Invitation to an event at Mexic-Arte Museum in Austin, Texas about Imagenes, a book of Spanish poetry by Sue Littleton, with a presentation by Nestor Lugones. The event was held Tuesday, January 23rd, 1990 and was sponsored by several organizations.

Detailed LULAC program for January 1, 1965. Many notes written in pencil in English and Spanish on this program.

Personal report of Manuel Urbina's work at the Magnolia Temple for the month ending on January 25, 1964. Includes Urbina's activities and a report on the congregation served. Urbina notes that the main emphasis for the next month will be "preparación para la cruzada bautista nueva vida."

Transcript for an interview with Pedro J. Gonzalez. A wide column of paragraphed text is printed across the fronts of three pages. Handwritten words sit between the printed text and each page's left edge.

Transcript for an interview with Pedro J. Gonzalez. A wide column of paragraphed text is printed across the fronts of five pages. On the first two pages, handwritten words sit between each page's left edge and printed text.

Manifest for members of the Confederación Nacional de Organizaciones Populares (CNOP). The title "Manifesto" is printed at the top of the page, above a wide column of paragraphed text that ends above individual text lines. Numbers have been handwritten above the page's bottom edge.

Transcript for Pedro J. Gonzalez interview (tape I side 2). A wide column of paragraphed text is printed across the fronts of two pages. Handwritten words sit between the printed text and each page's left edge.

Letter from Pedro J. Gonzalez to Milton Castellaños Everardo. A long, curving title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column. At the bottom of the page is a signature and a printed seal, a mark that is repeated on the back of the page under four long lines of text.

Letter from Pedro J. Gonzalez to Rebeca. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column. At the bottom of the page is a signature and a bold lien of text.

Act of inspection of Pedro J. Gonzalez's land. A small sheet of paper with handwriting across its top is layered on top of a larger paper that has a wide column of text printed to the right of handwritten words. The larger paper also has a printed seal at its top, next to a written "#4." The back of the page has a second seal marked above four signatures.

"Declaraciones de los ofendidos." A small block of text is printed above a few handwritten marks and a wide column of text that has a column of numbers to its left. The text columns continue onto the paper's back, ending above additional paragraphs and handwriting.

One telegram from Pedro J. Gonzalez to the president José Lopez Portillo and one telegram from José Lopez Portillo's secretary, Carlos Javier Vega, to Pedro J. Gonzalez. A paper with a wide column of printed text across it has a signature at its bottom and is layered over a paper that has text printed atop a faint pattern. Both papers have stamped marks on them. The upper paper has some handwritten text at its top.

Letter from Ernesto O. Schuster to Pedro J. Gonzalez. A location and date are printed above a wide column of paragraphed text. Below the text column is a signature and an underlined address.

Letter from Pedro J. Gonzalez to Manuel Acuña Varela. The letter contains a column of paragraphed text printed above a signature, below which is an additional paragraph.

Letter to Pedro J. Gonzalez from Mercedes Valenzuela. Four lines of text are printed above a date and name, which are followed by a paragraph and a signature.

Letter from Pedro J. Gonzalez to Manuel Acuña Varela. Six lines of text are printed above two paragraphs, below which is a signature.

Letter from the Asociacion de Locutores de Radio y Similares de la Baja California to Pedro J. Gonzalez. A microphone icon is printed next to multiple lines of red and blue text, below which is a wide column of paragraphed text printed in black. Below the paragraphs is a second microphone icon stamped between two signatures and above additional lines of printed text.

Letter from the Asociacion de Locutores de Radio y Similares de la Baja California to Pedro J. Gonzalez. A microphone icon is printed next to multiple lines of red and blue text, below which is a wide column of paragraphed text printed in black. Below the paragraphs is a second microphone icon stamped between two signatures and above additional lines of printed text.

Letter from the Asociacion de Locutores de Radio y Similares de la Baja California to Pedro J. Gonzalez. A microphone icon is printed next to multiple lines of red and blue text, below which is a wide column of paragraphed text printed in black. Below the paragraphs is a second microphone icon stamped between two signatures and above additional lines of printed text.

Legal agreement document between Pedro J. Gonzalez and Isaac Artenstein (Cinewest Productions). The first page is titled "Agreement" and has two introductory paragraphs followed by a single wide column of text containing two paragraphs numbered "1" and "2." The paragraph labeled "2" continues onto a second page and is followed by a paragraph numbered as "3" and a finishing statement containing a date. Gonzalez's and Artenstein's signatures sit at the bottom of the page.

Legal assignment between Pedro J. Gonzalez and Isaac Artenstein (Cinewest Productions). At the top of the page is the title "Assignment" followed by an introductory paragraph and three paragraphs numbered "1," 2," and "3." At the bottom of the page is a closing statement containing a date, below which is Gonzalez's signature.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A long, curving title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and above a signature.

Letter from Pedro J. Gonzalez to Claudio Estrada. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column. The wider text column continues across the back of the pages and onto a second paper, filling its front and half of its back. Beneath the end of the printed text are multiples lines of blue handwriting.

Letter from Pedro J. Gonzalez to Raul Madero González. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a date. Beneath the date is a wide column of text positioned to the right of a smaller text column and a handwritten paragraph. The wider column of text continues onto the back side of the page, ending above a signature.