A letter from D. Jack Davis, Co-Director, North Texas Institute for Educators on the Visual Arts, to Vicki J. Rosenberg, Program Officer for The Getty Center for Education in the Arts, about confusion towards a prior letter that was lost in getting fax to Davis. In a response letter from Rosenberg to Davis, Rosenberg informs that per the Center's grant offer letter, grant payments are made in installments and due to the TCA documentation supplements that Davis sent in his January 2, 1990 letter, Rosenburg is sending an additional sum to Davis within four weeks. Attached documents include two payment stubs from TCA.

Letter to Dr. Tim Sonnenburg from D. Jack Davis and William McCarter regarding the cost and expenses of the previous year's Summer Institute and how it will reflect the next.

Letter to Forrest E. Watson from D. Jack Davis and William McCarter regarding the cost and expenses from the previous year's Summer Institute and how it will reflect the next.

Letter to Dr. H. Wayne Hendrick from D. Jack Davis and William McCarter regarding the cost and expenses of the previous year's Summer Institution and how it will reflect the next.

A letter from Julie Anne Abel to Mark Elder about an enclosed strategic planning grant payment for the North Texas Institute for Educators on the Arts. The planning grant payment is not attached to the document.

A letter from Vicki J. Rosenberg to D. Jack Davis and R. William McCarter about enclosing a grant check from The Getty Center for Education in the Arts to the North Texas Institute for Educators on the Visual Arts. The check is not attached to the document.

A letter from Joan Bush to R. William McCarter about enclosing a proposal for the collaboration between the North Texas Institute for Educators on the Visual Arts and the Professional Development Institute. Attached documents include a budget, a working agreement between NTIEVA and PDI, and a Evaluation Design.

Letter from Harry S. Parker III to D. Jack Davis identifying their organization's interest in participating with discipline-based art education.

A letter from Mary L. Isham to D. Jack Davis about expressing their support for the North Texas Regional Institute for Educators on the Visual Arts, now known as the North Texas Institute for Educators on the Visual Arts.

A letter from Vicki J. Rosenberg to D. Jack Davis about a typographical error in their April 17, 1987 letter.

A cancellation form for the use of the University of North Texas University Union Diamond Eagle Suite by the North Texas Institute for Educators on the Visual Arts.

A letter to Mark Elder from Julie Anne Abel regarding a grant payment from the Getty Center for Education in the Arts to the North Texas Institute for Educators on the Visual Arts (NTIEVA).

A letter from Marilynn J. Price to D. Jack Davis about following up on a previous letter and informing Davis that the Getty Center for Education in the Arts cannot accommodate the North Texas Regional Institute for Educators on the Visual Arts for an upcoming event.

A letter from Hoyt F. Watson to D. Jack Davis about expressing interest in participating in the North Texas Regional Institute for Educators on the Visual Arts, now known as the North Texas Institute for Educators on the Visual Arts.

A letter from Vicki J. Rosenberg to R. William McCarter about a typographical error in their April 17, 1987 letter.

An Americans with Disabilities Act of 1990 accommodation request for the North Texas Institute for Educators on the Visual Arts luncheon.

A report titled 'School/Museum/University Collaboration Project', submitted to the Edward and Betty Marcus Foundation by D. Jack Davis and R. William McCarter.

A comprehensive and filled Marcus Fellow Agreement, a pivotal document solidifying the commitment between the applicant and the School of Visual Arts, Division of Art Education and Art History at the University of North Texas (UNT).

A thoughtfully composed letter of endorsement that applauds the merit, accomplishments, and future potential of an applicant seeking entry into the Marcus Fellow Program. This document serves as a compelling testament to the candidate's qualifications, making a persuasive case for their candidacy in this prestigious program.

A letter from Beth Reese to the Marcus Fellowship Program, expressing sincere appreciation and formally accepting the offered fellowship opportunity. Beth shares her enthusiasm and gratitude for being selected, setting the tone for a collaborative and enriching experience within the program.

A detailed letter of recommendation written in strong support of an applicant vying for acceptance into the prestigious Marcus Fellowship Program. This document eloquently highlights the candidate's qualifications, achievements, and potential contributions, reinforcing their suitability for this esteemed program at the UNT School of Visual Arts.

A letter addressed to Dr. McCarter from Diane, sharing the details of their remarkable education exchange experience in Japan. Accompanying the letter is an attached calligraphy paper, capturing the essence of her journey through beautifully crafted brushstrokes, creating a unique and meaningful connection.

A memorandum providing comprehensive details about the rescheduled luncheon with Danny Blankenship, Vice President, and Sales Center Manager for Coca-Cola Bottling of North Texas.

A documented agreement between an individual and the School of Visual Arts, Division of Art Education and Art History, solidifying their role as a Marcus Fellow.