This article reviews the book "Science in the Age of Sensibility: The Sentimental Empiricists of the French Enlightenment," by Jessica Riskin and published in 2002.

This study traces the history and culture of Spain as seen through the lens of the nation´s production of horror cinema. Starting from the boom of Spanish horror film in the early 1960s, the thesis compares and contrasts the political and social aspects of Spanish society throughout three distinct eras of the 20th century: 1962 – 1975 (the boom of Spanish horror film through the Franco dictatorship), 1975 – 1999 (the transition to democracy through the end of the 20th century) and 2000 – present (the 21st century). Movies as diverse as Gritos en la noche (1962, Jesús Franco), ¿Quién puede matar a un niño? (1976, Narciso Ibáñez Serrador) and Angustia (1987, Bigas Luna) are framed by culturally-related anectodes as well as correlations to their respective social environments. Special attention has been paid to the production and release of each film, especially in regards to censorship during the Franco dictatorship. The results show that Spanish horror cinema has acted as a true mirror to culture, society and politics in its native country throughout the 20th century and that this trend will likely extend in to the future.

In The Stranger, a novel by Albert Camus, and in “Funes the Memorious,” a short story by Jorge Luis Borges, the homodiegetic narrators have a significant effect on the referential aspect of their personal experiences. Chronologically these remembered experiences are positioned before the moment when they are narrated. The act of remembering is thus a form of subsequent narration. In both texts, memory is a project rather than an object because it is recounted and not found. In the sense that it is told, memory is necessarily a creative act and thus not faultless because the story of an experience is not the experience itself. The memories in The Stranger and in “Funes the Memorious” are not reconstituted but narrated. The peculiarity of the two texts lies in the fact that the narrators take an external position when describing their own past, emphasizing the imperfect aspect of the narrators’ memory. With a narratological approach to the texts and a Sartrean interpretation of memory, I study the effects of focalization on the act of remembering. By explaining the relationship between focalization, memory and the narratee, I show that the act of remembering is not a repetition of past events or experiences …

This study focuses on the clitic pronoun usage by Spanish-Quechua bilingual speakers in Cuzco, Peru when faced with a question that includes a definite article preceding the direct object. Answers are analyzed to determine whether or not the definite article has an effect on the presence or absence of the clitic pronoun. Direct objects tested were both [+human] and [-human] objects to determine if these variables affect clitic pronoun use as well. Speakers who have identified themselves as bilingual in both Spanish and Quechua were given a survey to complete in order to see what factors may contribute to the use or omission of the clitic pronouns.

Musical ekphrasis was occurring in the twentieth century in different centers around the world, Cuba: Andalusia, Spain; and Harlem, New York, simultaneously. The writers at the heart of this movement used poetry about music as a means to celebrate the cultures of the marginalized people in their lands, los negros, los gitanos, and African-Americans. The purpose of this study is to define musical ekphrasis and identify it in the works of Nicolás Guillén, Federico García Lorca, and Langston Hughes. Also explored are the common characteristics in ekphrastic poetry by the three poets and the common themes found in their ekphrastic poetry, as well as common influences. Each author is considered in the context of his surroundings and his respective culture, and how that influenced his musical tastes as well as his writing style.

Article on the presence and absence of the past and the sites of memory and forgetting in F. C. Delius' "Die Flatterzunge."

This article examines authentic data samples taken from the Corpus de Referencia del Español Actual (CREA) to uncover any semantic trends commonly observed in verbs taking a sentential complement without the complementizer que in Spanish.

This article investigates the clausal nature of Korean Right-Dislocation Constructions (RDCs) and reconsiders recent extant (non-uniform analyses of RDCs.

Book chapter on Frances Brooke's "History of Emily Montague" and the epistolarity at the transatlantic intersection of public and private.

Article discussing a newly discovered 1722 letter by fan- and miniature painter Louis Goupy (1675-1747).

This article reviews the book "The Age of Comfort: When Paris Discovered Casual - and the Modern Home Began," by Joan DeJean and published in 2009.

This article investigates the morphosyntactic properties of the person feature in the English imposter construction studied by Collins & Postal.

Article on epistolary silence in Françoise de Graffigny's 'Lettres d'une Péruvienne.'

Various groups of Mexican culture have assigned to el narco archetypical characteristics of a heroic figure in the literary, visual, and auditory arts. As a result, today’s narcocultura has expanded its tentacles to a vast array of prominent industries, such as publishing companies, the silver screen, and recording studios. El narco is no longer seen by some sectors as the outlaw that stalks our society but, instead, as a hero who fights against a hegemonic faction to reclaim his sovereignty. This thesis unites interdisciplinary observations of the narco phenomena that Mexican culture has assigned to the iconic figure of el narco. The purpose of this work is to recreate the evolutionary development through a theoretical-literary analysis of this prototype in order to better understand Mexican society’s stance on this phenomenon. Octavio Paz’s theory of the Mexican psyche, Joseph Campbell’s theory of the hero’s journey, and an interdisciplinary focus will be employed to analyze this iconic figure. In this thesis, my aim is to investigate how an ultra-conservative Mexican society evolved into a consortium that upholds the narco’s indistinct behaviors and actions. What roles do first world governments and the Mexican state play to fortify, eradicate, or control the narco phenomenon? …

Article on overcoming the silence and narrative strategies in Günter Grass's "Beim Häuten der Zwiebel."

Book chapter discussing Berlin, Germany's history in context and the Foreign Ministry and Spreebogen Complex in the context of the architectural debates.

Article on Marie Jeanne Riccoboni's "Lettre de Madame la marquise d'Artigues à sa soeur" from 1785 and marriage as a feminist utopia.

Encyclopedia article discussing writer Sascha Anderson.

Article discussing Christa Wolf's 'Büchner Prize Acceptance Speech' and how this is an exercise in Sprachkritik, a criticism of the deficiencies in language, and Kulturkritik, a direct criticism of society,

Article discussing Peter Schneider's "Eduards Heimkehr" and the image of the "New Berlin."

Article discussing "Zur Sache Deutschland" and Volker Braun taking stock of his life.

Article on making German greater and advocating for strong programs at all levels.

Article discussing the spring 1996 syllabus for a course on the German Democratic Republic.

Article on the Stasi displayed in Berlin and the role of the museum in the German Democratic Republic (GDR)'s contested legacy.