The research seeks to know if the COVID-19 pandemic has created culture change by measuring the criteria of work outputs and actions of organization members. As a part of this research, a survey was developed to identify how and to what extent workplace culture has been impacted. 111 professional services staff from a North Texas business were surveyed. We identified three factors for criteria of work outputs and behavior that indicates the current level of change of the culture. The three factors are identified as, Expectations (α= 0.786), Accuracy (α= 0.603), and Timeliness (α= 0.552). Factor analysis and descriptive statistics are used to analyze the result from the survey.

This article describes the synthesis of indium tin oxide (ITO) thin films using solgel processing with a mixture of InCl₃, methanol, and SnCl₂, where the solutions were spin coated onto glass substrates. The combined architecture of black phosphorus on ITO thin films shows promise in its use for transparent electronics, which can also serve as a stepping stone for future solar cell platforms.

This article presents dispersions of WS₂ and h-BN using cyclohexanone and terpineol as the solvent to subsequently print prototype capacitive nanodevices.

This article reports the design, fabrication, and characterization of an all inkjet-printed field-effect transistor (FET).

This article reports on a study where 2D TMDs (MoS₂ and WS₂) and the 3D allotrope of carbon and graphite were incorporated into acrylonitrile butadiene styrene (ABS) and polyethylene terephthalate glycol (PETG) matrices in order to form polymer matrix composites (PMCs). The multipronged analysis described in this study was motivated by the purpose to fuse together topics of low-cost, additive manufacturing with 2D layered materials, and studying their ensuing mechanical and tribological properties.

Presentation detailing the customized workflow established for the creation of the Byrd Williams Family Photography Collection in the UNT Digital Library, as well as the unique problems and solutions that arose throughout the course of the project. It was presented at the 2023 Texas Conference on Digital Libraries (TCDL) held May 16-18, 2023 in Austin, Texas.

Poster exploring the representation of race/ethnicity, disability, and gender identification of doctoral psychology students in the U.S. compared to national population figures. It was presented at the 2020 Midwinter Meeting of the Council of University Directors of Clinical Psychology held on January 17-18, 2020 in Austin, Texas.

This poster will cover the results and experiences of using Tiktok as a form of peer-to-peer outreach to share research tips with other college students. Specific examples, learned best practices, and future plans for improvement will be discussed. It was presented at the Association of College and Research Libraries (ACRL) Distance and Online Learning Virtual Poster Session held April 26-30, 2021.

This poster explores the process and resources used to create subject metadata for The Chronicles of Oklahoma collection in The Gateway to Oklahoma History. The Chronicles of Oklahoma is a regional publication from the Oklahoma Historical Society that has been published since 1921. The UNT Digital Library is digitizing the back issues and making them available to the public through the digital library, The Gateway to Oklahoma History. It was presented at the UNT Libraries' 2023 Student Snapshots Symposium held in Denton, Texas and at the 2023 Texas Conference on Digital Libraries (TCDL) held May 16-18, 2023 in Austin, Texas.

This poster highlighting the development of machine learning model to automate part of the process of digitizing and archiving documents from the Texas State Depository Program. This particular part of the process is the sorting of documents to facilitate metadata creation. It was presented at the 2023 Texas Conference on Digital Libraries (TCDL) held May 16-18, 2023 in Austin, Texas.

Work of art of oil on canvas by artist Hannah Aaron as part of a 2020 MFA Exhibition, entitled "A Narrative Rewritten"

Work of art of exhibition: monotype, screenprint by artist Aunna Escobedo, as part of a 2020 MFA Exhibition, entitled "Navigating the Waters". L to R: A Swiftness, Accumulating: slow and steady, Shifting: between states.

Work of art of Glass, paper, fibers, crochet, resin, ink, paint by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

Work of art of Glass, paper, fibers, ink, paint by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

Work of art of Glass, paper, fibers, crochet, bronze, ink, paint by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

Work of art of Mixed Media Immersive Installation by artist Heather Hoskins, as part of a 2020 MFA Exhibition, entitled "Visceral Reflections".

Work of art of tea bags, bed sheet, book remnants, string, steel by artist Traci O’Dwyer as part of a 2020 MFA Exhibition, entitled "Of My Own Making".

This poster highlights a project undertaken at the University of Houston by the Gerald D. Hines College of Architecture and Design to select and transition records into the University's archives. The relationship between colleges or department and the University archives is examined, and the workflows necessary to ensure consistency through the transfer. The poster was created as part of coursework for INFO 5375 Archival Appraisal in Spring 2020 at the University of North Texas.

The article describes the subgroups and demographic characteristics related to NA household food environments. Surveys collected food getting, food assistance, and sociodemographic variables from randomly selected adults from three NA communities (n = 300) in the Midwest and Southwest. Findings demonstrate that NA household food environments can be described by developing subgroups based on patterns of market and traditional food getting, and food assistance utilization. Understanding NA household food environments could identify tailored individual and community-level approaches to promoting healthy eating for NA Nations.

Work of art in laser cut cardboard, CNC routed wood, vinyl by artist Morgan Grasham as part of her 2020 exhibition, entitled "Memory Beast".Image of installation view of 2020 MFA exhibition by artist , entitled "Memory Beast".

Article reporting on how journal articles are presented within the Open Language Archive Community’s (OLAC) OAI-PMH aggregator for language resources. Understanding how secondary journal materials are presented in OLAC records is a first step towards increasing the end-user utility of the OLAC aggregator. It was presented at the 2nd International Workshop on Digital Language Archives held on June 30, 2023 as part of the ACM/IEEE Joint Conference on Digital Libraries 2023.

Article presenting two methods for connecting aggregated records to their source institutional metadata profiles. The use case of the Open Language Archives Community (OLAC) application profile is considered and evaluated. It was presented at the 2nd International Workshop on Digital Language Archives held on June 30, 2023 as part of the ACM/IEEE Joint Conference on Digital Libraries 2023.

Diana Rojas explores the hidden and invisible through interdisciplinary collaboration and conversation across fields such as Philosophy, Music Composition, Physics, Material Science and Visual Art. The tools and environments she creates - by utilizing the archaic and contemporary, the digital and sculptural, known and unknown, and the minute and immersive -culminate in experiential works that prompt viewers to slow down and inspire introspection. The slowing down that these works provoke raises questions about existence, reality and being. By combining materials and elements of theories and devices of exploration, she references their antecedents, but creates new opportunities for viewer investigation. This includes utilizing creative coding, video, 3D modeling, welding steel, kiln forming and soldering glass, and cutilizing sand as projection screens. Additionally, she utilizes sound and light to create captivating installations, inspired by interest in the influence that immaterial forces have on human minds and decisions.

Titled after a poem by Edgar Allan Poe, From Every Depth of Good and Ill, is an exhibition composed of vignettes created with ceramic sculpture, ephemeral installation works, and printmaking. The work primarily references domesticity and antiquated subjects to illustrate the process of coping with past trauma and the resultant feelings of shame, inadequacy, and incompleteness. Marked by a palette of warm rust and sepia, aged patterning, and worn textures, the tableau of objects presented within the space mimic old familial photographs. Each resulting work serves as a dirty looking-glass for the viewer to peer through.