Articles about the club IDEAL and an event, plus songs. On one sheet of paper, a wide column of untitled text is printed above two columns of song lyrics. A narrower piece of paper sits to the right of the first sheet and has a headline and subheadline printed above a single column of text that contains the printed image of a man.

Certificate for Pedro J. Gonzalez for revolutionary participation. A single column of printed text, with one line of handwritten text near its center, extends across the page and ends above a signature.

A La Prensa San Diego article titled "A Ballad of An Unsung Hero." The name of the newspaper has been rotated and printed near the right edge of the newspaper while the title of the article has been printed above a large photograph of Pedro Gonzalez on the left side of the paper. The content of the article sits between the photo and the newspaper's name in a single column of text.

A San Diego Union article titled "A Bit Jittery, But Gonzalez, 88, Sings Well." The name of the newspaper is laid out vertically to the left of four columns of text and a photograph. The photo depicts Preita Caldera and Pedro Gonzalez singing while surrounded by people playing instruments. The text surrounding the photo describes Gonzalez's past the context of his performance depicted in the image.

A San Francisco Chronicle article titled "A Folk Hero in Retirement." The title is printed at the top of the first page of the article, next to the hand-written name and date of the newspaper. Two columns of text fills the rest of the page, continuing onto the second page of the article which has a photograph of Pedro Gonzalez above its left column of text.

A photocopied article titled "A las 8 me mataré." The title and author of the article are printed across the top of the clipping, below which are two columns of paragraphed text.

La Prensa San Diego articles titled "A Proposito Del Nuevo Cine Fronterizo" by Guillermo Gómez-Peña, with an interview with Isaac Artenstein. The first page of the article as two large photographs printed to the left of three columns of text while the second page has bold text and a coupon surrounded by three columns of text, some of which is interrupted by icons. The third page contains four columns of text.

A photocopied news article titled "Ahora son de 30 mil Colonos. Más Protestas." The title is printed in the top right corner of the page above a photo, to the left of which are two columns of text. Three columns of text are printed below the photo and end above an outlined section of text with icons of a building and an archway.

A Noticias del Mundo article, "Balada por un Héroe Desconocido." The newspaper's name is printed at the top of the page between an icon of Earth and a column of text that includes the paper's date. The headline of the article is printed below the newspaper's name. The body copy of the article is formatted into four columns and, along with a photograph of five musicians, occupies the rest of the page's space.

Two Articles from UnoMásUno titled "Baladas chicanas," written by Emilio García Riera. Three columns of text are printed in a rectangular outline, above which is a header with "UnoMásUno" printed across from a date. Below the outlined text are four columns of text similarly printed in a box below a header.

A Nuestro magazine article, "Ballad of An Unsung Hero." A bold headline sits at the top of the first page, above a collage of images and photograph of Pedro Gonzalez at a younger age. The text to the left of and below the images discusses the life of Gonzalez and is continued onto the second page, below a photograph of Gonzalez at an older age and next to an image of a newspaper page. A third page contains only text and continues discussing Pedro Gonzalez's experiences.

A La Prensa San Diego article titled "Best Documentary of '83." The date and name of the newspaper are printed near the page's top right corner, next to the text "Page 5," and above the article's title. Below the title is a single column of text that's been printed to the left of a photograph of Lorena Parlee (back, left), Paul Espinosa (back, center), Pedro J. Gonzales (front), and Isaac Artenstein (back, right).

LA Times news clippings, "Break of Dawn - A Bilingual Experiment." The article is printed in five columns of text that extend across the front and back of two clippings. Two photos of couples sit near the top right corner of the first page's front side, the left one depicting Oscar Chavez and Maria Rojo as portraying Pedro Gonzalex and his wife Maria in a film. A photograph at the bottom of the page shows director Isaac Artenstein and producer Jude Eberhart next to a piece of equipment while a photo at the top of the page's back side shows a man and a woman in front of a dog.

A San Diego Tribune article titled "Chicano Park mural to trace saga of Don Pedro." The name and date of the newspaper are printed at the top of the first page above the article's title, a photo of Pedro Gonzalez, and a photo of a mural. The body copy of the article begins under its title as a single column of text and continues across a second page in three columns before extending onto a third page as two columns of text. A large image it printed across the top half of the third page, depicting Pedro Gonzalez at 90 years old.

A Los Angeles Times Article titled "Corrido for Don Pedro, An Unsung Folk Hero." The article covers Pedro J.Gonzalez and his discussions regarding his past and the Mexican Revolution.

A clipping relating to the reward of revolutionary veterans titled "Decreto del Gobierno del Estado de Baja California." The clipping's title is printed across the top of the paper, above a date. Two columns of text fill the rest of the page.

A news clipping titled "Division Campesina." Above the title is the word "Editorial" and the newspaper's date, to the left of which is a torch icon. Two columns of text extend across the rest of the clipping.

A photocopied article titled "Dolorosa Tragedia en Los Angeles." The left side of the page is occupied by the article's headline, below which is the author's name followed by a wide column of paragraphed text. A second column of text extends down the right half of the page.

A San Diego Union news clipping titled "Don Freeman… Point of View." On the first page is an illustration of a man printed to the right of clipping's title, below which are two wide columns of text. On the right side of the page are the details of the day's TV programs, including program titles and times. The second page contains four columns of text that are interrupted by two photographs of women. The right two columns contain information on films being shown in movie theaters.

Volume IV Number 136 of "El Colmillo Publico." The title is surrounded by stylized drawings of people and is printed above three lines of smaller text. Below the text is a large illustration of a giant, stylized man holding a baby in one hand while four other babies lay on a stick over a campfire. The remaining pages are filled by columns of text or have additional illustrations on them.

Part of page from a scrapbook with a note from the Supreme Court of Texas congratulating John J. Herrera, with envelope, and a business card for John J. Herrera. Note, envelope, and business card are laminated on a piece of thin cardboard.

An article titled "Frontera Norte Pedro J. Gonzalez." The title of the article is enclosed by an oval that how hand-written words above and below its bottom edge and above its top edge. Below the headline is a single wide column of text that extends across the length of the page and then continues to the right of the headline. On the back of the clipping are large handwritten words.

A news clipping titled "Governor de la Madrid Won - Press Freedom Lost." The title and the word "Editorial" are printed at the top of the clipping, below which is a single column of text that fills the rest of the page.

A San Diego's Weekly news clipping, "Hanging Tough, Says Muralist." Four columns of text wrap around a large photograph and discusses Michael Schnorr and the obstacles he faced when working on a mural of Pedro Gonzales's life. The photo on the front page depicts the artist while a photo on the back side of the clipping shows a person in a bathing suit, below which is an article describing swimwear.