Photograph of Mexican Traditional Toys and Miniatures exhibit. There is one large, clear display case and four smaller, clear display cases. Three of the smaller cases stand in the back right corner of the room, while the largest case stands in the front right corner of the room and the last of the smaller cases stands on the left side. Inside these display cases are various Mexican toys and figurines. In the background, there are framed pictures hanging on the wall.

Photograph of three people in front of a purple title wall with white words on it. The top line on the wall reads, "Mario Sagradini," the second line reads, "The Purple Land," and the last line reads, "La Tierra Purpurea." From left to right, there is a woman in a white, patterned dress, a man in a purple vest and jeans and lastly a man in a white shirt, blue jacket and jeans.

Photograph of a purple title wall that is mostly blocked from view by a large group of people. There are white words still visible on the wall that read, "Mario Sagradini." There are sixteen people in the group. This includes, Victor Zamudio Taylor, Mari Caremen Ramirez, Shifra Goldman, Sylvia Orozco, Mario Sagradini, Patricia Greene, Sam Coronado, Alex Chapa, and Eduardo Garcici.

Photograph of Ralph Salinas and Russell Bridges holding a place that reads, "Mexic-Arte Museum 1998." The plate is brightly painted with flowers and other foliage.

Photograph of Jorge Sedeño, Sylvia Orozco, Rodolfo Morales and an unnamed woman (from left to right) presenting two framed artworks. There is young boy in front of one of the artworks and playing with a clear plate. On the far right, there is a man who is cut off.

Photograph of Mari Ramirez and Jorge Sedeño in group totaling six people. From left to right, there is a woman is a pale grey jacket and dress, there is a man in a dark grey suit and orange tie, there is a man in a black suit and red tie, there is a man in a black polo shirt and grey clacks, there is a woman in a black dress and lastly is Jorge Sedeño in an off-white suit jacket and black slacks. In the background, There is a doorway where other people can be seen. Above the doorway, it reads "Jack S. Blanton Museum of Art."

Photograph of Sylvia Orozco and three others by a title wall. From left to right, there is an unnamed man with long hair, a yellow shirt and tan slacks, Sylvia Orozco in a black blouse and a skirt, an unnamed woman with a light colored suit and pants and a man in a tan suit with a blue shirt underneath. The group is blocking part of the text of the title wall.

Photograph of five people, including Herlinda Zamora, Juan Miguel Ramos, Sylvia Orozco and Jorge Sedeño. From left to right, there is Herlinda Zamora in a light colored shit and a blue skirt, Ramos in a green shirt and dark pants, an unnamed older woman in a blue blouse and light colored skirt, Orozco in a black dress and Sedeno in a grey button up shirt and dark pants. They are all standing in front of a title wall, but they are covering up much of the text on the wall.

Photograph of five people, including Herlinda Zamora, Carmela Castrejon, Sylvia Orozco and Jorge Sedeño. Orozco and Sedeno are standing next to one another behind an older woman. To their right, there is a statue on a pedestal which a person in a bright yellow-green shirt is leaning on. Zamora is hugging this person.

Photograph of five people, including Herlinda Zamora, Sylvia Orozco and Jorge Sedeño. They are all clustered together for the picture. Sedeno, Orozco and Zamora are standing more towards the back while the two unnamed woman stand in front of them.

Photograph of three men at an opening reception. The man on the far left is wearing a white striped, long sleeved, button up shirt. The man in the middle is holding a beverage in his right hand and is wearing a black suit, white shirt and a red and black tie. The man on the far right is wearing an off-white, long sleeved button up shirt with a colorful tie. People can be seen in the background.

Photograph of Jorge Sedeño and Pilar Thompkins at the opening reception of YLA III. Sedeno, left, wears dark pants, a gray dress shirt, and patterned tie. Thompkins, right, wears a blue dress with thin straps and a necklace. Text on the wall behind them reads "Pilar Thompkins," underneath which are two paintings by the artist. Both paintings are street scenes featuring people. The leftmost painting is of two boys who have light colored paint on their faces. The rightmost painting is of a laughing figure who wears a mask, white fabric flowing around him.

Photograph of an altar to Roy Lozano. A layer of dry pinto beans has been spread across a wooden floor, with a pattern of dry black beans partially visible on the left side of the photograph. A glass of water and some dried meat sit in front of a black and white photograph. The photograph depicts a mustachioed man wearing a white collared dress shirt. Behind the photograph sits a black urn. Next to the urn is a vase of yellow and orange flowers.

Photograph of seven female Mexic-Arte Museum employees in front of Veronica Prida's boutique. Veronica Prida's designs were shown at the Mexic-Arte Museum in Austin, Texas in a fashion show titled Threads of Light on February 28th, 1999. The leftmost woman is Sylvia Orozco. Strands of white lights are strung upon bars where there might otherwise be a canopy.

Photograph of a woman in traditional Mexican costume at Veronica Prida's Mexican Style Show, Threads of Light, which was held at the Mexic-Arte Museum in Austin, Texas. The woman wears a dress that is geometrically patterned in red, green, and white colors. She also wears a beaded red necklace, silver earrings, and a gold purse on a chain. Potted plants and a yellow wall feature in the background. While words are viewable on the wall, they are cut off.

Photograph of a Margarita Becarra Cano standing in front of her artwork, Code X 187: The San Diego Wall, at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from March 26th, 1999 to April 24th, 1999. Several dozen thin wooden figures hang from the ceiling. The figures appear to be men wearing hats and sad expressions; all are the same. Two white walls are visible and have writing on them in both Spanish and English, which is largely obscured by the hanging objects. Cano wears a gray shirt and blue pants.

Photograph of the title wall for Un Michoacano Unversal: A Retrospective by Adolfo Mexiac at the Mexic-Arte Museum in Austin, Texas. The leftmost wall is yellow; two paintings ton blue, yellow, and red tones hang from it. Text on the wall reads: "Major Exhibition Sponsors: Philip Morris and H.E.B. Education Programs: Chase Bank. Media Sponsor: Austin-American Statesman." A small display case sits in front of the wall. There is a red half wall on the right side of the photograph that reads : "Adolfo Mexiac, Un Michoacano Universal: A Retrospective." On this wall is a painting of a man with arms crossed at his chest.

Photograph of a title wall for Jose Cisneros at the Mexic-Arte Museum in Austin, Texas. The wall reads: "Through Golden Eyes. Jose Cisneros. In cooperation with Sun Dance Press & UTEP University Library." A vase of yellow and purple flowers sits in front of the wall. On the left side of the wall is a small painting of a man and woman in fancy dress.

Photograph of Sylvia Orozco sitting in the Jose Cisneros exhibit at the Mexic-Arte Museum in Austin, Texas. Paintings line the walls. A blue pedestal in the center of the photograph holds small gold and ceramic statues. Near the pedestal is a large camera and lighting umbrella.

Photograph of José Francisco Treviño and an unnamed woman standing in front of a title wall for the Raíces Sin Fronteras exhibit. The exhibit was housed at the Mexic-Arte Museum in Austin, Texas from October 29th, 1999 to January 15th, 2000. The unnamed woman, left, wears a white dress shirt and black skirt. Treviño, right, wears a blue, yellow, and red button up shirt and blue jeans. The leftmost wall is green, while the rightmost wall is purple. On the leftmost wall hangs a drawing of two figures and a painting of a young man. On the rightmost wall hangs a painting of an old man wearing a brown vest, multicolored pants, and carrying a cane. The title wall reads: "José Francisco Treviño, Raíces Sin Fronteras, A Retrospective."

Photograph of an auction held at the Mexic-Arte Museum in Austin, Texas. Figures can be seen studying paintings hung on walls and items laid out on a long table, including ceramic plates and statuettes. Two individuals, left, hold beer bottles. A woman wearing a black lace shawl and red blouse, also left, studies a painting of a man sitting amid foliage. A woman wearing a red silk blouse and black skirt, right, leans over the table. The table is covered in a white cloth and red streamers.

Photograph of five individuals, including Herlinda Zamora, Sylvia Orozco, Anica Bazan, and José Francisco Treviño. The leftmost woman, Anica Bazan, wears a white dress shirt and black skirt. Next to her stands a woman who is wearing a black blouse and pants. Sylvia Orozco, center, wears a white blouse and black skirt. José Francisco Treviño, second from the right, wears blue jeans and a plaid button up in red, blue, and yellow colors. The group stands in front of a green wall upon which paintings are hung.

Photograph of Oscar Silva and an unnamed woman standing in front of a title wall. Silva, left, wears a black shirt and black jeans. The unnamed woman, right, wears a green sweater and jeans. A sculpture on the left features rope with ears of corn and straw hanging from them. Text on the wall reads: "Diversity and Emergence series presents Oscar Silva, Working with Nature."

Photograph of Oscar Silva and Jorge Sedeño standing in front of a title wall. Silva, left, wears a black shirt and black jeans. Sedeño, right, wears a white blazer and black pants. A sculpture on the left features rope with ears of corn and straw hanging from them. Other artworks also feature straw. Text on the wall reads: "Diversity and Emergence series presents Oscar Silva, Working with Nature."