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An Introduction to Contemporary Violin Techniques: A Practical Guide with Exercises for Students and Teachers
François Couperin's Neuvième Concert, "Ritratto Dell' Amore": A Performance Guide and Edition for Flute and Keyboard
Where Bach Meets Jazz: A Critical Edition of Anthony Plog's (b. 1947) Concerto for Flute and Wind Ensemble with Commentary, Revisions, and Additions by the Composer
Activating Artistry: Community Engagement Resources and Teaching Artist Strategies for the Bassoonist
The Origins of Professorship in the American Clarinet School and the Lasting Influence of Stein, Stubbins, and Voxman
Romanticism or Baroque? A Comparative Study of Approaches to the Ciaccona Attributed to Tomaso Antonio Vitali
Comparison and Application of Verismo Singing Concepts to Trumpet Performance through Aria Transcription and Emulation
An Instrumental Song without Words about Hope: A Melodic Motivic Analysis of the Third Violin Sonata by Charles Ives (1874–1954)
Manuel de Falla's "Siete Canciones populares Españolas" (1914): Study and Transcription for Horn and Piano
Gabriel Pierné's Sonata in D Minor, op. 36: A Study of the Work's Compositional Language and Context, Focusing on the Composer's Transcription for Flute
Expanding Modern Cello Technique: A Survey of the Technical Innovations in Paul Tortelier's "How I Play, How I Teach" and Their Application Within the Repertoire
A Comprehensive Study of Three Compositions for Percussion by Composer Jonathan Leshnoff, "Run" (2003), "…without a chance" (2003), and "Concerto for Two Percussionists and Orchestra" (2011), including a Structural and Aesthetic Analysis
A Performance Guide to "Passacaglia for Solo Violin" (1997) by Byung-dong Paik
Transcribing from the Baroque Guitar to the Classical Guitar: A Critical Edition of François Campion's (c1685-1747) Sonatina in D Major
"The Other Half is Mine": Charlotte Moorman as an Architect of the Avant-Garde
A Technical Preparation Guide for the "Dragonetti Concerto" in A Major for Double Bass and Orchestra by Édouard Nanny
Performing Controlled Indeterminacy in Leo Brouwer's "Sonata Mitología de las Aguas No. I, para Flauta y Guitarra"
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