Music Facility, Centre for Arts, Simon Fraser University in Vancouver, Canada.

A recording of Justice Olsson's Up!

A recording of Curtis Bahn's Vocable vamp performed by Ron Vincent. This piece is based on the voice of New York jazz drummer Ron Vincent. This composition combines the vocabularies of electroacoustic music and jazz by employing algorithmic compositional procedures to reorder and mix Ron's jazz vocables.

Recording of Ake Parmerud's Alias. Alias is inspired by the thoughts on the relationship between the composer, Gesualdo da Venoza, and his art. composed of two opposing movements, the first of which is based upon a fragment of a love-song by John Dowland (contemporary to Gesualdo) has been deconstructed, processed and reprocessed into a set of variations output in a linear fashion. The traditional lute-part has been strongly stylized into a chord comprised of the note A-1 and the first 16 harmonics on top. The function of the plucked string sound is however essentially the same as the traditional lute-part. The second movement is an attempt to sketch a slightly surrealistic picture, This is done using quotations from some of Gesualdo's late motets and occasionally blending with them a Dowland lovesong.

Letter from Dr. Jeff Pressing to Padma Rangachari discussing her conducting guest talks on Indian music at La Trobe University in Australia.

Poster advertising a lecture/demonstration of South Indian classical (Karnatak) music presented by Padma Rangachari on October 18, 1990 in the Music Department Auditorium.

Poster advertising a lecture on Raga and the Idea of Ornamentation by Padma Rangachari in the seminar room of the La Trobe University Music Department on August 1, 1990.

Black and white photograph of the band, Stoned Ed, performing on stage at Main Event club in Denton, Texas. A neon "Budweiser" beer sign hangs in the background.

Poster advertising a concert by The Cowtippers with Maniac Time at The Library, a music venue on Hickory St.. Poster features a small drawing of a person sneaking up behind a sleeping cow and hand drawn or hand written text.

Fall Convocation presented at University of North Texas College of Music Concert Hall.

The Women's Chorus concert performed at the UNT College of Music Concert Hall.

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Lecture recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Lecture recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Student recital performed at the UNT College of Music.

Faculty recital performed at the UNT College of Music Recital Hall.

Guest jazz concert performed at the UNT College of Music Concert Hall.

Faculty concert performed at the UNT College of Music Merrill Ellis Intermedia Theater.