This article reviews the book "Changing Minds: The Shifting Perception of Culture in Eighteenth-Century France," by John C. O'Neal, published in 2002.

This article reviews the book "Wife-Abuse in Eighteenth-Century France," by Mary Trouille and published in 2009.

This article reviews the book "Les Lettres sur la sympathie (1798) de Sophie de Grouchy: philosophie morale et réforme sociale," edited by Marc André Bernier and Deidre Dawson and published in 2010.

This article reviews the book "The French Nobility in the Eighteenth Century: Reassessments and New Approaches," edited by Jay M. Smith and published in 2006.

This article reviews the book "Sex Education in Eighteenth-Century France," a book edited by Shane Agin and published in 2011.

This book review discusses 'The Politics of Appearances: Representations of Dress in Revolutionary France,' by Richard Wrigley and published in 2002.

This article reviews the book "The Enlightenment of Age: Women, Letters, and Growing Old in Eighteenth-Century France," by Joan Hinde Stewart and published in 2010.

This article reviews the book "From Wives to Widows in Early Modern Paris: Gender, Economy, and Law," by Janine M. Lanza published in 2007.

This article reviews the book "The Fiction of Enlightenment. Women of Reason in the French Eighteenth Century," by Heidi Bostic and published in 2010.

This article reviews the book "Selling Beauty: Cosmetics, Commerce, and French Society," by Morag Martin and published in 2009.

This book is a collection of poetry in Italian and translated into French and English.

Article on Marie Jeanne Riccoboni's 1768 letter to the Mercure de France and the reclaiming of a woman writer's literary legacy.

This study offers a partial reduplication of a 2006 study by Williams, which focused primarily on the analysis of the quality of translation produced by online software, namely Yahoo!® Babelfish, Freetranslation.com, and Google Translate. Since the data for the study by Williams were collected in 2004 and the data for present study in 2012, this gives a lapse of eight years for a diachronic analysis of the differences in quality of the translations provided by these online services. At the time of the 2006 study by Williams, all three services used a rule-based translation system, but, in October 2007, however, Google Translate switched to a system that is entirely statistical in nature. Thus, the present study is also able to examine the differences in quality between contemporary statistical and rule-based approaches to machine translation.

La Malinche is one of the most controversial figures in Mexican and Chicano literature. The historical facts about her life before and after the Spanish Conquest are largely speculative. What is reliably known is that she had a significant role as translator, which developed into something of mythic proportions. The ideological appropriation of her image by three authors, Octavio Paz, Laura Esquivel and Cherríe Moraga, are explored in this thesis. The full extent of the proposed rendition of La Malinche by Octavio Paz is the basis of the second chapter. The conclusion drawn by Paz, in The Labyrinth of Solitude (1950) is that La Malinche is what he calls la chingada [the raped/violated one] and proposes that all women are always open to conquest, sexually and otherwise. Laura Esquivel's novel Malinche (2006) is a re-interpretation that focuses on the tongue as the source of power and language as the ultimate source of autonomy for La Malinche. This aspect of La Malinche and the contrast of Paz's understanding are the basis of the third chapter of this thesis. Cherríe Moraga, in Loving in the War Years (1983), proposes that if women are to be traitors, it is not each other that …

This study examines the theatrical representation of the stealing of children during the last dictatorships in Spain and in Argentina in Laila Ripoll's Los niños perdidos and Patricia Suárez's Astianacte: una máscara del amor under the lenses of the concepts of trauma, myth and memory. Following the theories suggested by Freud, Adorno, Whitehead, Reyes Mate and others, the first chapter discusses the representation of the psychological traumas left by the dictatorial practices left not only on the minds of individuals but also on both nations as whole entities. While Ripoll invites her audience to reflect upon the consequences of the Spanish Civil War and franquism, Patricia Suárez urges her spectators to doubt about their own identity if they were born during the last dictatorship in Argentina. In chapter two, the concepts advanced by Barthes, Reig Tapia and Moreno-Nuño help explore the ways in which the playwrights condemn the legitimizing myths that gave birth to these dictatorial regimes. Both authors subvert these fictional stories, mainly by the use of sarcasm and humor. By means of the concepts of memory supported by Benjamin, Todorov, Nora and Juliá, the third chapter examines the need to let the traditionally silenced voices tell their version …

The present research is centered on Miguel de Unamuno's Songbook which is studied through the prism of the theory of dialogism elaborated by Mikhail Bakhtin. This study overcomes the limitation of Bakhtin's theory which extends solely to narrative genres, and argues that dialogism can also be applied to poetry. In this thesis I seek to rectify the critical oversight of this significant and original work of Unamuno and show that Songbook has panoply of innovative techniques aimed at creating the multiple poetic voices and dialogical interaction. Strong links are established between Bakhtin's theory, Unamuno's aesthetics and the postmodernist episteme of "the death of the author" which heralds the new era of fiction writing. I give a detailed analysis of Songbook's poetry based on Bakhtin's theory and incorporate the pragmalinguistic view of poetic discourse as a communicative act that involves a constant interaction between the addresser and the addressees. I find different types of dialogical expression in accordance with the number and the nature of different addressees at which the poet aims his discourse. This study shows that poetic tools forged by Unamuno are born of the need to express a conflictive inner world that is opposed to any type of …

This study focuses on the Spanish poet of the Generation of '27 Manuel Altolaguirre. The purpose of this thesis is to show how the poetry of Manuel Altolaguirre evolves in relation to specific issues. Specifically, I study the changes in his work in regard to the themes of death and solitude, resulting from exile in 1939, to be enriched by new experiences, many of them dramatic, taking more personal ways, while offering them a more profound and complex and even in regard to the subject of the poet's death comes to contemplate a more positive way. The thesis is divided into five chapters. Following the introduction, the second chapter focuses on Altolaguirre's biography and the Generation in 1927 while the third focuses and analyzes his poetry before his exile in 1939. The fourth chapter examines his poetry after exile until his death in 1959, while the fifth and last chapter concludes this study.

The subaltern is a recurrent literary figure in Mexican narrative. The objective of this thesis is to investigate three ethnic groups – indeed, subalterns – in Mexico which include: Afro-Mexicans, indigenous groups, and Filipino colonial subjects from the perspectives of the Mexican Revolution, post-revolutionary Mexico, and the conquest of the Philippines in the sixteenth century. The principal characters play crucial roles in events shaping the history and culture of Mexico and thus demonstrate their importance to the country's development while also revealing the reality of subalterns. The literary research shows that trying circumstances or a lack of self-identity were the main causes for a character to be or become a subaltern in addition to their inherent ethnic disadvantages. However, the characters who overcame their subaltern state often changed personality traits or adapted to their surroundings in order to be assimilated into the majority culture.

This bibliography provides an overview of eighteenth-century women authors at the dawn of the twenty-first century.

Article on Marie Jeanne Riccoboni's 'Lettres d'Élisabeth Sophie de Vallière' and writing in the female voice.

Article on two novels by author Marie Jeanne Riccoboni, 'Histoire d'Ernestine,' published in 1765, and 'Lettres d'Elisabeth Sophie de Vallière à Louise Hortence de Canteleu, son amie,' published in 1772.

Article on widows and Marie Jeanne Riccoboni's 'Lettres d'Adélaïde de Dammartin.' This is a selected essay from the Women in French International Conference in 2006.

This bibliography forms the sequel to the author's 'Eighteenth-Century Women Novelists at the Dawn of the Twenty-First Century: A Selected Bibliography,' which appeared in this Newsletter in the spring of 2007. The author provides an overview of the most important French women writers of the eighteenth century who did not write novels primarily.

This book is a collection of poetry in Italian and translated into English and French.