Resource Type

Degree Discipline

Month

Language

Healing & Reassembling (open access)

Healing & Reassembling

Working to unravel my sense of the world and challenge the narratives and beliefs I hold as truths; I have created a reimagined and surreal bathroom that offers a private and vulnerable space filled with hidden horrors. The animated, imperfect, decayed, and cracked bathroom forms bridge the gap between the impermanent fragility of memory and the ongoing beliefs of a personal narrative. I worked to overcome the assumption that, to heal, something must be completely resolved within itself. Instead, I offer that healing is an undescribed area, that is unmeasurable, and it is forever evolving and never finished.
Date: May 2022
Creator: Potts, Emily
Object Type: Text
System: The UNT Digital Library

Healing & Reassembling Title

Work of art on porcelain and epoxy by artist Emily Potts as part of a 2022 MFA exhibition, entitled "Healing & Reassembling" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 2 to March 5, 2022.
Date: 2022
Creator: Potts, Emily
Object Type: Artwork
System: The UNT Digital Library

Title Letters (detail)

Work of art on porcelain and epoxy by artist Emily Potts as part of a 2022 MFA exhibition, entitled "Healing & Reassembling" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 2 to March 5, 2022.
Date: 2022
Creator: Potts, Emily
Object Type: Artwork
System: The UNT Digital Library
Confluence (open access)

Confluence

My artwork dialogues with three topics: climate change’s economic and societal impact, plant genetic engineering advances, and art’s influence on scientific creativity and innovation. These intersect in my focus on the mystery and promise of plant genetic research and the creative innovation needed to advance this research. I manipulate, massage, and mix contemporary mediums and traditional sculpture, fiber and painting mediums. My sculptures often have translucent elements that interact vividly with visible and UV light spectrums. Undulation and emergence figure prominently in my artwork as metaphors of the active living organism coming forth from the genetically altered primordial soup.
Date: May 2022
Creator: Samson, Philip F.
Object Type: Text
System: The UNT Digital Library
Constructed Self (open access)

Constructed Self

Constructed Self is an exhibition of life-size forms that blur the line between photography and sculpture while being both stable and on the verge of collapse. These damaged concrete columns, slabs, and hand-formed bricks used to create walls are inspired by architecture's support structures to convey my internal psychic framework. Photographs are transferred on the surface of these forms that depict environments where I have processed and experienced my struggles with mental health. This work explores how to communicate and convey the interior and exterior of my emotional self in visible terms while bringing me healing emotionally through the process of making these sculptures.
Date: May 2022
Creator: West, Kaitlin
Object Type: Text
System: The UNT Digital Library

Constructed Self Installation

Works of art on Image transfer onto concrete, ratchet straps by artist Kaitlin West as part of a 2022 MFA exhibition, entitled Constructed Self in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 6 to 9, 2022.
Date: 2022
Creator: West, Kaitlin
Object Type: Artwork
System: The UNT Digital Library

Brick Wall (detail) #3

Works of art on image transfer onto hand-formed bricks by artist Kaitlin West as part of a 2022 MFA exhibition, entitled Constructed Self in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 6 to 9, 2022.
Date: 2022
Creator: West, Kaitlin
Object Type: Artwork
System: The UNT Digital Library