Recording of Frank Corcoran's Quasi una missa. This work is comprised of 4 movements and was composed as a mass. Sound materials for this piece include English and Irish spoken word.

Recording of Roland Cahen's Rappel à l'ordre. This is a work for electronics and includes the story of a deep-sea diver spoken in both English and French.

Recording of Trevor Wishart's Blue Tulips. This work is built on a recording of an old woman's voice and is more like a documentary in style. The story recounted provides all the material for the piece, which becomes a short study in sonic transformation and variation.

Recording of Trevor Wishart's American Triptych. The composer describes the aim of this work as to "recreate and transform the voices of well-known public figures in order to comment on them or their social context".

Recording of Trevor Wishart's Two Women. This work consists of 4 movements: 1. Siren, 2. Facets, 3. Stentor, and 4. Angelus. This work is meant to act as an extended sound documentary, where the voice samples of Margaret Thatcher and Princess Diana create both a political cartoon and personal portrait respectively.

Recording of Terje Winther's BE. This work is based on spoken text from Shakespeare and Edgar Allan Poe as well as orchestral sounds written by the composer for a piece made in 1985-86. The composer describes this work as "a piece of transition, of static, and the latent power that lies in the communication between the two".

Recording of Germán Toro Perez's Akustisch-visuelle Fragmente aus einer experimentellen Animation. This is a work for electronics and consists of 12 untitled movements.

Recording of Frank Schweizer's Songline. This work is made up of 10 untitled movements and contains various concrete and electronic sounds.

Recording of Barry Truax's Pendlerdrom. This is a soundscape composition that recreates a commuter's trip home from the Central Train Station in Copenhagen and was made for eight digital soundtracks. This work is available on the Cambridge Street Records CD Islands and the SKRAEP double CD Pendler.

Recording of Ulrich Suesse's Klangfassaden. The title of this work is an installation built into the two front walls of the Museum of Communication in Berlin, made up of loudspeakers that react to passing pedestrians. The theme of this the installation is communication and is built upon different sound experiences. This recording represents one possible "hearing experience".

Recording of Elio Martusciello's A@traverso.it. The composer describes this work as "The voice through the technology of the '90s". This is a piece for electronics and includes various vocal samples.

Recording of Gérard Torres' A l'ouest, Monsieur Wayne. This is a work for electronics that includes excerpts of dialogue from various John Wayne movies.

Recording of Rose Dodd's excess pitch. This is a work for electronics.

Recording of Lutz Glandien's Fear of flying. This is a work for electronics that consists of plane sounds and spoken word.

Recording of Johannes S. Sistermanns' I hear you think. This work consists of various concrete sounds as well as spoken text written by Hazrat Inayat Khan.

Recording of George Budd's Political science. This work is a contribution to the CD compilation "Turntable Solos", curated by Otomo Yoshihide. This was an international survey of the "state of the art" as practiced by a diverse group of artists using only turntables. This composer was chosen to represent Los Angeles.

Recording of Pekka Sirén and Agnieszka Waligórska's Chimera in Kosovo. This work represents the suffering of Kosovo refugees during wartime and utilizes radio mediums to further give the impression of the horrors and fears experienced by the victims. The piece uses radio voices and imaginary female cries as well as looped international newscaster voices.

Recording of Michael Ward-Bergeman's City to the Water. This work was inspired by a trip taken to Gloucester, Massachusetts by the composer and his wife. This journey was recorded and used as a foundation for this work. The composer separated the piece into 3 movements: 'The Train', 'The Walk', and 'The Water'.

Recording of John Levack Drever's Soundings of Angel. This work presents and responds to three different readings of "Angel" a poem by Alice Oswald, which itself was inspired by paintings of angels by Cecil Collins and the gardens at Dartington Hall. The work was commissioned by the Institut National de l'Audiovisuel - Groupe de Recherches Musicales and premiered in the Salle Olivier Messiaen, Maison de Radio France, Paris.

Recording of Katharine Norman's Five minute wonders. This work consists of 4 movements: 1. Anything from the minibar?, 2. Oranges and Lemons, 3. Something quite atrocious, and 4. You need a cab?. The composer describes this work as midway between music and documentary that celebrates the "wonder" of a particular time and place.

Recording of Alicyn Warren's Path of Iron. This is a work for electronics and various concrete sound materials.

Recording of Jeffrey Faustman's I consumer (concerto for car horn, television, and falling children). This work consists of three parts: 1. kleptomania - adagio, 2. pennies from heaven - allegro, and 3. human remains - andante. This work is for electronics and takes samples from various radio and television shows that highlight the overwhelming amount of consumerism presented in media.

Recording of Pierre Alexandre Tremblay's Binary. This is a work for electronics that includes concrete voice sounds.

Recording of Ipke Starke's Saturation. This work includes sound samples from political speeches and big band music.