Map of the proposed Trinity Route stretching from Dallas to Fort Worth along the Trinity River.

Photograph of men performing underground construction with heavy equipment.

Photograph of the Skydiver, a thrill ride making its debut in the Million Dollar Midway at the 1966 State Fair of Texas in Dallas, Texas.

Aerial photograph of the Midway at the 1966 State Fair of Texas.

Photograph of dairy cows being shown. Written on the back of the photograph: "This class of Guernsey heifers is typical of the high quality pure breed dairy cattle to be exhibited at the 1966 Pan-American Livestock Exposition at the State Fair of Texas."

Photograph of the exterior of the Amon Carter Museum of American Art in Fort Worth, Texas, featuring the Henry Moore sculpture "Upright Motive #1" in the foreground.

Artist's rendering of the Rural Trinity Route of the Dallas-Fort Worth turnpike. The back of the image reads: "Rural Trinity Route - Artist's rendering of typical section of proposed Trinity Route of the Dallas-Fort Worth Turnpike outside densely populated urban areas. Flanking the roadway are facilities for one type of sophisticated mass rapid transit system which could share Trinity Route right-of-way."

Photograph of the assembly line at Bell Helicopter. On the back is written: "Photo 273305. The newest member of the U.S. Army's air mobile force, the OH-58A light observation helicopter, rolls down the assembly line at Textron's Bell Helicopter company in Fort Worth, Texas. The first of 2,200 OH-58A's was delivered to the Army Friday (May 23). Accepting the five-place, turbine-powered helicopter which is named the "Kioa," was Maj. Gen. John Norton, commanding general of the U.S. Army Aviation Systems Command in St. Louis. Deliveries will continue through mid-1972. From: Public relations, Bell Helicopter (a Textron company), Box 482, Fort Worth, Texas 76101. Area code 817-280-2519."

Photograph of an aerial view of the Cotton Bowl at Fair Park in Dallas, Texas, full of spectators.

Photograph of three Kiowa helicopters in flight. Written on the back of the photo: "Photo 273304. Three U.S. Army OH-58A Kiowa observation helicopters fly in stacked formation above the Textron's Bell Helicopter Company facility at Fort Worth, Texas. The Army took delivery May 23 on the first of 2,200 of the light observation helicopters from Bell, which was awarded a $123,600,000 fixed-price contract in March, 1968 after winning a two-stage industry competition. Deliveries will continue through mid-1972. From: Public relations, Bell Helicopter (A Textron company), Box 482, Fort Worth, Texas 76101. Area code 817-280-2519."

Photograph of an aerial view of Amon Carter air field.

Aerial photograph of the Kimbell Art Museum (bottom left), the Will Rogers Memorial Center and Colliseum (top left), the Amon Carter Museum of American Art (lower center-right), and the Fort Worth Community Arts Center (upper center-right).

Photograph of an artistic rendering of a Leonard's department store.

Photograph of a woman posing in clothing made by the brand Jim N' Me by Facho Dallas.

Photograph of a woman posing in a onepiece shortdress..The model is kneeling down, with her right elbow on her right knee, and her hand resting against her hat as she looks down at the ground.

Photograph of a little girl posing in a patterned dress and apron. The model's long hair is laid over the front of her shoulders while she holds her apron out from her dress slightly, standing with her right foot forward.

Photograph of two women, Tricia (left) and Sharylee Clark (right), posing in floral-print tops and pants at Six Flags Over Texas. Tricia (left) wears an outfit by Fem Form of San Antonio while Sharylee Clark (right) wears clothing by Donovan Galvani of Dallas. The two models each hold a long thin rod while they pose with their right legs crossing over their left legs as they stand in front of a building labeled "school" with a bell tower on the roof.

Photograph of two women, Janie Hawkins (left) and Sharylee Clark (right), posing in striped clothing in front of a school at Six Flags Over Texas. Sharylee Clark (right) stands with her left hand on her hip and looks down to Janie Hawkins (left) who lays across the top of a railing in front of the school, holding part of the rails as she sits up slightly.

Photograph of Sharylee Clark posing in clothing made by Sue Ann of Dallas at Six Flags Over Texas. The model holds her right hand up to the side of her mouth as if to shout, while holding a long thin rod in her left hand. She stands in front of doors that have a "school closed" sign hanging on them while wearing a shirt with its sleeves cuffed and pants.

Photograph of a woman wearing a geometric-print dress made by Lorch of Dallas. The model poses in grassy terrain as her right hand rests on her right leg while she steps to the side, with her left hand resting on her left hip. The dress the model wears includes a skirt and jacket, which have been paired with a hat and gloves. The outfit was designed for the hostesses who will work the 1968 HemisFair in San Antonio.

Photograph of a man modeling a striped two-piece suit made by designer John Weitz. The suit jacket and pants are both of a darker color than the model's shirt, though all three articles of clothing are striped, with a multi-colored patterned tie worn with the suit. The model stands in front of a plain light background with a slanted rectangle of darker color in its center. The suit was one of the new menswear fashions featured in the Stevens M.R.A. Show, and used fabric from Stevens Hockanum.

Photographic portrait of Spanish opera soprano singer Montserrat Caballé. She wears a sleeveless light dress with a dark floral print, a plain light-colored wrap over her arms, and a long pearl necklace along with matching pearl earrings. Her hair is pulled away from her face to the back of her head, wear it hangs looser, as she looks off-camera towards the left side of the photograph.

Photograph of Henry L. Newman, southwest regional director of the Federal Aviation Administration at Fort Worth. He poses in a black suit and tie with a white collared shirt, and wears clear rounded glasses. Henry L. Newman has short pale hair and a high hairline, and sits with his head turned directly to face the camera.

Photograph of a woman posing in a pleated skirt and abstract-print top. The model holds the bottom front edge of her shirt with both hands as she looks up and off-camera to her left. Behind her are neat brick walls, a tall leafy plant, and polished flooring.