Born in Ponca City, Oklahoma, Bob Camblin (1928-2010) was an artist, first and foremost. He earned his BFA and MFA degrees from the Kansas City Art Institute. His studies were followed by a Fulbright Fellowship that allowed him a year’s stay in Italy. Returning to the USA, he held teaching positions at the Ringling Museum, the University of Illinois, Detroit Mercy, and the University of Utah before moving to Houston in 1967 to teach at Rice’s new art department. He was active in Houston during the late 1960s through the 1980s, collaborating with Earl Staley and Joe Tate on many projects, including “happenings” on the beach in Galveston. His career led him to creative undertakings all over the world. Throughout his lifetime he constantly experimented with various art media. He remained open to new ideas and new techniques until his death in Louisiana in 2010. Camblin was a central figure in the period of artistic fermentation in Houston that is now beginning to receive increasing critical attention. He chose Rowland to be his historian while still at Rice, and her insights into him are based on many personal letters and conversations. In addition, she is a trained art historian and …

A selection of letters written to the Cincinnati Commercial newspaper from 1870-1871 about steamboat travel on the Red River in 1838-1841. W. W. Withenbury was a famous river boat captain during the mid-1800s. In retirement, he wrote a series of letters for the Cincinnati Commercial, under the title "Red River Reminiscences." Jacques Bagur has selected and annotated 39 letters describing three steamboat voyages on the upper Red River from 1838 to 1842. Withenbury was a master of character and incident, and his profiles of persons, including three signers of the Texas Declaration of Independence, reflect years of acquaintance. The beauty of his writing ranks this among the best of the reminiscences that were written as the steamboat era was declining. “Bagur is an expert on the Red River in the nineteenth century, and it shows in this work. Informative and entertaining.” —Randolph B. "Mike" Campbell, author of Gone to Texas: A History of the Lone Star State “This will rank as a great assistance to researchers if anyone wants to attack history of the Red River again. Some of his in-depth research was fabulous.”—Skipper Steely, author of Red River Pioneers

“There are some poets we admire for a mastery that allows them to tell a story, express an epiphany, form a conclusion, all gracefully and even memorably— yet language in some way remains external to them. But there are other poets in whom language seems to arise spontaneously, fulfilling a design in which the poet’s intention feels secondary. Books by these poets we read with a gathering sense of excitement and recognition at the linguistic web being drawn deliberately tighter around a nucleus of human experience that is both familiar and completely new, until at last it seems no phrase is misplaced and no word lacks its resonance with what has come before. Such a book is Austin Segrest’s Door to Remain.”— Karl Kirchwey, author of Poems of Rome and judge

In this debut collection, Anna Lena Phillips Bell explores the foothills of the Eastern U.S., and the old-time Appalachian tunes and Piedmont blues she was raised to love. With formal dexterity—in ballads and sonnets, Sapphics and amphibrachs—the poems in Ornament traverse the permeable boundary between the body and the natural world. The contents include: Midafternoon -- Qualifications for one to be climbed by a vine -- Trillium -- Ornament -- Piedmont -- Pears -- Fall swim -- Trifoliate orange -- Unhomemaking -- Mapping -- Girl at the state line -- I'm going back to North Carolina -- Unfinished story -- Limax maximus -- Knot -- The waxweed girl -- Wand -- Proem -- Strapless -- Dishwashing -- Shade -- Crosses -- Bonaparte crossing the Rhine -- Strike -- Green man -- And not look back -- Girl at the state line -- Stitch -- To do in the new year -- The royal typewriter company delivers by parachute, 1927 -- Sunday -- Nesting -- When the fire comes down from heaven -- Honeysuckle -- Early blackberries -- Roustabout -- Overture -- June swim -- Sprout wings and fly -- Hush.

Captain Frank Jones, a famed nineteenth-century Texas Ranger, said of his company’s top sergeant, Baz Outlaw (1854-1894), “A man of unusual courage and coolness and in a close place is worth two or three ordinary men.” Another old-time Texas Ranger declared that Baz Outlaw “was one of the worst and most dangerous” because “he never knew what fear was.” But not all thought so highly of him. In Whiskey River Ranger, Bob Alexander tells for the first time the full story of this troubled Texas Ranger and his losing battle with alcoholism. In his career Baz Outlaw wore a badge as a Texas Ranger and also as a Deputy U.S. Marshal. He could be a fearless and crackerjack lawman, as well as an unmanageable manic. Although Baz Outlaw’s badge-wearing career was sometimes heroically creditable, at other times his self-induced nightmarish imbroglios teased and tested Texas Ranger management’s resoluteness. Baz Outlaw’s true-life story is jam-packed with fellows owning well-known names, including Texas Rangers, city marshals, sheriffs, and steely-eyed mean-spirited miscreants. Baz Outlaw’s tale is complete with horseback chases, explosive train robberies, vigilante justice (or injustice), nighttime ambushes and bushwhacking, and episodes of scorching six-shooter finality. Baz met his end in a …