Conference paper classical music figure, Nadia Boulanger. It explores her theoretical work and pedagogical methods, with special focus on America. It examines in particular the nature of her interactions with her students, in which the authors were assisted by an American woman composer and theorist whose outlook was revolutionized by her encounter with this great teacher.

Presentation given as part of the session "Cataloging, Preservation, and Discovery of Radio Content in Music Libraries and Archives" at the 2018 Music Library Association conference in Portland, Oregon.

Notes to accompany a presentation on the life and career of Willis Conover for the Willis Conover Centennial Symposium held virtually on December 11, 2020.

Notes to accompany a presentation on the friendship and collaboration between Willis Conover and Duke Ellington for the 26th International Duke Ellington Study Group Conference. Due to the Covid pandemic, this conference was cancelled early in the morning before it was set to begin.

Notes accompanying a presentation on the contents and historical context of the Rhodes Baker Collection at the University of North Texas Music Library. It was presented at the 55th Annual Association for Recorded Sound Collections (ARSC) Conference held virtually May 12-15, 2021.

Presentation on Voice of America broadcaster Willis Conover's long association with Polish jazz, given at the meeting of the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held in Kraków, Poland July 14-19, 2019.

Presentation for a workshop on OpenRefine for the Music OCLC Users Group meeting in Norfolk, VA held on February 25-26, 2020.

Notes accompanying a presentation on the interviews present in the John Gilliland Collection, and how they can inform rock music historiography. It was presented at the joint Texas Chapter of the Music Library Association and the Southwest Chapter of the American Musicology Society meeting held on September 24-26, 2020.

Notes for a presentation on the historical context of Willis Conover's long-running jazz program, Music USA, on the Voice of America, for the conference Music and the Nation III: Music in Postwar Transitions at the Université de Montréal held on October 18-20, 2018 in Montreal, Canada.

This report documents the "Increasing Music Accessibility for Patrons With Print Disabilities" project funded through the Dean's Innovation Grant. The final report describes the project activities, budget, outcomes and other relevant results/information, best practices, and future program continuity.

Data management plan for the grant, "Binders Volumes Research Initiative."

This report documents the "Making Music Accessible in the UNT Digital Libraries" project funded by the Dean's Innovation Grant. The final report briefly describes the project purpose, activities, budget, outcomes, best practices, and program continuity.

This report documents the "Enriching Access through Partnership: Expanding Audio/Visual Equipment Holdings at the Music Library and The Spark" project funded by the Dean's Innovation Grant. The final report briefly documents the project activities, budget, outcomes and best practices, and program continuity.

This paper documents the history of the University of North Texas Music Library from the perspective of librarian Donna Arnold. It covers the stories and contributions of the librarians and staff who have served the UNT music library since its inception in 1940 until present-day.

This report documents the Don't Fence Me In: Engaging Local Music Communities to Preserve Texas Music project funded by the Dean's Innovation Grant for the Local/Independent Music Initiative of Texas (LIMIT). The final report briefly describes the project scope, activities, budget, outcomes, best practices, and project continuity.

Notes to accompany a presentation on the history of the Star Spangled Banner for the Denton (Benjamin Lyon) chapter of the Daughters of the American Revolution on September 6, 2019.

Presentation on the life and career of Willis Conover for the Willis Conover Centennial Symposium held virtually on December 11, 2020.

Presentation on the friendship and collaboration between Willis Conover and Duke Ellington for the 26th International Duke Ellington Study Group Conference. Due to the Covid pandemic, this conference was cancelled early in the morning before it was set to begin.

Presentation given as part of the session "Music encoding use-cases in US libraries: aims, pedagogy, and workflows" at the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held virtually on July 26-30, 2021.

Presentation on the legacy of Voice of America broadcaster Willis Conover's interaction with and propagation of Hungarian jazz.

Notes accompanying a presentation on Voice of America broadcaster Willis Conover's long association with Polish jazz, given at the meeting of the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held in Kraków, Poland July 14-19, 2019.

Presentation on the interviews present in the John Gilliland Collection, and how they can inform rock music historiography. It was presented at the joint Texas Chapter of the Music Library Association and the Southwest Chapter of the American Musicology Society meeting held on September 24-26, 2020.

Presentation on the historical context of Willis Conover's long-running jazz program, Music USA, on the Voice of America, for the conference Music and the Nation III: Music in Postwar Transitions at the Université de Montréal held on October 18-20, 2018 in Montreal, Canada.

This article concerns the artistry and career of Basile Bolotine, 1895-1981, a beloved countertenor soloist in Serge Jaroff's Don Cossack Choir. It was a world-famous a cappella Russian emigre ensemble that toured extensively all over the non-Soviet world for nearly sixty years. Bolotine had a long tenure with them, and through his recorded legacy, his music is still cherished. However, his name has remained largely unknown. This essay introduces him by name to those who have and have not yet experienced his music.