Document written by UNT College of Visual Arts and Design Texas Fashion Collection director Myra Walker as part of a university award recognizing outstanding staff members. The essay, titled "Edward the Great," outlines the ways that UNT Special Collections librarian and TFC collection manager Edward Hoyenski supported and advanced the TFC from 2011 through when this letter was written in the spring of 2014.

Brochure for the UNT College of Visual Arts & Design Texas Fashion Collection's Giving Society, which was created in the summer of 2019 by TFC director Annette Becker and CVAD advancement officer Kelli Fuhrman, with photography from TFC collection digitization and the layout and design created by contract designer Lauren Huber.

Flyer inviting the Dallas & Fort Worth Metroplex Archivists to meet at the UNT College of Visual Arts and Design Texas Fashion Collection and to view the TFC exhibition "Delight" in the CVAD Gallery on April 27, 2022.

Annual report or executive summary for the UNT College of Visual Arts and Design Texas Fashion Collection for FY2020 (2019-2020) outlining outreach, advocacy, and partnerships, created by TFC director Annette Becker in September 2020.

Executive summary for the UNT College of Visual Arts & Design Texas Fashion Collection for FY2019 (2018-2019) outlining outreach statistics, curatorial activity, partnerships, and photographs, prepared by TFC director Annette Becker in September 2019.

Executive summary for the UNT College of Visual Arts and Design Texas Fashion Collection for FY2017 (2016-2017) including outreach statistics and highlighted programs and curatorial activity, created by TFC director Annette Becker.

Executive summary or annual report outlining the activities of the UNT College of Visual Arts and Design Texas Fashion Collection during FY2018 (2017-2018), including outreach statistics, curatorial activity, and recent acquisitions, prepared by TFC director Annette Becker.

Information sheet created by UNT College of Visual Arts & Design Texas Fashion Collection director Annette Becker in October 2016, outlining the significance of the TFC and fashion history more broadly, to be used for advocacy and fundraising.

Powerpoint presentation created by UNT College of Visual Arts & Design Texas Fashion Collection director Myra Walker, outlining the exhibition "American Brides." The exhibition, curated by Walker, was mounted in the summer of 2015 at the Denton Visual Arts Center, and the presentation was likely given by Walker in the fall 2015.

A fact sheet about the UNT College of Visual Arts and Design Texas Fashion Collection, likely created by TFC director Myra Walker in the fall 2013, to share with students.

Documentation of the UNT Texas Fashion Collection's "Fashion Chat" events that took place in Scoular Hall in 2012. Document describing TFC Fashion Chat event.

Documents created by UNT Texas Fashion Collection director Myra Walker as part of the TFC's annual report detailing activities during the 2012 calendar year. List of curatorial activities from the TFC during calendar year 2012.

Documents created by UNT Texas Fashion Collection director Myra Walker as part of the TFC's annual report detailing activities during the 2012 calendar year. List of tours and visitor statistics from the TFC during the calendar year 2012.

UNT Texas Fashion Collection annual report created by TFC director Myra Walker outlining staffing updates, outreach activities, and happenings during the 2011 calendar year.

Photograph of a display of accessories on a raised pedestal in the "Minis, Maxis, and Mods," exhibition at the gallery "Fashion on Main" in the UNT System building in downtown Dallas. The exhibit was displayed from Feb. 21 – May 16, 2008 and curated by Texas Fashion Collection director Myra Walker. The 1960s accessories included a pair of pink boots designed by Emilio Pucci for Braniff Airways, black and white slides, and orange and yellow slides made of paper created by Beth Levine, and a paper hat and folded paper dress.

Photograph of the Texas Fashion Collection's staff during the spring 2023 semester. Pictured are (back left) Andrew Jones (photography undergraduate, TFC student photographer), Ailie Pankonien (TFC collection manager), Kierra Holst (information science graduate, practicum intern), Katherine Santos (art history graduate, 2022-2023 Onstead Fellow at the TFC), Bailey Weiss (art graduate, TFC graduate area assistant), and (front left) McKenna Applewhite (interdisciplinary art and design studies undergraduate, TFC student assistant), Annie Puga (fashion design undergraduate, TFC student assistant), and Wei Sun (interior design graduate, TFC graduate area assistant).

Photograph of the Texas Fashion Collection's staff during the spring 2023 semester. Pictured are (back left) Andrew Jones (photography undergraduate, TFC student photographer), Ailie Pankonien (TFC collection manager), Kierra Holst (information science graduate, practicum intern), Katherine Santos (art history graduate, 2022-2023 Onstead Fellow at the TFC), Bailey Weiss (art graduate, TFC graduate area assistant), and (front left) McKenna Applewhite (interdisciplinary art and design studies undergraduate, TFC student assistant), Annie Puga (fashion design undergraduate, TFC student assistant), and Wei Sun (interior design graduate, TFC graduate area assistant).

Photograph of a display of accessories on a raised pedestal in the "Minis, Maxis, and Mods," exhibition at the gallery "Fashion on Main" in the UNT System building in downtown Dallas. The exhibit was displayed from Feb. 21 – May 16, 2008 and curated by Texas Fashion Collection director Myra Walker. The 1960s accessories included a pair of pink boots designed by Emilio Pucci for Braniff Airways, black and white slides, and orange and yellow slides made of paper created by Beth Levine, and a paper hat and folded paper dress.

Photograph of a variety of menswear ensembles from the late 1960s and early 1970s on display in the "Minis, Maxis, and Mods," exhibition at the gallery "Fashion on Main" in the UNT System building in downtown Dallas. The exhibit was display from Feb. 21 – May 16, 2008 and curated by Texas Fashion Collection director Myra Walker.

Photograph of a variety of menswear ensembles from the late 1960s and early 1970s on display in the "Minis, Maxis, and Mods," exhibition at the gallery "Fashion on Main" in the UNT System building in downtown Dallas. The exhibit was display from Feb. 21 – May 16, 2008 and curated by Texas Fashion Collection director Myra Walker.

Photograph of an ivory elephant wale corduroy suit, psychedelic print shirt and purple silk tie by British designer John Stephen on display in the "Minis, Maxis, and Mods," exhibition at the gallery "Fashion on Main" in the UNT System building in downtown Dallas. The exhibit was displayed from Feb. 21 – May 16, 2008 and curated by Texas Fashion Collection director Myra Walker.

Photograph of a aisplay of accessories on a raised pedestal in the "Minis, Maxis, and Mods," exhibition at the gallery "Fashion on Main" in the UNT System building in downtown Dallas. The exhibit was display from Feb. 21 – May 16, 2008 and curated by Texas Fashion Collection director Myra Walker.

Video of Allison Lyndes's hat “Roll for Initiative," the first prize winner for the Milliners Guild exhibition. Artist statement read: A whimsical, modern silhouette features motifs drawn from both the game Dungeons and Dragons (D&D) and game-themed Bes-Ben hats. To 'Roll For Initiative' in D&D determines players’ turn order—the higher number you roll, the more courageous your character is in joining in the action. The central button base evokes a dragon’s hoard, encrusted with several hundred beads and 140 hand-drilled polyhedral gaming dice individually stitched to the hat. A hand-painted miniature hero figurine poses as if challenging the dragon. Bes-Ben was also a storyteller in hats, and I was inspired to combine the exuberance of both D&D and his work in my design.

Video of 1939 Walter Florell hat, exhibition text read: As dynamic accessories, hats often allow designers and wearers to stretch the edges of traditional expression. This playfully oversized hat draws inspiration from the designer’s heritage, recalling the Tyrolean hats worn as part of German tradition and at Oktoberfest celebrations. Typically worn by men, this piece was marketed as a women’s accessory, the whimsical scale and dramatic feather shifting the design from folk to fashion and from masculine to feminine. Vanessa Lopez (American) "Old Fashioned" hat, with artist statement: Artist statement Chicago is the birthplace of not only Bes-Ben millinery but also the hometown of a 1940s favorite cocktail, the Old-Fashioned! This turban-style bandeau hat pays homage to both Windy City icons. Much like a proper Old-Fashioned cocktail, this hat would not be complete without its garnish. To mirror the use of unconventional materials in many Bes-Ben designs, a beaded ribbon of dehydrated orange skin, an artificial cherry, and a pheasant feather cocktail pick accent the hat, complete the aesthetic of the Old-Fashioned cocktail. Cheers to two Chicago legends! In background, late 1930s Hattie Carnegie design, exhibition text read: The relationship between feathers and hats has been historically fraught. In the …