Letter from "Johnson" to his brother, written on University of Texas at Austin letterhead. The writer discusses getting his friend a job, and references their previous correspondence, asking what the friend might want the writer to send. The envelope is addressed to Mr. B. M. Williams in El Paso, but a handwritten note on the back says: "Opened by mistake by B. M. Williams - 720 N. Florence." The postmarks on the envelope are from El Paso, TX and Austin, TX.

A booklet called "local/e Photography and Video" featuring an exhibition "local/e" of several visual artists, including Byrd Williams IV.

Panoramic photograph of the UNT CoLab's gallery during Byrd Williams IV's photography exhibit titled, "Walking Dead: A Visual Ethnography." Dozens of black and white portraits can be seen hanging on the walls of both the first and second floors of the gallery. An 1800s-era camera can be seen on the right side of the photograph.

Panoramic photograph of the UNT CoLab's gallery during Byrd Williams IV's photography exhibit titled, "Walking Dead: A Visual Ethnography." Dozens of black and white portraits can be seen hanging on a wall that spans most of the photograph. A large portrait of two men can be seen on a separate wall on the right side of the photograph.

Panoramic photograph of the UNT CoLab's gallery during Byrd Williams IV's photography exhibit titled, "Walking Dead: A Visual Ethnography." Dozens of black and white portraits can be seen hanging on a wall on the left side of the photograph. Additional portraits can be seen along walls on both the first and second floors of the gallery.

Panoramic photograph of the UNT CoLab's gallery during Byrd Williams IV's photography exhibit titled, "Walking Dead: A Visual Ethnography." A large black and white portrait of Byrd Williams, Jr. can be seen on a wall on the right side of the photograph. Text that reads, "Byrd Williams IV [--] Walking Dead[:] A Visual Ethnography [--] Oct 9 - Nov 13," has been printed on the wall to the right of the portrait. Dozens of black and white portraits are lining the walls on both the first and second floors of the gallery. An 1800s-era camera can be seen in the center of the photograph.