The author believes that Ayn Rand presents a systematic approach to aesthetics and that her work presents an interesting and significant approach to aesthetic problems. The author will attempt to present Ayn Rand's basic aesthetic concepts that throw light on her literary theory. The author will also present her views on literary schools and of individual authors.

The purpose of this thesis is to evaluate Kenneth Roberts' transmutation of American history into living literature. This examination will cover the following novels: Arundel (1929), The Lively Lady (1931), Rabble in Arms (1933), Captain Caution (1934), Northwest Passage (1937), Oliver Wiswell (1940), and Lydia Bailey (1947).

The purpose of this paper is to view Faulkner's use of history from a different perspective by examining in detail the myths and historical facts with which Faulkner dealt. First, several of the prevailing myths about the Old South and the Civil War will be examined. Second, the actual historical facts will be compared and contrasted with legendary tradition. Third, and most important, several of Faulkner's works will be examined to show how he uses both the myths and historical facts to create his own "legend" of the South. Finally, Faulkner's view of the New South will be examined.

This thesis includes a study of common historical and biographical elements in the lives of Dryden and Byron, a comparison of the literary principles and achievements of Dryden and Byron, a study of the concept of the hero, and a comparison of the heroes of Dryden and Byron.

The purpose of this study is to examine the social criticism of Williams by careful analysis of six of his full length plays: The Glass Menagerie, A Streetcar Named Desire, Camino Real, Cat on a Hot Tin Roof, Suddenly Last Summer, and The Night of the Iguana. After the analyses of the plays, the final chapter of this study will deal with the playwright's comments on specific aspects of the social order and will not be confined to the six major plays under consideration.

This examination of Kafka as philosopher will not concentrate on the selection of the "correct" approach to his work, but on his description of reality from all levels of approach. Socially, spiritually, psychologically, Kafka speaks not only as an artist, but also as a philosopher, who sees all levels of a man's existence as a part of reality. The definition of Kafka's prose as literature-philosophy will be based chiefly on an examination of his shorter fiction.

This study seeks to analyze each of Sillitoe's proletarian novels as a separate artistic endeavor, to study each in terms of its critical reception, plot, theme, characterization, setting, and style.

One notes that Kant's philosophy became a part of Coleridge's thinking, and his devotion to its principle intensified through the years. Although Kant influenced Coleridge's aesthetics greatly, significant parallels between Kant's moral and ethical principles and Coleridge's religious doctrines are evidence of distinct influence. Particularly interesting are the views these two men had on the being and nature of God; on sin, salvation, and redemption; and on the various aspects of religion and faith.

Since so many aids are available to help the teacher in the actual process of writing, this study will concentrate on the various ways in which other benefits, such as heightened awareness, educated imagination, increased self-esteem, and improved critical judgment, can be integrated into a composition class for accelerated students.

This thesis discusses the notion of free verse in poetry with emphasis on Walt Whitman and Amy Lowell. The majority of the paper consists of original poetry by the author.

The critical interest in Henry James and his relationship with the "Gilded Age," or the "golden age of American business," indicates that a chronological study of the American businessman, as this character appears in James's fiction, may have some value. The term businessman in this study will simply be understood to mean a maker of money. To consider in detail all of James's writings would exceed the scope of this study; only those novels and stories which deal most obviously and directly with American businessmen will be included.

The purpose of this study is to determine, by a chronological review, the evolution of the mask-veil symbol as a device in Hawthorne's fiction and to ascertain its relevancy as a concrete manifestation of the abstract idea it betokens.

This thesis attempts to explain the Anglo-Saxon influence on Hopkins's poetry by providing a biographical study of his life to determine when he acquired knowledge of the Anglo-Saxon.

Though it is important to establish the authenticity of Cooper's and Simm's thematic and historical Indians, it is more important to show that the writers were accurate in their delineation of the customs, personalities, and thoughts of the Indian tribes represented in the two books.

Since the beginnings of recorded literature, authors have been most interested in the human situation, the relationships of mankind: man's struggle to accept himself and his life situation, to achieve harmony with his fellow man, to realize happiness with one of the opposite sex, and to seek answers to his relationship with his Creator. This thesis attempts to illustrate that Robert Frost was among those who found these the most significant themes for poetic expression.

This thesis provides annotations for contemporary adolescent novels for the purpose of serving as a guide for English teachers in the individual selection of novels for outside reading by adolescents in grades nine, ten, eleven, and twelve.

This thesis looks at two questions regarding the teaching of Fyodor Dostoyevsky's works in high school and junior college: which of Dostoyevsky's works should be used, and what materials in those works selected should one consider most necessary for emphasis in the actual teaching of the works.

How does one teach the language and literature of the film? Where does one begin? What should be included in such a study? The answers to these questions do not exist and will not until much earnest effort and time have been spent toward their discovery. Certainly this thesis does not contain the final answers. It does contain some tentative answers, however, answers that can be put into practice in the classroom, examined, modified, rejected, or accepted. The ideas and suggestions are only invitations to explore; from such exploration will come the real advancements in this important field.

This thesis seeks to refute by close examination of distaff character the claims that John Steinbeck is a misogynist who rejects women from the true human society and also that his characters are rudimentary, almost animal-like in nature. Although he places emphasis on masculine comradeship, he has created many subtly drawn, complex women characters who play necessary and often noble roles. This thesis will consider most of the major women characters in Steinbeck's novels and his two books of short stories and will include minor characters who uniquely illustrate important points.

The purpose of this thesis is to examine in selected tales and romances Hawthorne's intent and the effectiveness of his transmutation of American colonial and Revolutionary War history in his fiction. This study examines the most important of Hawthorne's original sources. While indicating the relationship between fictional and historical accounts as necessary to a study of Hawthorne's romantic transmutation of history, this thesis further investigates Hawthorne's artistic reasons for altering events of the past.

This study of renunciation and self-realization examines four of Henry James's novels which have been selected for the centrality of this theme. Following James's failure as a dramatist, in the novels of the major phase, from 1897 on, the theme of renunciation becomes primary as James's work achieves psychological and stylistic maturity. In addition Henry James's letters, notebooks, and prefaces will be used to indicate his attitudes concerning renunciation.

This thesis will deal with five points of emphasis--content, logic, organization, demon errors, and style. Not a complete manual for teaching freshman composition, this thesis will serve as a simplified guide. This thesis is written for the inexperienced teacher of freshman English who may need guidance, but it should also be of interest to the experienced teacher who wants to confirm his own practices or to find new approaches for teaching the college freshman how to write.

This thesis is a creative novel depicting the adventures of Tim Collier, a small-town broadcaster in his new job in the big city.

It is the purpose of this thesis to describe various small-group activities which could be used in classes of secondary English to help to "teach-Johnny-to-write." These activities are divided into four areas of study--developing and practicing specific skills related to writing, developing a topic, planning a theme, and evaluating student writing.