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Epidemiologic Survey of a Unique Type of Task-Specific Dystonia in Brass Musicians
How a Schenkerian Analysis May Inform the Interpretation and Performance of J. S. Bach's Lute Music on the Guitar Using Selective Movements of Bach Lute Suite No. 4 in E Major (BWV1006A) as a Demonstration
Pedagogical Use of Plainchant for Trombone: Its Application in Legato Studies and Ensemble Playing
The Origins of Professorship in the American Clarinet School and the Lasting Influence of Stein, Stubbins, and Voxman
Adaptation and Validation of the Athletic Identity Measurement Scale for Use with Musicians
Integrating Body and Mind Awareness into the Pedagogy of Expiratory Breathing, Large Intervallic Leaps, and Altissimo Production when Performing the Alto Saxophone
The Emancipation of the Bass Clarinet: Harry Sparnaay and the Development of Solo Bass Clarinet Repertoire
The Historical Significance of the Compositions for Clarinet by Nguyen Phuc Linh in Vietnamese Instrumental Music
Sonorous Andean Landscapes: A Performance Guide for Guevara Ochoa's "Yaraví, Danza y Huayno" (n.d) and Vivanco's "Fantasía Andina" (c. 1988)
The Saxophone Meets Chinese Culture: A Guide to Works for Saxophone by Composer Zou Xiangping
A Performance Guide to Zili Li's Viola Concerto No. 1 (2010)
An Analytical Study of the Suite for Violin and Piano (1935), Op. 6, by Benjamin Britten (1913-1976)
Saxophone Instruction by Women: Experiences of Achieving the Rank of Full Professor at Post-Secondary Institutions in the United States
Utility Trombone Playing: A Practical Method for Students to Achieve Mastery of Alto, Tenor and Bass Trombone
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