An e-mail from the Texas Commission on the Arts grant administrators to Dr. Jack Davis, Dean of the School of Visual Arts, UNT. The e-mail is in regards printing out either a blank application to be mailed in or an application with the text typed into the blanks.

A comprehensive and filled Marcus Fellow Agreement, a pivotal document solidifying the commitment between the applicant and the School of Visual Arts, Division of Art Education and Art History at the University of North Texas (UNT).

The completed Marcus Fellow Agreement form, solidifying the commitment and terms between the selected individual and the School of Visual Arts, Division of Art Education and Art History at the University of North Texas.

A documented agreement between an individual and the School of Visual Arts, Division of Art Education and Art History, solidifying their role as a Marcus Fellow.

The comprehensive Marcus Fellows Program Agreement, forged between the School of Visual Arts, Division of Art Education and Art History, and an accomplished individual.

Photocopy of a letter from JoAnn Canales, Director, Center for Collaborative Research, University of North Texas, to Jack Davis and Bill McCarter, co-directors of North Texas Institute for Educators on the Visual Arts. In regards to the center collecting data from NTIEVA's activities for the months of November and December. Canales has written out what data has been recorded.

A newspaper clipping featuring an article on Barry Munitz, California State University Chancellor, who is leaving the University and accepting his position as President and CEO of the Getty Trust. Cal State trustees are confident in finding a good candidate to take over the position left by Munitz, in part because Munitz had boosted their system's image.

A cancellation form for the use of the University of North Texas University Union Diamond Eagle Suite by the North Texas Institute for Educators on the Visual Arts.

A note from Maria K. Shoemaker to an unknown receiver about an attached check and requesting a report from a 1996 conference. The check is not attached to the document.

A letter addressed to Dr. McCarter from Diane, sharing the details of their remarkable education exchange experience in Japan. Accompanying the letter is an attached calligraphy paper, capturing the essence of her journey through beautifully crafted brushstrokes, creating a unique and meaningful connection.

Photocopy of a letter from Burton M. Bruce to James "Jim" J. Muro, in regards to the a list that he has sent to Muro with the corporation and foundations tentatively assigned to projects. Bruce writes that he will assist the institutes to take the appropriate steps towards writing and then submitting their proposals to such institutes when the time requires. Attached to the letter is the list of projects and the foundations / organizations assigned to them for contact.

Photocopy of a letter from Bruce M. Burton, Office of Advancement, University of North Texas to his colleague, James "Jim" J. Muro, with an attached list of corporate and foundation prospects tentatively assigned to priority projects. Burton writes that he will coordinate the faculty members and assign them to contacts. cc'd on the letter is Rose Marie Wilkinson, Carol Thompson, Patsy Sharp, Barbara Jester, Blaine Brownell, Jim Miller, Jack Davis, Bill McCarter, Ann Lupkowski, David Holmes, and Gus Seligman.

Photocopy of a memo from Leilani Lattin Duke, director of the Getty Center for Education in the Arts, to the RIG directors. The memo is in regards to the National Endowment for the Arts and the Assembly of Local Art Agencies publishing brochures on the Goals 2000 Educate American Act. Because Goals 2000 is a potential source of funding for the RIG directors, Duke hopes they'll take advantage of the possible new funding. Included with the memo is the brochure on Goals 2000.

Photocopy of a letter from Julie Abel, Program Associate, Getty Center for Education in the Arts, to Nancy Berry, Mickey Day, Nancy MacGregor, Jeff Patchen, Marilyn Stewart, Sheila Brown, Rick Lasher, Michael Parson and Marilyn Schnake. The letter is in regards to prior discussion of possibly offering graduate credits to participants at the Center's national professional development program in the upcoming summer. cc'd on the letter, Jack Davis, Val Marmillion, David Pankratz, Kathy Talley-Jones, Cristin Leonard-Wills, Bill McCarter and Vicki Rosenberg.

Photocopy of a letter from Julie Abel, the Getty Center, to the professional development program participants, Nancy Berry, Mickey Day, Nancy MacGregor, Jeff Patchen, Marilyn Stewart, Sheila Brown, Rick Lasher, Michael Parson and Marilyn Schnake. Copied on the letter are, Jack Davis, Val Marmillion, David Pankratz, Kathy Tally-Jones, Cristin Leonard-Wills, Bill McCarter (crossed out) and Vicki Rosenberg. The note is in regards to the Center's participation being able to receive graduate credits from the professional development programs in the summer and has attached a memo to Bob Simerly to discuss their efforts.

A memo from Vicki Rosenberg, program officer of Getty Center for Education in the Arts, to the Regional Institute Directors, Sheila Brown, Maggie DiBlasio, Jessie Lovano-Kerr, Bill McCarter, Jeffery Patchen, Frances Thurber, Jack Davis, Anne Lindsey, Nancy MacGregor, Tom McMullen, Nancy Roucher and Brent Wilson. The memo is in regrads to prior correspondence on the Regional institute directors' meeting taking place on January 23, 1991 in Los Angeles. Rosenberg writes that the Center will cover the cost of their lodging for five nights and to make reservations as soon as possible.

Photocopy of a letter from Julie Able, Program Associate, Getty Center for Education in the Arts, to RIG directors. The letter is in regards to a request from the Center staff a list of RIG faculty members to use as resources as the Center regularly uses RIG people as program consultants. The faculty list must be received by January 11, 1996. cc'd on the letter is Vicki Rosenberg.

A memo from Sheila Brown and Margaret Proskovec, to Prairie Visions Superintendents and Contact Persons. The memo is in regards to the Nebraska schools being offered an opportunity to participate in a 23 state partnership of educators and public broadcasters that provides quality interactive education via satellite. The memo also announces a two teleworkshop that will be broadcast nationally.

A memo from Vicki Rosenberg, program officer for the Getty Center for Education in the Arts, to the Regional Institute Project Directors. The memo is in regards to the last day of the Austin Meeting where they agreed on issues / actions related to student assessments grant guidelines. The memo details the content for the student grant application as well as details for future directors meetings.

A thoughtfully composed letter of endorsement that applauds the merit, accomplishments, and future potential of an applicant seeking entry into the Marcus Fellow Program. This document serves as a compelling testament to the candidate's qualifications, making a persuasive case for their candidacy in this prestigious program.

Page 2 of a tentative agenda for the Regional Institute Director's Meeting Wednesday, February 3, 1993 at the San Francisco Hilton & Towers Continental Parlor Room #2. A hand-written note in the top corner of the page reads, "Getty. Regional Institutes Directors Meeting FEB 1993."

A memorandum providing comprehensive details about the rescheduled luncheon with Danny Blankenship, Vice President, and Sales Center Manager for Coca-Cola Bottling of North Texas.

A report titled 'School/Museum/University Collaboration Project', submitted to the Edward and Betty Marcus Foundation by D. Jack Davis and R. William McCarter.

A newspaper snippet featuring an article on the University of North Texas panelist from North Texas Institute for Educators on the Visual Arts and Nebraska Consortium linking up together for a nation wide discipline-based art education teleconference. The teleconference is titled "Schools, Museums, Art and Children: A Dialogue of States."