This article uses a mapping project to examine the relationship between a small set of chapels in close proximity to defensive fortresses along the upper Duero in the region of Soria.

This article examines how technology may be incorporated into an art historical research program, through a cross-disciplinary project combining the visual methodologies of the art historian with the technical tack of the geographer.

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This abstract painting is mostly black with some white vertical scrapes.

This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line.

This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This article examines the apparel and shopping preferences of mature women in America.

This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.

Image of part of an art installation at Trinity College in Hartford, Connecticut...

Cocktail dress of blue silk taffeta with faint floral watered-silk print; floral brocade print. Round neckline; 24 non-working tiny buttons from center front neckline to waist. Puffed cap sleeves have four tucks into one tiny button just under shoulder. Neckline princess seams to seam around hips; front princess seams have inverted pleats at waist; seams in front and back from armhole to hips 1 1/2" apart into seams at hips. Skirt is below the knee in front; slight train in back. Center back zipper; 3" wide crinoline encased around hem; black lining. Designer's label at center back: "Oscar de la Renta"

Evening dress of black velvet and beads and blue silk. Black velvet bodice has wide neckline. Full length blue silk skirt flares from the waist; waistline has heavy black beads that extend 1" above the waist and 3" below. Waistline darts; Long sleeves. Center back invisible zipper; black lining on bodice; blue lining on skirt.

A) Evening dress of red silk brocade with floral motif. Brown fur cuffs on ¾ sleeves. Wide neckline with a V-neckline; full length. Full skirt gathers into waistline seam; front waistline darts; slight trained lining. Center back invisible zipper. B) Contour belt of self fabric. Leather backing. Oval-shaped buckle of clear and brown heavy glass.

Tie of silk geometric weave in dark blue and gold formulated around the little blue Pfizer pill, Viagra. Label: Pfizer; 100% silk, made in China

Image of part of an art installation at Trinity College in Hartford, Connecticut.

Image of part of an art installation at Conduit Gallery in Dallas, Texas.

Image of part of an art installation at Trinity College in Hartford, Connecticut.

"Fairies in Flight" caftan-style dress of green silk and multiple bands of trim. Front yoke is peacock feather print. Main back triangular panel is collage of appliqué in flora and fauna with fairies in flight and bluebirds. Designer's label at bottom point of exterior back panel: "Amy Zerner"

"Goddess of Knowledge" Jacket of blue and black windowpane silk with appliqué bands of trim. Main back panel with multicolored landscape with stars and female figure in Egyptian-inspired costume, flora and fauna. Long sleeves; 3/4 length. Two large doupionni patch pockets. Center front opening with no closure. Lined in blue green iridescent fabric. Designer's label at exterior back neckline: "Amy Zerner"

"Peacock Priestess" caftan dress of turquoise blue net over turquoise blue and green satin with appliqué and real peacock feathers. Back with appliqué medallions.

"Mystery School" robe of patchwork black, white and gray silk with multiple trims and sequin appliqué on front. Full length. Main back panel collage appliqué in black and white printed and textured cottons includes a small tiger, leopard and large gray tabby cat.

"Sacred Space I" jacket of black denim with multiple bands of trim in jean jacket style. Main back panel appliqué collage of printed and woven cottons in a floral and fauna motif with red cardinal and a fairy. Designer's label at center back neckline: "Amy Zerner"